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DTSTART;TZID=America/Los_Angeles:20201114T100000
DTEND;TZID=America/Los_Angeles:20201114T120000
DTSTAMP:20201007T205648Z
CREATED:20201007T205648Z
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UID:10000063-1605348000-1605355200@hellenic.ucla.edu
SUMMARY:Anna Ballian (Curator Emerita\, Benaki Museum)\, “Bacini or Immured Vessels on Post- Byzantine Churches\, 16th-17th Century: The Case of Iznik\, Italian and Local Ware”
DESCRIPTION:The image of a small church with immured ceramic vessels on its walls is interwoven with representations of the Greek landscape\, whether on the islands or on the mainland. The practice of decorating church façades with brightly decorated vessels is older than the 16th century and the Ottoman period in Greece\, and is related to the phenomenon of bacini\, or plates\, immured in the façades of Italian religious buildings from the 11th to the 15th centuries. The spread of the practice appears to have followed sea routes and commercial networks opened up by Italian maritime cities. In Greece\, the practice is particularly apparent after 1204 in areas ruled over by Franks or Venetians. Glazed ceramic plates of various origins\, whether local Byzantine or imported from Islamic or Christian Mediterranean countries\, appeared on the exterior walls of late Byzantine churches and this practice continued after the Ottoman conquest with local\, Ottoman\, Italian and other Western European ceramics until the 19th century. This lecture will focus on a group of 16th- to 17th-century churches in Euboea\, Thessaly and the Peloponnese. Ottoman immured vessels from Iznik and possibly from Kütahya are the novel factor\, the outcome of a new political reality and change of taste\, but they co-exist with Italian maiolica vessels which continued to be traded along the same routes. Dating these ceramics helps provide a chronology for newly built or renovated churches and\, when possible\, unfolds the mechanism of patronage and the status of the donors. Eventually\, the study of early churches and their immured vessels will expand our knowledge about the Greek elites of the early Tourkokratia. \nAnna Ballian is curator emerita of the Benaki Museum of Islamic Αrt. She began working at the Benaki as a curator of the post-Byzantine collection of church silver and embroideries and has worked on the presentation and opening of the Benaki | Greek Culture and Benaki | Islamic Art. She completed her BA in History and Archaeology at the University of Athens\, her MA in Islamic Art from SOAS\, London\, and her PhD at the University of Birmingham\, Centre for Byzantine\, Ottoman and Modern Greek Studies with a thesis on the art and patronage of the Christian communities in Asia Minor during the Ottoman period. She has contributed and curated several exhibitions and published on Byzantine and Islamic art and culture\, and on post-Byzantine\, Armenian and Ottoman art and culture\, especially silverwork\, textiles and ceramics. \nRSVP here to receive the link.
URL:https://hellenic.ucla.edu/event/anna-ballian-curator-emerita-benaki-museum-bacini-or-immured-vessels-on-post-byzantine-churches-16th-17th-century-the-case-of-iznik-italian-and-local-ware/
LOCATION:by Zoom
CATEGORIES:Art History,Community,Hellenic,Humanities,Lecture,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2020/10/Screen-Shot-2020-11-07-at-2.50.17-PM-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20201107T100000
DTEND;TZID=America/Los_Angeles:20201107T120000
DTSTAMP:20201007T205321Z
CREATED:20201007T205321Z
LAST-MODIFIED:20201007T205321Z
UID:10000062-1604743200-1604750400@hellenic.ucla.edu
SUMMARY:Xenia Politou (Aegeas AMKE Curator of Modern Greek Culture\, Benaki Museum)\, “The Costume of Women in Greece: Styles and References”
DESCRIPTION:Local Greek women’s costumes are impressive because of their wide variety and large number of local variations. A more methodical analysis can bring to the surface certain common characteristics and will help the careful observer to identify from among these varieties the basic styles and main influences that contributed to their creation. The vicissitudes of history\, the different rulers—mainly Ottomans and Venetians—who left their mark on a pre-existing Byzantine sartorial system\, and the absence of a unified Greek territory before the 1830s explain the great diversity and variety of Greek women’s costumes. Even after the creation of the Greek state in 1832\, the local style of garments still received another invasion: the invasion of a late industrial revolution and European fashion which brought new patterns and styles. Finally\, the abandonment of local costumes has been progressive—obviously slower in isolated villages—throughout the 19th century until around the 1950s. This lecture attempts to present an analysis of the basic elements common to all costumes and to their classification according to their main styles\, as they had been fashioned during a long period of foreign occupations. \nXenia Politou is Aegeas AMKE Curator of Modern Greek Culture\, Benaki Museum. She was born in Athens and studied French and Comparative Literature in Athens and Paris. From 1993 through 2001 she worked at the Museum of the History of the Greek Costume in Athens. At the same time\, she also participated in the National Archive of the Greek Traditional Costume\, a research program on clothing subsided by the Hellenic Ministry of Culture. Between 2002 and 2005\, she worked for the Peloponnesian Folklore Foundation on the organization of the “Ptychoseis = Folds + Pleats: Drapery from Ancient Greek Dress to 21st Century Fashion” exhibition\, the first international fashion exhibition in Greece. Since March 2005\, she has been working at the Benaki Museum\, first in the Exhibition Department\, and since September 2010 she has been Curator of its Modern Greek Culture Department. Her research interests include the study of Greek local costumes and Greek embroideries. She is a member of the ICOM Costume Committee and founding member and Chair of the Hellenic Costume Society. \nTo RSVP\, click here. \n 
URL:https://hellenic.ucla.edu/event/xenia-politou-aegeas-amke-curator-of-modern-greek-culture-benaki-museum-the-costume-of-women-in-greece-styles-and-references/
LOCATION:by Zoom
CATEGORIES:Art History,Community,Hellenic,Humanities,Lecture,Modern Greece
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200611T100000
DTEND;TZID=America/Los_Angeles:20200611T120000
DTSTAMP:20200503T041713Z
CREATED:20200503T041713Z
LAST-MODIFIED:20200503T041713Z
UID:10000045-1591869600-1591876800@hellenic.ucla.edu
SUMMARY:Irini Papageorgiou\, "Rites of Passage: The Wedding Rituals in Classical Athens"
DESCRIPTION:Irini Papageorgiou is Curator of the Department of Prehistoric\, Ancient Greek\, and Roman Collections at the Benaki Museum \nTo receive a Zoom link for this lecture\, please RSVP to hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/irini-papageorgiou-rites-of-passage-the-wedding-rituals-in-classical-athens/
CATEGORIES:Archaeology,Art History,Community,Hellenic
ATTACH;FMTTYPE=image/png:https://hellenic.ucla.edu/wp-content/uploads/2020/05/Screen-Shot-2020-05-02-at-9.11.59-PM-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200604T100000
DTEND;TZID=America/Los_Angeles:20200604T120000
DTSTAMP:20200503T040029Z
CREATED:20200503T040029Z
LAST-MODIFIED:20200503T040029Z
UID:10000044-1591264800-1591272000@hellenic.ucla.edu
SUMMARY:George Manginis\, "'For the Benefit of the Nation': A Collection of Chinese Art for Greece"
DESCRIPTION:George Aristides Eumorfopoulos (1863-1939)\, was a British collector of Chinese\, Korean and Near Eastern art. He was born at 43 Bedford Street South\, Mount Pleasant\, Merseyside\, the son of Aristides Georges Eumorfopoulos (1825–1897) and Mariora Eustratius Scaramanga (1840–1908). His grandparents had fled the Greek island of Chios during the massacre of its population by the Ottoman army in 1822. Eumorfopoulos worked for a London firm established in 1819 – Ralli Brothers\, of Greek origin\, a firm of private bankers who were also importers of rice\, cotton and hemp from India. By the time he retired in August 1934 he had risen to the position of Vice President of the firm. Since 1922 he lived at 7 Chelsea Embankment in London\, a townhouse he had converted into a museum. Eumorfopoulos was a respected collector of Asian art. In the early stages of his collecting activity he focused on European medieval and renaissance art and 18th century ceramics alongside Japanese art\, but he soon diversified into early Chinese art\, especially after 1906. He not only made use of the services of experts or agents\, but also relied on his own rapidly growing experience in acquiring objects. His collection of Oriental art grew to an enormous size\, obliging him to add a two-storey extension to the back of his Chelsea house. He founded the Oriental Ceramic Society and was its first president from 1921 until his death in 1939. He organised and funded the publication of eleven volumes illustrating and describing items from his collection during the 1920s and early 1930s. Free access to his collection and encouragement from him inspired his neighbors Nell and Charles Vyse to experiment with Oriental stoneware glazes. Eumorfopoulos had intended to bequeath his collection to the British nation\, but the Great Depression of the 1930s forced him to sell part of it\, in what was called ‘a princely gesture’\, to the Victoria and Albert and British Museums for £100 000 in 1934/5; he also sold some duplicates through Bluett’s\, the London art dealers\, and between 1927 and 1936 donated 800 pieces to the Benaki Museum\, Athens. This lecture looks at the fascinating life of this collector and at the important collection that the Benaki holds. \nGeorge Manginis is Academic Director of the Benaki Museum. \nTo receive a Zoom link for this lecture\, please email hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/george-manginis-for-the-benefit-of-the-nation-a-collection-of-chinese-art-for-greece/
CATEGORIES:Art History,Community,Hellenic
ATTACH;FMTTYPE=image/png:https://hellenic.ucla.edu/wp-content/uploads/2020/05/Eumo-for-UCLA-6-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200528T100000
DTEND;TZID=America/Los_Angeles:20200528T120000
DTSTAMP:20200503T035706Z
CREATED:20200503T035706Z
LAST-MODIFIED:20200503T035706Z
UID:10000043-1590660000-1590667200@hellenic.ucla.edu
SUMMARY:Mina Moraitou\, "'Mr. Byzantoine et ses amis': Antonis Benakis and the Art Scene of Alexandria"
DESCRIPTION:Antonis Benakis was born in Egypt into a Greek family with a strong sense of duty towards society. He maintained close ties with the homeland and had\, as all Greeks did\, a strong sense of Greek identity although he was born and raised abroad. In a time of irredentist ideas\, he contributed to Greece’s struggle to expand its borders by supporting operations or participating along with other family members. As he was growing up in Alexandria\, Benakis became a passionate art collector. His had a wide range of interests and gradually he managed to form remarkable collections.This paper will focus on the artistic scene of Alexandria during the years before the move to Athens\, the contribution of the Greek community and especially the role of Antonis Benakis. Furthermore\, it will highlight the eclectic taste of the collector and the way in which it was reflected in the creation of the Benaki Museum in Athens.  \nMina Moraitou is Curator of the Benaki Museum of Islamic Art \nTo register for the Zoom lecture\, please RSVP to hellenic@humnet.ucla.edu \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://hellenic.ucla.edu/event/mina-moraitou-mr-byzantoine-et-ses-amis-antonis-benakis-and-the-art-scene-of-alexandria/
CATEGORIES:Art History,Community,Hellenic
ATTACH;FMTTYPE=image/png:https://hellenic.ucla.edu/wp-content/uploads/2020/05/Screen-Shot-2020-05-02-at-8.48.34-PM-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200521T100000
DTEND;TZID=America/Los_Angeles:20200521T120000
DTSTAMP:20200503T034644Z
CREATED:20200503T034644Z
LAST-MODIFIED:20200503T034644Z
UID:10000042-1590055200-1590062400@hellenic.ucla.edu
SUMMARY:Aliki Tsigialou\, "Nelly's: Reflections on the Life and Work of the Female Photographer Elli Seraidari-Sougioultzoglou (1899-1998)
DESCRIPTION:A native of Aydin in Asia Minor\, Elli Souyioultzoglou-Seraidari–better known by her professional name of Nelly’s–was first influenced by German trends in photography. The two main characteristics of her work\, and indeed of her life\, were freedom and movement. She owed her pictorial technique and her classical sense of aesthetics to the influence of her German teachers\, Hugo Erfurth and Franz Fiedler. However\, in 1924\, after establishing herself in Athens and opening a photography studio in Ermou Street\, she adopted a more Greek-centered and conservative approach to her work. An early interest in portraiture\, maintained throughout her professional career in Greece and the USA\, provides us with rare pictures of interwar Athenian society\, as well as an important source of information on America’s Greek immigrants. From 1927 until the outbreak of World War II\, Nelly’s traveled throughout Greece\, documenting the entire panorama of Greek life. As a Diaspora Greek\, Nelly’s view of Greece tended to be somewhat “idealized”. Her photographs appeared in official tourist publications that were circulated abroad\, and contributed to creating the earliest visual symbols of Greece’s “philosophy regarding tourism.” She systematically depicted the ancient monuments and archaeological sites of Greece. Her experiments with natural light and her photographs of ancient temples\, demonstrating their interrelationship\, are true masterpieces\, bringing to mind the work of Erfurth’s German student\, Walter Hege. Nelly’s photographs of dancers in Germany and\, above all\, on the Acropolis (1923-29) demonstrate exceptional thematic cohesion and identify her as one of the leading dance photographers of the interwar period. Having gone into self-imposed exile in the USA following the outbreak of World War II in 1939\, she added advertising photography\, color photography and photo reporting (New York streets & Easter Parade) to her range of skills\, although she was not overly influenced by the trends of contemporary American photography. Nelly’s died in Athens\, after a lifetime of passionate dedication to her art. She left a body of work\, which remains exemplary from both an artistic and a technical standpoint; it represents a valuable legacy to the photographers of today. \nFor a Zoom link for this lecture\, please RSVP: hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/aliki-tsigialou-nellys-reflections-on-the-life-and-work-of-the-female-photographer-elli-seraidari-sougioultzoglou-1899-1998/
CATEGORIES:Art History,Community,Hellenic
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200514T100000
DTEND;TZID=America/Los_Angeles:20200514T120000
DTSTAMP:20200503T033912Z
CREATED:20200503T033912Z
LAST-MODIFIED:20200503T033912Z
UID:10000041-1589450400-1589457600@hellenic.ucla.edu
SUMMARY:Evita Arapoglou\, "Niko Ghika\, John Craxton\, Patrick Leigh Fermor: Charmed Lives in Greece"
DESCRIPTION:This lecture\, by author and art historian Evita Arapoglou\, will present the life and work of Greek painter Niko Ghika (Nikos Hadjikyriakos-Ghika)\, British painter John Craxton\, and the British writer Sir Patrick Leigh Fermor\, who all made homes in Greece. Meeting at the end of World War II\, the three men formed a friendship that would endure to the end of their lives. They shared an interest and passion for Hellenistic culture and contributed to what is now understood to be “a golden age of Anglo-Greek artistic and literary collaboration.” \nPlease RSVP hellenic@humnet.ucla.edu for a Zoom link.
URL:https://hellenic.ucla.edu/event/evita-arapoglou-niko-ghika-john-craxton-patrick-leigh-fermor-charmed-lives-in-greece/
CATEGORIES:Art History,Community,Hellenic
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2020/05/Screen-Shot-2020-05-02-at-8.29.24-PM-copy-1.jpg
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