BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UCLA Center for the Study of Hellenic Culture - ECPv6.17.4.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://hellenic.ucla.edu
X-WR-CALDESC:Events for UCLA Center for the Study of Hellenic Culture
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20180311T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20181104T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20190310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20191103T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20200308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20201101T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20210314T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20211107T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20220313T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20221106T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20230312T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20231105T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20240310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20241103T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20250309T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20251102T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241116T160000
DTEND;TZID=America/Los_Angeles:20241116T180000
DTSTAMP:20240506T214516Z
CREATED:20240506T214516Z
LAST-MODIFIED:20240506T214516Z
UID:10000209-1731772800-1731780000@hellenic.ucla.edu
SUMMARY:Byzantine Crime Novels in the Twenty-First Century: From History to Fiction by Panagiotis Agapitos\, University of Mainz
DESCRIPTION:Byzantine Crime Novels in the Twenty-First Century: From History to Fiction  \nA lecture by \nPanagiotis Agapitos\nGutenberg Distinguished Research Fellow\, Byzantine Literature\nUniversity of Mainz \nSaturday\, November 16\, 2024\n4:00 p.m.\n314 Royce Hall\, UCLA Campus\nReception to follow \nRSVP link: https://forms.gle/AMserxQLbWa2exNS9\nEvent is free but RSVPs are requested. \nIf you are unable to attend but would like to watch the lecture via livestream on our YouTube channel\, the link is provided below: \nLivestream link: https://youtube.com/live/bNnV8v_vlcE?feature=share \nConversation following the lecture with Professor Michael Cooperson\, Associate Director\, UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture. \nThis lecture tackles the question of “authenticity” when writing crime novels set in the remote past. Agapitos’ three novels (published between 2003 and 2009 in Greece)\, that are set in the first half of ninth-century Byzantium during the rule of the last iconoclast emperor\, Theophilos (r. 829–842)\, form the basis of a lively discussion about the challenges of producing a satisfactory narrative. The fairly clear generic conventions of a traditional British-style mystery are not applicable to a medieval culture such as Byzantium\, starting with the basic issue of the absence of detection and the relevant detective. Contemporary fans of crime fiction have broad expectations about what a detective novel should be\, but they also want a feeling of “real” history in the narrative. In his novels\, the speaker tackles this problem by employing various techniques derived from Byzantine rhetoric and narrative\, while\, at the same time using archaeological\, historical and textual studies to offer a medieval yet contemporary crime story that feels medieval but is\, in fact\, postmodern. \nPanagiotis Agapitos is the Gutenberg Distinguished Research Fellow in Byzantine Literature at the University of Mainz. Previously\, he taught for 25 years at the University of Cyprus as Professor of Byzantine Literature and Culture in the Department of Byzantine and Modern Greek Studies. He studied at the University of Munich and received his Ph.D. from Harvard University in 1990. He has taught as a visiting professor at the Free University of Berlin\, the High School of Social Sciences in Paris\, Stanford University\, and the Sapienza University of Rome. His research interests focus on Byzantine literature\, the history of manuscripts and education in Byzantium\, the critical edition of Medieval Greek texts\, narratology\, theory and practice of rhetoric\, genre studies and cultural history. He has published over 90 papers on these topics\, while his most recent book is a translation into English of the Tale of Livistros and Rodamne\, a Byzantine romance of the thirteenth century (Liverpool University Press\, 2021). He is currently writing a narrative history of Byzantine literature (AD 300–1500) under contract with Cambridge University Press. In his free time\, he writes “mystery stories” set in ninth-century Byzantium. \nThis event is held under the auspices of the Consulate General of Greece in Los Angeles and made possible thanks to the Stavros Niarchos Foundation (SNF). \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nPresented by:\n \nCo-Sponsored by: \n \n \nUnder the auspices of:\n \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\nTo save time\, you may purchase your parking permit for $16 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Lecture with Panagiotis Agapitos” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 6) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/panagiotis-agapitos/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Archaeology,Byzantine,Community,Gefyra,History,Lecture
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/05/Theophilos-at-audience_C12-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241027T170000
DTEND;TZID=America/Los_Angeles:20241027T190000
DTSTAMP:20260916T175319Z
CREATED:20240506T213853Z
LAST-MODIFIED:20260916T175319Z
UID:10000208-1730048400-1730055600@hellenic.ucla.edu
SUMMARY:Cappella Romana
DESCRIPTION:Cappella Romana\nWorld première program\nIN THE FOOTSTEPS OF ST. DEMETRIOS \nDirected by\nAlexander Lingas\nFounder and Director\, Cappella Romana \nA performance presented by\nthe UCLA SNF Center for the Study of Hellenic Culture\,\nthe UCLA Herb Alpert School of Music\nand Saint Sophia Greek Orthodox Cathedral \nSunday\, October 27\, 2024\n5:00 PM\nRunning time: 75 minutes; no intermission\nReception following the performance \nSaint Sophia Greek Orthodox Cathedral\n1324 S Normandie Ave\nLos Angeles\, CA 90006 \nTickets: $25 General Admission (including service fees)\nFree for children under 18 \nAll students age 18+ with valid ID:\nUCLA students can reserve free tickets online with UCLA logon ID\nNon-UCLA students: Free tickets can be obtained at UCLA Central Ticket Office in advance\, or at event \nBuy Tickets \nCappella Romana brings to life the vibrant soundscape of medieval Thessaloniki\, Byzantium’s second largest city. Hear ancient hymns honoring the city’s patron\, the ever-popular St. Demetrios\, sung on the weekend of his annual feast day. Experience ecstatic Byzantine chants for the saint adorning the Cathedral Rite of Constantinople\, sung by the women and men of Cappella Romana. \nThis program\, held under the auspices of the Greek Orthodox Metropolis of San Francisco and the Consulate General of Greece in Los Angeles\, is made possible thanks to the generous support of the Stavros Niarchos Foundation (SNF)\, the Peter J. and Caroline Belz Caloyeras Endowment for the Arts\, and the Mary Calfas Janos Program Fund. This program is co-sponsored by Gefyra (Bridge)\, the UCLA College Humanities Division\, UCLA Center for the Study of Religion\, and the UCLA CMRS Center for Early Global Studies. \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nClick Here for Digital Program \nParking Information: \nFree parking is available at Saint Sophia’s main parking lot and small lot across the street.  Please enter either lot from Normandie Avenue. Please consider carpooling or using rideshare services as parking fills up quickly. Metered parking is available on surrounding streets.
URL:https://hellenic.ucla.edu/event/cappella-romana/
LOCATION:Saint Sophia Cathedral\, 1324 S Normandie Ave\, Los Angeles\, CA\, 90006\, United States
CATEGORIES:Byzantine,Community,Cultural Heritage,Gefyra,Hellenic,HUC@UCLA,Humanities,Music,Reception
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/08/capella-demitrios_WEB-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231118
DTEND;VALUE=DATE:20231119
DTSTAMP:20230829T221219Z
CREATED:20230829T221219Z
LAST-MODIFIED:20230829T221219Z
UID:10000179-1700265600-1700351999@hellenic.ucla.edu
SUMMARY:Reconsidering the Generation of the 1930s: The Roots and Breadth of Greek Modernism Conference
DESCRIPTION:Reconsidering the Generation of the 1930s: The Roots and Breadth of Greek Modernism Conference \nSaturday\, November 18\, 2023\n314 Royce Hall\, UCLA\n10:00 a.m. – 5:00 p.m. \nConference organized by Sharon Gerstel (UCLA) and Sofia Pitouli (UCLA) \nWelcome remarks by The Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles. \nSpeakers: \nAreti Adamopoulou\, Professor of Art History\, University of Ioannina\nAbstract title: The “Generation of the 1930s” in Art: Cold War Cultural Politics and Modern Painting in Greece \nGeorge Baker\, Professor of Art History\, UCLA\nAbstract title: Yannis Tsarouchis and Anachronic Modernism: Lateness\, Counter-Memory\, and the Redefinition of the Human \nNikos Daskalothanassis\, Professor of Modern and Contemporary Art History\, Athens School of Fine Arts\nAbstract title: Theophilos and the Generation of the ’30s (again) \nPolina Kosmadaki\, Curator of Modern and Contemporary Art\, The Benaki Museum\nAbstract title: Concepts of Artistic “Greekness” in the Post-Junta Period: The Case of the Exhibition of Tsarouchis\, Ghika\, Kontoglou\, Theofilos in the Greek Month in London\, 1975 \nSofia Pitouli\, Ph.D. Candidate in Byzantine Art\, UCLA\nAbstract title: Toward Greekness: Dimitris Pikionis’ Architectural Fantasies of Japan \nPoppy Sfakianaki\, Postdoctoral Researcher\, Institute for Mediterranean Studies/FORTH\nAbstract title: Greek Modern Art in Interwar Paris: Networks Rather Than a Generation \nConference Description:\nThis conference challenges the attribution of the term “Generation of the 1930s” (Γενιά του ’30) to artists and writers active during the 1930s and the following decades. The term initially addressed a group of writers and poets bound by similar experiences and socio-historical backgrounds. However\, between 1948-50\, artists were also clustered under the term\, which\nliterati employed regularly––and still do––in scholarship. These artists were credited with the creation of modernism in Greece\, which was inspired by Western European movements but was also deeply rooted in history\, particularly in Orthodox Byzantium. The conference explores the various poles of artistic inventiveness during the 1930s but also examines the work of these artists and writers throughout the twentieth century\, prompting us to conceive their work diachronically rather than within the confines of a single decade. Given the socio-political circumstances of the nineteenth century in Greece (the traumatic changes resulting from the Greco-Turkish war\, the ensuing population exchange\, the collapse of the Megali Idea\, the dramatic upheavals of interwar Greece\, the Metaxas dictatorship\, and the Junta regime)\, the conference examines transnational and cosmopolitan orientations within Greek modernism and the ways in which these intertwined with narratives of nationality and folklore. \nGreek Modernism Conference Schedule \nAttendance is free and open to the public. Lunch is not included.  \nThis conference will not be recorded or livestreamed. \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF) and is held under the auspices of the Consulate General of Greece in Los Angeles. \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nThank you to our co-sponsors!\n \n \n \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “1930s Conference” with the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu or 310-825-5323.
URL:https://hellenic.ucla.edu/event/1930sconference/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Art History,Byzantine,Gefyra,Hellenic,Humanities,Modern Greece,Symposium
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221103
DTEND;VALUE=DATE:20221107
DTSTAMP:20220811T005152Z
CREATED:20220811T005152Z
LAST-MODIFIED:20220811T005152Z
UID:10000131-1667433600-1667779199@hellenic.ucla.edu
SUMMARY:Byzantine Studies Conference
DESCRIPTION:We welcome the Byzantine Studies Association of North America (BSANA) and participants to the 48th Annual Byzantine Studies conference at UCLA! \nMost conference activities will take place at the Luskin Conference Center and Hotel on the UCLA campus.
URL:https://hellenic.ucla.edu/event/byzantine-studies-conference/
LOCATION:Luskin
CATEGORIES:Archaeology,Art History,Byzantine,Classics,Community,Hellenic,Humanities,Lecture,Symposium
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/08/Screen-Shot-2022-08-10-at-5.48.21-PM-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220429T100000
DTEND;TZID=America/Los_Angeles:20220429T113000
DTSTAMP:20211216T184223Z
CREATED:20211216T184223Z
LAST-MODIFIED:20211216T184223Z
UID:10000106-1651226400-1651231800@hellenic.ucla.edu
SUMMARY:Eleni Kefala\, "Strangers No More: Constantinople\, Tenochtitlan\, and the Trauma of the Conquest"
DESCRIPTION:The Byzantines had long dreaded the year 1492. According to their calculations based on the Scriptures\, it would bring the end of the world. In an eerie stroke of irony\, they were right in their fears. Even though they were slightly off in the timing of the fall of Constantinople into the hands of the Ottomans\, they anticipated with uncanny accuracy the end of the world as they knew it. Columbus’s crossing of the Atlantic paved the way for the European colonization of the Americas. But what is there in common between Byzantium and America beyond some bemusing serendipities? This paper approaches that question by rehistoricizing the fall of Byzantine Constantinople (1453) and Aztec Tenochtitlan (1521) while looking at three sorrowful poems composed by anonymous Greek and Aztec authors soon after the conquest of the Byzantine and Mexica empires.\nEleni Kefala is Senior Lecturer at the University of St Andrews. Her work explores modernity across different periods and cultures from a comparative and interdisciplinary perspective. She is the author of Peripheral (Post) Modernity: The Syncretist Aesthetics of Borges\, Piglia\, Kalokyris\, and Kyriakidis (2007)\, The Conquered: Byzantium and America on the Cusp of Modernity (2020)\, and Buenos Aires Across the Arts: Five and One Theses on Modernity (2022)\, and editor of Negotiating Difference in the Hispanic World: From Conquest to Globalisation (2011). \nEvent Co-Sponsored by the SNF Centre for Hellenic Studies\, Simon Fraser University. \nTo register: https://www.eventbrite.com/e/300210596977 \n 
URL:https://hellenic.ucla.edu/event/eleni-kefala-strangers-no-more-constantinople-tenochtitlan-and-the-trauma-of-conquest/
LOCATION:by Zoom
CATEGORIES:Byzantine,Classics,Community,Hellenic,Humanities,Lecture
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2021/12/FB-1Kefala-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220209T170000
DTEND;TZID=America/Los_Angeles:20220209T190000
DTSTAMP:20220126T212353Z
CREATED:20220126T212353Z
LAST-MODIFIED:20220126T212353Z
UID:10000123-1644426000-1644433200@hellenic.ucla.edu
SUMMARY:Maria Pantelia\, "Preserving Greek Literature from Homer to Solomos"
DESCRIPTION:Opening remarks by Her Excellency Alexandra Papadopoulou\, Ambassador of Greece to the United States. \nFor almost three millennia Greek literature has been preserved in a variety of different media\, encompassing inscriptions on stone\, papyrus rolls\, medieval manuscripts\, and\, most recently\, digital formats. It is a checkered history. Natural disasters\, accidents\, wars\, political and religious upheavals have contributed to the loss of much precious material\, yet such losses have been counterbalanced by the efforts of libraries\, monasteries\, and individual collectors and scholars to preserve this important legacy. For the last 50 years\, the Thesaurus Linguae Graecae project at UC Irvine has been collecting all the extant works of Greek literature from antiquity to the present\, with the goal of creating a permanent digital repository. What are the challenges and triumphs of this initiative? What remains to be done and how will scholars and members of a broader community leverage this resource? \nMaria Pantelia is Professor of Classics at the University of California\, Irvine. She is the Editor and Director of the Thesaurus Linguae Graecae (TLG)\, a digital library of Greek literature from antiquity to the present era. \nThis lecture\, on the occasion of International Greek Language Day\, is co-sponsored by the Embassy of Greece in the United States\, the Consulate General of Greece in Los Angeles\, and the Hellenic Library of Southern California. \nTo attend\, please RSVP at this link.
URL:https://hellenic.ucla.edu/event/maria-pantelia-preserving-greek-literature-from-homer-to-solomos-2/
LOCATION:CA
CATEGORIES:Byzantine,Classics,Community,Hellenic,HUC@UCLA,Humanities,Lecture,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/01/Screen-Shot-2022-01-26-at-1.15.19-PM-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211009T100000
DTEND;TZID=America/Los_Angeles:20211009T120000
DTSTAMP:20210617T210138Z
CREATED:20210617T210138Z
LAST-MODIFIED:20210617T210138Z
UID:10000086-1633773600-1633780800@hellenic.ucla.edu
SUMMARY:Anastassios Antonaras\, Head of Exhibitions\, Communication and Education Department\, Museum of Byzantine Culture\, Thessaloniki |  “Documenting Diversity in Thessaloniki and Its Hinterlands: Three Archaeological Stories”
DESCRIPTION:This lecture examines the diverse population that lived in Byzantine Thessaloniki and the surrounding area through three case studies: a young girl with African religious beliefs who lived in the late 3rd century\, a Slavic lady of the late 8th century\, and a group of archers from the 14th – 15th century who were trained in the east. The first case study is a young girl who was buried in a simple pit tomb in the eastern necropolis of Thessaloniki. She wore two amulets: a wooden one\, probably of ebony\, in the shape of a male head with strong African features\, and an amber one in the shape of feline bust. A Slavic lady\, the second case study\, is identified by a special bead that was found during excavations in the castle of Rentina\, east of Thessaloniki. Such beads are characteristic of the Slavic tribes and similar examples have been found from the Volga region and Germany to Greece. A special type of men’s utilitarian jewelry\, the ring of an archer\, presents the third case study. This is a type of ring that initially had the sole purpose of protecting the thumb when the reflective bow’s string was released. These case studies demonstrate that among the population that lived in Byzantine Thessaloniki were a number of foreigners whose identity is only revealed through the careful examination of excavated objects.  \nDr. Anastassios C. Antonaras\, a specialist in the history of glass\, jewelry and textiles\, is an archaeologist and curator. He is Head of the Exhibitions\, Communication and Education Department at the Museum of Byzantine Culture in Thessaloniki. His books include: Glassworking\, Ancient and Medieval: Terminology\, Technology and Typology (2008); Roman and Early Christian Glassworking: Vessels from Thessaloniki and Its Region (which received a prize from the Academy of Athens in 2010); Fire and Sand: Ancient Glass in the Princeton University Art Museum (2012); Artisanal Production in Ancient and Byzantine Thessaloniki: Archaeological\, Literary and Epigraphic Evidence (2016; repr. 2019); Glassware and Glassworking in Thessaloniki: 1st Century BC – 6th Century AD (2017); and The Art of Glass. Works from the Collection of the Museum of Byzantine Culture (2019). He is currently researching different aspects of glass production and glassware in Byzantine and Ottoman Empire and publishing the rich and diverse\, ancient and Islamic glass collection of the Getty Villa Museum. \nThe event is co-sponsored by the UCLA SNF Hellenic Center\, UCLA Cotsen Institute of Archaeology\, and the Archaeological Institute of America–Los Angeles County Society.  \nTo register\, please click here.
URL:https://hellenic.ucla.edu/event/anastassios-antonaras-head-of-exhibitions-communication-and-education-department-museum-of-byzantine-culture-thessaloniki-documenting-diversity-in-thessaloniki-and-its-hinterlands-th/
LOCATION:by Zoom
CATEGORIES:Archaeology,Art History,Byzantine,Community,Hellenic,Humanities,Lecture
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2021/06/LA-Photo-for-blurb-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211002T100000
DTEND;TZID=America/Los_Angeles:20211002T120000
DTSTAMP:20210617T205933Z
CREATED:20210617T205933Z
LAST-MODIFIED:20210617T205933Z
UID:10000085-1633168800-1633176000@hellenic.ucla.edu
SUMMARY:Nikos Panou\, “Slaying the Dragon: Byzantine Survivals in the Greek War of Independence”
DESCRIPTION:The lecture will focus on an aspect of the Greek War of Independence that calls for answers to questions as basic as they are elusive. What role did the Byzantine heritage play in conceptualizing\, representing\, or animating the struggle against the Ottoman Empire? What strands of Byzantium were foregrounded and through which mechanisms did they find a place in the collective imaginary of the period? In what ways was that process of reception and signification manifested\, and to what extent? How can it be studied and properly understood today? \nThe event is co-sponsored by the UCLA SNF Hellenic Center and Dumbarton Oaks\, Washington\, DC. Her Excellency Alexandra Papadopoulou\, Ambassador of Greece to the United States will provide opening remarks. \nNikos Panou is Assistant Professor of Comparative Literature and Peter V. Tsantes Endowed Professor in Hellenic Studies in the Department of English at Stony Brook University. His current research focuses on articulations of power and authority in pre-modern moral and political discourse\, with emphasis on advice literature and related genres. He has written on topics ranging from Byzantine historiography to seventeenth-century satire\, and has co-edited a volume on conceptions of tyranny from Antiquity to the Renaissance with Oxford University Press. \nTo register\, please click the image above or here.
URL:https://hellenic.ucla.edu/event/nikos-panou-assistant-professor-of-comparative-literature-and-peter-v-tsantes-endowed-professor-in-hellenic-studies-stony-brook-university-slaying-the-dragon-byzantine-survivals-in-the/
LOCATION:by Zoom
CATEGORIES:Byzantine,Community,Hellenic,Humanities,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2021/06/Web-Feature-Image-Panou-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200507T100000
DTEND;TZID=America/Los_Angeles:20200507T120000
DTSTAMP:20200501T004759Z
CREATED:20200501T004759Z
LAST-MODIFIED:20200501T004759Z
UID:10000040-1588845600-1588852800@hellenic.ucla.edu
SUMMARY:Celebrating Faith in Late Byzantium: The Valadoros Epitaphios at the Benaki Museum
DESCRIPTION:This talk\, delivered by Professor Anastasia Drandaki\, presents the story of the exciting discovery of the Valadoros Epitaphios\, a rare\, gold-embroidered fourteenth- century epitaphios and a true masterpiece of Byzantine art. The epitaphios is part of the bequest of the siblings Anastasios and Maria Valadoros\, which includes more than 300 icons and a large number of ancient and ecclesiastical artifacts\, rare editions and incunabula. The Valadoros collection is representative of the taste as well as the finances of a particularly cultivated representative of a flourishing middle class\, which maintained contact with scholars\, dealers\, and collectors both from Greece and abroad. However\, the content of the collection is eminently Hellenocentric. In the person of Tasos Valadoros\, profound knowledge of ancient philosophy and the patristic texts was combined with his deep familiarity with the texture of silk fabrics. At the same time\, his profession as a merchant of luxury ecclesiastical textiles brought him into contact and relations of mutual respect with prelates from the entire Orthodox world. \nThe lecture will be offered on Zoom. Please RSVP to hellenic@humnet.ucla.edu to receive the link. You must download the Zoom app prior to the lecture in order to participate.
URL:https://hellenic.ucla.edu/event/celebrating-faith-in-late-byzantium-the-valadoros-epitaphios-at-the-benaki-museum/
LOCATION:CA
CATEGORIES:Byzantine,Community,Hellenic
ATTACH;FMTTYPE=image/png:https://hellenic.ucla.edu/wp-content/uploads/2020/04/Screen-Shot-2020-04-30-at-5.43.40-PM-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200209T140000
DTEND;TZID=America/Los_Angeles:20200209T190000
DTSTAMP:20200111T042353Z
CREATED:20200111T042353Z
LAST-MODIFIED:20200111T042353Z
UID:10000032-1581256800-1581274800@hellenic.ucla.edu
SUMMARY:Symposium: A Celebration of International Greek Language Day
DESCRIPTION:
URL:https://hellenic.ucla.edu/event/symposium-a-celebration-of-international-greek-language-day/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Byzantine,Classics,Hellenic,Humanities,Modern Greece,Symposium
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2020/01/GreekLanguageDayPoster-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190207T170000
DTEND;TZID=America/Los_Angeles:20190207T190000
DTSTAMP:20180910T184804Z
CREATED:20180910T184804Z
LAST-MODIFIED:20180910T184804Z
UID:10000015-1549558800-1549566000@hellenic.ucla.edu
SUMMARY:Antony Eastmond\, Art and Cultural Resistance between Islam and Christianity
DESCRIPTION:The eastern frontier between Islam and Christianity in the thirteenth century was extremely porous: artists\, merchants and pilgrims carried ideas and goods across it with ease. The results of this movement are visible in the churches and mosques\, monasteries and madrasas that survive in modern territories of Armenia\, Georgia and eastern Turkey. These buildings are often all but indistinguishable in their construction and decoration\, suggesting a picture of deeply interwoven populations. This lecture explores the limits of this convergence\, and the evidence for cultural resistance that survives alongside. What roles did buildings play in the projection of different public identities\, and why did some choose not to play by the same rules? \n  \n \nAntony Eastmond is A.G. Leventis Professor of Art History and Dean & Deputy Director at the Courtauld Institute of Art\, University of London. He has published extensively on the world of eastern Christianity and its connections with the Islamic world around it\, especially in Georgia and the Caucasus\, and Trebizond. This was the subject of his most recent book\, Tamta’s World: the life and encounters of a medieval noblewoman from the Mediterranean to Mongolia (2017). He has also published extensively on Late Antique and Byzantine art\, with a particular interest in ivories and the visual power of inscriptions.
URL:https://hellenic.ucla.edu/event/art-and-cultural-resistance-between-islam-and-christianity/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Byzantine,Hellenic
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2018/09/1215-fictive-textile-copy-1.jpg
END:VEVENT
END:VCALENDAR