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DTSTART;VALUE=DATE:20260423
DTEND;VALUE=DATE:20260727
DTSTAMP:20260914T171521Z
CREATED:20260402T184235Z
LAST-MODIFIED:20260914T171521Z
UID:10000246-1776902400-1785110399@hellenic.ucla.edu
SUMMARY:Exhibition - Weaving Dreams: Kilims from Geraki\, Laconia
DESCRIPTION:Kilim. Tree of Life with wedding procession and initials ΓΠ. 19th Century. \nExhibition \nWeaving Dreams\nKilims from Geraki\, Laconia \nOn view from\nApril 23 – July 26\, 2026 \nGhika Gallery\n3 Kriezotou Street\, Kolonaki\, Athens \nThe village of Geraki\, located on the slopes of Mount Parnon\, is renowned for its millennia-old art of weaving on the vertical loom. \nThe exhibition presents dowry kilims and related objects from the seventeenth to the early twentieth century\, particularly works woven with images of women and men standing within a landscape of agricultural abundance and surrounded by symbolic imagery. Weavers produced textiles for domestic and commercial use. A finely woven kilim\, costly to acquire\, signified its owner’s affluence and social status\, making it a prized possession and family heirloom. \nGeraki weavers have long been recognized for their exceptional skills\, winning awards at the Vienna World’s Fair of 1873\, the Eighth International Exhibition in Thessaloniki in 1933\, and elsewhere. In recognition of this enduring weaving tradition\, the textile art of Geraki was inscribed in the Greek National Intangible Cultural Heritage Index in 2019. \nIn the 1930s\, artists\, scholars\, and folklorists passed through Geraki\, admiring the village’s Byzantine churches\, elaborate stone houses\, and vibrant weaving industry. This exhibition celebrates the connection between Geraki and several of the artists and intellectuals of that period\, whose work is exhibited in the Ghika Gallery. \nThis exhibition is organized by the Benaki Museum and curated by Sharon Gerstel and Sofia Pitouli. We extend our sincere thanks to the supporters listed below for their generosity. \nA catalogue accompanying the exhibition is available for purchase here: https://hellenic.ucla.edu/weaving-dreams/ \nUnder the Auspices:\nRegion of Peloponnese \nLead Supporter:\nStavros Niarchos Foundation (SNF)\nGefyra is supported by the Stavros Niarchos Foundation (SNF) \nExhibition Supporters:\nGefyra\nUCLA SNF Center for the Study of Hellenic Culture\nGeorge and Tina Kolovos \nExhibition Hashtag\n#GerakiKilimsBenaki
URL:https://hellenic.ucla.edu/event/weaving-dreams-exhibition/
LOCATION:Ghika Gallery\, 3 Kriezotou Street\, Kolonaki\, Athens\, 106 71\, Greece
CATEGORIES:Art History,Community,Gefyra,Hellenic,Heritage,History,Humanities,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2026/04/Geraki-70x100_30.3-1-e1789406187393.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251206T090000
DTEND;TZID=America/Los_Angeles:20251206T170000
DTSTAMP:20260916T175045Z
CREATED:20250709T213702Z
LAST-MODIFIED:20260916T175045Z
UID:10000230-1765011600-1765040400@hellenic.ucla.edu
SUMMARY:Messenia to Mesopotamia: New Directions in the Art\, Archaeology\, and Reception of the Second Millennium BCE
DESCRIPTION:Two Pendants with Hathor\, Levantine\, 1630–1440 BCE. Gold\, lapis lazuli\, glass\, and semiprecious stones.\n© Hellenic Ministry of Culture – HOCRED / Archaeological Museum of Chora\, NSF10540 / \n© Palace of Nestor Excavations\, Department of Classics\, University of Cincinnati\nPhoto: Jeff Vanderpool\nVEX.2025.1.55\nMessenia to Mesopotamia: New Directions in the Art\, Archaeology\, and Reception of the Second Millennium BCE \nScholars Presenting: Emily Egan (Associate Professor\, University of Maryland)\, Joanne Murphy (Professor\, UNC Greensboro)\, David Schneller (Assistant Professor\, UCLA)\, and Efthymia Tsiolaki (Postdoctoral Fellow\, University of Toronto) \nUCLA Graduate Students Presenting: Jayme Capazo\, McKenna Lincoln\, Talia Neelis\, Emma Pauly\, Duncan Restrepo\, Natalie Rudin\, Alexandra Seiler\, and Selman Oğuzcan Ünal \nHosted by the\nUCLA SNF Center for the Study of Hellenic Culture\nin collaboration with\nThe J. Paul Getty Museum\nand held in conjunction with the exhibition\nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece \nSaturday\, December 6\, 2025\n9:00 A.M. – 5:00 P.M.\n314 Royce Hall\, UCLA Campus\nReception to follow \nRegistration for this event is now closed. \nView full schedule here \n \nJoin us for an interdisciplinary symposium that reimagines the art and archaeology of the eastern Mediterranean and western Asia during the second millennium BCE. This event—the culmination of a graduate seminar in ancient art history held in conjunction with the Getty Villa exhibition The Kingdom of Pylos: Warrior-Princes of Mycenaean Greece – brings together invited scholars and UCLA graduate students from Art History\, Classics\, Near Eastern Languages and Cultures (NELC)\, and the Interdepartmental Program in Archaeology. Together\, participants will share new discoveries\, fresh ideas\, and creative approaches to understanding the interconnected worlds of this pivotal era in the ancient past. \nBios: \nEmily Catherine Egan is Associate Professor of Ancient Eastern Mediterranean Art and Archaeology in the Department of Art History & Archaeology at the University of Maryland. She holds a dual B.A. in Classics and Old World Archaeology and Art from Brown University\, an M.Phil. in Archaeology from the University of Cambridge\, and an M.A. and Ph.D. in Classics from the University of Cincinnati. Her research focuses on artistic practice in the Bronze Age Aegean\, and particularly on the production\, consumption\, and iconography of Mycenaean painted surface decoration. She has undertaken archaeological fieldwork in Italy\, Turkey\, Jordan\, Armenia\, Cyprus\, and most recently in Greece\, where she is engaged in the study of wall and floor paintings from the Palace of Nestor at Pylos\, and Petsas House\, Mycenae. \nJoanne Murphy is a professor of Ancient Mediterranean Studies and Archaeology at the University of North Carolina Greensboro\, where she has worked since 2008 and serves as Department Head. She is also the current Director of the Irish Institute of Hellenic Studies\, President of The American Friends of the Irish Institute of Hellenic Studies (a 501c non-profit)\, and an Academic Trustee at the Archaeological Institute of America. She received her BA and first MA from University College Dublin\, Ireland\, and an MA and PhD from University of Cincinnati. Her research focuses primarily on religion and death and how they connect with identity\, community\, and political economies. As well as giving tens of lectures both nationally and internationally\, she has published over 30 papers and five edited volumes on these and related topics and has one monograph in press and two other volumes underway. She has led two major research projects: one\, a legacy study\, on the tombs around Pylos in southwestern Greece and one\, an archaeological survey on the Greek island of Kea. She has received awards for her research and for initiatives at UNCG and non-profits from various foundations including INSTAP\, the Mellon Foundation\, the Onassis Foundation\, the NEH\, and the Loeb Foundation.  She has also been recognized for her teaching and was awarded the Archaeological Institute of America’s Excellence in Undergraduate Teaching Award and UNCG College of Arts and Sciences Teaching Excellence Award. She has a great love of sharing the past and has led tours in Greece\, Ireland\, France\, England\, Italy\, and Turkey\, as well as running an annual archaeological field school in Greece. \nDavid Schneller is an art historian and archaeologist whose research and teaching focuses on the ancient eastern Mediterranean and western Asia. He is currently working on his first book\, Crafting Across Time and Space: Artistic Exchange in the Eastern Mediterranean\, a study of artworks that resist categorization in the conventionally accepted fields of art history. This study makes the case for creative\, cross-cultural experiments and collaborations among a diverse group of artists and their patrons during the early first millennium BC by exploring materially-informed object histories and crafting knowledge. This research has been supported by the Metropolitan Museum of Art\, the Alexander S. Onassis Foundation\, and the American School of Classical Studies at Athens. Prior to joining the Department of Art History at UCLA\, Professor Schneller taught in the Core Curriculum and Department of Art History and Archaeology at Columbia University and in the Art History Department at the State University of New York at New Paltz. \nEfthymia Tsiolaki is a Postdoctoral Fellow in the Department of Classics at the University of Toronto. She is an archaeologist specializing in the Bronze Age Aegean\, with a focus on the social and economic organization of the Greek mainland. Her current research project explores the long-term history of settlement and land use in Messenia from the bottom-up\, integrating surface survey and excavation data with GIS-based analysis to highlight the dynamic character of peripheral communities before and during the rise of the Mycenaean palace at Pylos (ca. 3000 – 1100 BC). She also studies the technology and function of ground stone tools across several archaeological projects\, examining their roles in domestic and craft activities. \nThis event is organized by Professor David Schneller (UCLA) and Dr. Claire Lyons (Getty) and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nCo-Sponsored by:\nUCLA College\, Division of Humanities\nThe Peter J. and Caroline Belz Caloyeras Endowment for the Arts\nThe George P. Kolovos Family Centennial Term Chair in Hellenic Studies\nThe Joan Palevsky Chair of Classics at UCLA\nGefyra\nUCLA Global Antiquity\nUCLA Department of Art History\nUCLA Department of Classics\nUCLA Department of Near Eastern Languages & Cultures\nUCLA David C. Copley Center for the Study of Costume Design \n 
URL:https://hellenic.ucla.edu/event/messeniatomesopotamia/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Classics,Cultural Heritage,Gefyra,Humanities
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2025/07/gm_406819EX4-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251115T140000
DTEND;TZID=America/Los_Angeles:20251115T170000
DTSTAMP:20260916T174926Z
CREATED:20250709T190218Z
LAST-MODIFIED:20260916T174926Z
UID:10000229-1763215200-1763226000@hellenic.ucla.edu
SUMMARY:Between the Minoans and the Mycenaeans: Craft Technologies in the Second Millennium BCE Aegean
DESCRIPTION:Between the Minoans and the Mycenaeans: Craft Technologies in the Second Millennium BCE Aegean \nLecture by Nikolas Papadimitriou (Director\, Paul and Alexandra Canellopoulos Museum\, Athens) and Eleni Konstantinidi-Syvridi (Curator\, Department of Prehistoric\, Egyptian\, Cypriot and Near Eastern Collections of Antiquities\, at the Hellenic National Archaeological Museum\, Athens) \nDemonstration by Akis Goumas (contemporary jewelry maker and researcher of ancient crafting technologies) \nHosted by the\nUCLA SNF Center for the Study of Hellenic Culture \nin collaboration with\nThe J. Paul Getty Museum\nand held in conjunction with the exhibition\nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece \nSaturday\, November 15\, 2025\n2:00 P.M.\n314 Royce Hall\, UCLA Campus \nSchedule\n2:00pm – Lecture begins\n3:00pm – Q&A\n3:30pm – Reception\n4:00pm – Demonstration by Akis Goumas\n5:00pm – Event concludes \nRegistration for this event is closed. \n \nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece exhibition at the Getty Villa brings together some of the most exquisite artistic creations of the second millennium BCE Aegean. Many of these objects were the products of cultural fusion and combined elements from different artistic traditions originating in Minoan Crete\, Mycenaean Greece\, and areas far beyond. This presentation will examine the highly demanding techniques goldsmiths and seal-engravers used to create many of the objects in this exhibition. Following the lecture\, Akis Goumas will demonstrate the main steps of the technical processes involved in Mycenaean gold-working (sheet metal\, wire\, granulation\, etc.) and Minoan seal-engraving (soft materials and hard stones). \n \nDemonstration by Akis Goumas \nThe artist and researcher of ancient technologies Akis Goumas will demonstrate the main steps of the technical processes involved in: \n– Mycenaean gold-working (sheet metal\, wire\, granulation etc.)\n– Minoan seal-engraving (soft materials and hard stones). \nThe demonstration is based on the results of studies conducted in the National Archaeological Museum of Athens\, the Herakleion Archaeological Museum\, other museums in Greece\, and the Corpus of Minoan and Mycenaean Seals at Heidelberg\, Germany\, which involved microscopic examination of artefacts\, archaeometric analyses and experimental reconstructions. \nThe studies have been conducted in collaboration with Dr Eleni Konstantinidi-Syvridi\, of the National Archaeological Museum of Athens\, and Dr Nikolas Papadimitirou\, of the Paul and Alexandra Canellopoulos Museum\, Athens. Participants will have the opportunity to discuss with Mr Goumas and try some of the tools and materials used in the experiments. \nBios:\nNikolas Papadimitriou is the Director of the Paul and Alexandra Canellopoulos Museum\, Athens\, Greece (www.camu.gr). He specializes in the Aegean Bronze Age\, with an emphasis on Mycenaean burial practices\, cultural interaction in the Mediterranean in the 2nd millennium BCE\, the prehistory of Athens and Attica\, and the study of craft technologies. Previously\, he worked as a Lecturer at the Institute of Classical Archaeology\, Heidelberg University\, Germany\, the Museum of Cycladic Art\, Athens and the Cyprus Department of Antiquities. Currently\, he is co-directing research projects at the archaeological sites of Marathon\, Thorikos (Attica) and Kato Samikon (Elis). He has a rich publication record and has received research fellowships from the Centers of Hellenic Studies at Princeton and Harvard (2011\, 2017). \nEleni Konstantinidi-Syvridi is Curator at the Department of Prehistoric\, Egyptian\, Cypriot and Near Eastern Collections of Antiquities at the National Archaeological Museum\, Athens (https://www.namuseum.gr/en/). She graduated from the University of Ioannina\, Greece\, and received her PhD at the University of Birmingham\, UK. Her research focuses on the Late Bronze Age Aegean and the Eastern Mediterranean\, with special interest in Mycenaean jewelry and dress. She has given seminars and lectures on the history and technology of Mycenaean jewelry in Greece and abroad and has written articles and book chapters on various Late Bronze Age issues. For the past decade\, she has been co-directing a multi-disciplinary project for the reconstruction of ancient gold-working techniques\, while she is currently studying the corpus of metal signet rings housed in the Mycenaean Collection of the National Archaeological Museum. \nAkis Goumas is a contemporary jewelry maker and researcher of ancient crafting technologies. After receiving a Diploma in Economics (1978)\, he was trained as a jeweler and silversmith. From 1982 to 1986 he studied gemology and seal engraving in Greece and Germany. Between 1990 and 2006 he was the head designer in the jewelry company ONAR. Since 2000\, he has been teaching creative jewelry at the Chalkis School of Art\, and since 2017 at the ANAMMA Jewelry School in Athens\, and the ALCHIMIA Contemporary Jewelry School in Florence. Since 2006\, he is member of an interdisciplinary group of researchers\, who study ancient gold-working and seal-engraving techniques. In 2021 he was a Visiting Artist at the Harvard Center for Hellenic Studies. Ιn 2023-24\, he was the holder of a Homo Faber fellowship\, established by Jaeger LeCoultre and Michelangelo Foundation for Creativity and Craftsmanship. In 2024-25 he participated in the organization of the exhibition “Art in Gold. Jewelry in Hellenistic Times” at the Benaki Museum\, Athens\, Greece. \nThis event is organized by Professor David Schneller (UCLA) and Dr. Claire Lyons (Getty) and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nCo-Sponsored by: \nUCLA College\, Division of Humanities\nThe Peter J. and Caroline Belz Caloyeras Endowment for the Arts\nThe George P. Kolovos Family Centennial Term Chair in Hellenic Studies\nThe Joan Palevsky Chair of Classics at UCLA\nGefyra\nUCLA Global Antiquity\nUCLA Department of Art History\nUCLA Department of Classics\nUCLA Department of Near Eastern Languages & Cultures\nUCLA David C. Copley Center for the Study of Costume Design \nDon’t miss our other upcoming programs in collaboration with the J. Paul Getty Museum here: \nSaturday\, November 22\, 2025Pylos and Minoan Crete \nSaturday\, December 6\, 2025\nMessenia to Mesopotamia: New Directions in the Art and Archaeology of the Second Millennium BCE Symposium \nParking information: \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\nTo save time\, you may purchase your parking permit for $17 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Between the Minoans and the Mycenaeans” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 6) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/crafttechnologies/
LOCATION:Athens
CATEGORIES:Cultural Heritage,Gefyra,Hellenic,Heritage,History,Humanities,Lecture,Reception
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2025/07/Jewelry-Making-Banner-1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250412
DTEND;VALUE=DATE:20250413
DTSTAMP:20240925T192201Z
CREATED:20240925T192201Z
LAST-MODIFIED:20240925T192201Z
UID:10000217-1744416000-1744502399@hellenic.ucla.edu
SUMMARY:East Meets West: Interdisciplinary Perspectives on Greece’s History and Culture
DESCRIPTION:East Meets West: Interdisciplinary Perspectives on Greece’s History and Culture \nThis conference examines Greece’s interactions with the East and West\, examining Ancient Roots and Influences\, Byzantine Spaces and Sounds\, Memory and Diachronicity\, and Modern Society and Relations. By bringing together diverse perspectives\, the conference aims to foster meaningful dialogue on how Greece has engaged with different cultures\, regions\, and historical contexts over time. The conference will provide an opportunity for students to present their work to an interdisciplinary audience and to participate in a discussion that seeks to create stronger ties between students and scholars. \nSteering Committee: \nProfessor Katerina Lagos (California State University\, Sacramento); Professor Sharon Gerstel (University of California\, Los Angeles); Professor Alexander Hollmann (University of Washington); Professor Dimitris Krallis (Simon Fraser University) \nThis program is made possible thanks to the Angelo K. Tsakopoulos Hellenic Studies Center at California State University\, Sacramento and Gefyra (Bridge) a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). \nSponsored by: \n \n 
URL:https://hellenic.ucla.edu/event/eastmeetswest/
LOCATION:Athens
CATEGORIES:Conference,Cultural Heritage,Gefyra,Hellenic,History,Symposium
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/09/East-Meets-West-2-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250208T100000
DTEND;TZID=America/Los_Angeles:20250208T110000
DTSTAMP:20241125T234935Z
CREATED:20241125T234935Z
LAST-MODIFIED:20241125T234935Z
UID:10000219-1739008800-1739012400@hellenic.ucla.edu
SUMMARY:Gefyra Book Club: “Eleni\, or Nobody” by Rhea Galanaki
DESCRIPTION:Gefyra Book Club: Eleni\, or Nobody by Rhea Galanaki\, trans. David Connolly\n(Northwestern University Press\, 2002) \nDiscussion led by Professor Sharon Gerstel\, Director\, UCLA SNF Hellenic Center and\nDr. Eirini Kotsovili\, Senior Lecturer\, Global Humanities at Simon Fraser University \nSaturday\, February 8\, 2025\n10 a.m. Los Angeles / 8 p.m. Greece\nBy Zoom  \nClick here to RSVP \nThis academic year’s book club is held in English and will feature Greek books in translation. For future book selections and meeting dates\, click here. \nEleni Altamura\, favored by her father for her daring spirit and talent for painting\, is fabled to be Greece’s first “woman” painter. Rather than consent to spinsterhood at the age of twenty-seven\, Eleni sets sail with her seafaring father for Italy\, where she is to study painting at the famed School of the Nazarenes. Once in Naples\, Eleni flees her female identity and\, disguised as a young man\, walks with her father to Rome. Along the way she falls in love with her would-be husband while learning to navigate life in a man’s world\, as a man. Eleni\, or Nobody depicts the struggle between the female and male sexes\, Greek and foreign culture\, Greek Orthodoxy and Catholicism\, and erotic love and motherhood. Every morning Eleni’s rebirth as Nobody allows her to overcome the constraints of her gender and partake in her life’s struggle. Love reveals her femininity\, however\, and Eleni converts to Catholicism in order to marry the father of her two children. When she is later deserted\, Eleni is left with a shattered identity\, having been rejected by her husband because of her masculine ways and exiled from the art world because she is female. After the death of her two children\, Eleni spends the last twenty years of her life living alone. She continues to questions her identity as her life choices begin to spark various rumors that she may be either a powerful\, mad magician or just another crazy\, old woman. \nRhea Galanaki is considered Greece’s foremost woman novelist. She was born in Crete in 1947 and studied history and archaeology at the University of Athens. She is the author of several books of poetry and criticism as well as two other novels\, The Life of Ismail Ferik Pasha (Peter Owen\, Ltd.\, 1996) and Eleni\, or No One. She lives in Patras\, Greece. \nDavid Connolly is a professional translator and has translated 15 works by leading Greek poets and novelists. \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF). \nLinks to purchase book\, translated by David Connolly: \nAmazon: https://www.amazon.com/Eleni-Nobody-Rhea-Galanaki/dp/0810118858/ref=sr_1_1?crid=VP6FLTJD2XEO&dib=eyJ2IjoiMSJ9.FlLenl6Qdxdz2LSD-aZB55tdaH432pIlDB3Zg2znBKy9x7U2lue6ncIOnQjUY-YWbFrTmcTycOakrfweNZby1zJEApikn6KGiMnK5QUwbSKdoQspVjXK6g_Wa6zD0Nd38ExQ2Zpl6GtCZlBJiRrfP3DInGNsrUQ0t2Vdp46eAzJg6_WAOcOaBzQBTEU5cXRDMl6iYnaLlqoD41G6U0GsUGYOT9MODwYIq5Rh0Dw74AA.CO_4WZemGMRl2vy7309hyy-To1rlHQ11Zxm4A-TyaYg&dib_tag=se&keywords=Eleni+or+Nobody&qid=1732302652&sprefix=eleni+or+nobody%2Caps%2C282&sr=8-1 \n\n\n\nWe understand that this book may be difficult to purchase. However\, you can access a digital version for free by creating an account and borrowing the book at the following link: https://archive.org/details/eleniornobody0000gala\n\n\n\nThe Gefyra Book Club meeting is part of Gefyra (Bridge)\, a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the Simon Fraser University SNF Centre for Hellenic Studies with support from the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/eleniornobody/
LOCATION:by Zoom
CATEGORIES:Community,Gefyra,Hellenic,Literature,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/11/Eleni-or-Nobody-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250111T160000
DTEND;TZID=America/Los_Angeles:20250111T180000
DTSTAMP:20240506T215038Z
CREATED:20240506T215038Z
LAST-MODIFIED:20240506T215038Z
UID:10000210-1736611200-1736618400@hellenic.ucla.edu
SUMMARY:Pretty in Pink: A Portrait of Queen Olga of Greece at the Benaki Museum by George Manginis
DESCRIPTION:Photo credit: Benaki Museum in Athens \nPretty in Pink: A Portrait of Queen Olga of Greece at the Benaki Museum \nLecture by \nGeorge Manginis\nAcademic Director\nBenaki Museum in Athens \nSaturday\, January 11\, 2025\n4:00 P.M. \nIn an abundance of caution\, we have moved our lecture today online to Zoom.  It will NOT be held in person\, but we hope you will join us online:\n  \nJoin Zoom Meeting \nhttps://ucla.zoom.us/j/96787747340 \nMeeting ID: 967 8774 7340 \nOne tap mobile \n+12133388477\,\,96787747340# US (Los Angeles) \n+16692192599\,\,96787747340# US (San Jose) \nFind your local number: https://ucla.zoom.us/u/auD8r8WhJ \nOn the third floor of the Benaki Museum in central Athens hangs a portrait of Queen Olga\, the consort of Greece’s second king\, painted a few years after her wedding to George I. In March 2021\, the portrait\, attributed to an unknown artist\, was included in the Museum’s anniversary exhibition celebrating the bicentennial of the Greek Revolution. This lecture will unfold the story of this radiant but enigmatic painting\, from its creation to its bequest to the Museum\, offering surprising insights into 19th– and 20th– century Greek and European history. \nGeorge Manginis is the Academic Director of the Benaki Museum in Athens. He has taught and researched Cypriot prehistory\, Islamic art and architecture\, Sinai studies\, Chinese ceramics\, European decorative arts and the Greek and Armenian diasporas. In 2016 he published Mount Sinai: A History of Travellers and Pilgrims and China Rediscovered: The Benaki Museum Collection of Chinese Ceramics\, followed by Ceramics from Korea at the Benaki Museum: The George Eumorfopoulos Collection and Director’s Choice: Benaki Museum in 2021\, and Imperial China in 2023. \nThis event is held under the auspices of the Consulate General of Greece in Los Angeles\, co-sponsored by UCLA Art History\, and made possible thanks to the Stavros Niarchos Foundation (SNF). \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nPresented by:\n \nCo-sponsored by: \n \nUnder the auspices of: \n \n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/george-manginis/
LOCATION:Via Zoom
CATEGORIES:Gefyra,Hellenic,Humanities
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/05/V2-Pretty-in-Pink-Zoom-Image-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241116T160000
DTEND;TZID=America/Los_Angeles:20241116T180000
DTSTAMP:20240506T214516Z
CREATED:20240506T214516Z
LAST-MODIFIED:20240506T214516Z
UID:10000209-1731772800-1731780000@hellenic.ucla.edu
SUMMARY:Byzantine Crime Novels in the Twenty-First Century: From History to Fiction by Panagiotis Agapitos\, University of Mainz
DESCRIPTION:Byzantine Crime Novels in the Twenty-First Century: From History to Fiction  \nA lecture by \nPanagiotis Agapitos\nGutenberg Distinguished Research Fellow\, Byzantine Literature\nUniversity of Mainz \nSaturday\, November 16\, 2024\n4:00 p.m.\n314 Royce Hall\, UCLA Campus\nReception to follow \nRSVP link: https://forms.gle/AMserxQLbWa2exNS9\nEvent is free but RSVPs are requested. \nIf you are unable to attend but would like to watch the lecture via livestream on our YouTube channel\, the link is provided below: \nLivestream link: https://youtube.com/live/bNnV8v_vlcE?feature=share \nConversation following the lecture with Professor Michael Cooperson\, Associate Director\, UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture. \nThis lecture tackles the question of “authenticity” when writing crime novels set in the remote past. Agapitos’ three novels (published between 2003 and 2009 in Greece)\, that are set in the first half of ninth-century Byzantium during the rule of the last iconoclast emperor\, Theophilos (r. 829–842)\, form the basis of a lively discussion about the challenges of producing a satisfactory narrative. The fairly clear generic conventions of a traditional British-style mystery are not applicable to a medieval culture such as Byzantium\, starting with the basic issue of the absence of detection and the relevant detective. Contemporary fans of crime fiction have broad expectations about what a detective novel should be\, but they also want a feeling of “real” history in the narrative. In his novels\, the speaker tackles this problem by employing various techniques derived from Byzantine rhetoric and narrative\, while\, at the same time using archaeological\, historical and textual studies to offer a medieval yet contemporary crime story that feels medieval but is\, in fact\, postmodern. \nPanagiotis Agapitos is the Gutenberg Distinguished Research Fellow in Byzantine Literature at the University of Mainz. Previously\, he taught for 25 years at the University of Cyprus as Professor of Byzantine Literature and Culture in the Department of Byzantine and Modern Greek Studies. He studied at the University of Munich and received his Ph.D. from Harvard University in 1990. He has taught as a visiting professor at the Free University of Berlin\, the High School of Social Sciences in Paris\, Stanford University\, and the Sapienza University of Rome. His research interests focus on Byzantine literature\, the history of manuscripts and education in Byzantium\, the critical edition of Medieval Greek texts\, narratology\, theory and practice of rhetoric\, genre studies and cultural history. He has published over 90 papers on these topics\, while his most recent book is a translation into English of the Tale of Livistros and Rodamne\, a Byzantine romance of the thirteenth century (Liverpool University Press\, 2021). He is currently writing a narrative history of Byzantine literature (AD 300–1500) under contract with Cambridge University Press. In his free time\, he writes “mystery stories” set in ninth-century Byzantium. \nThis event is held under the auspices of the Consulate General of Greece in Los Angeles and made possible thanks to the Stavros Niarchos Foundation (SNF). \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nPresented by:\n \nCo-Sponsored by: \n \n \nUnder the auspices of:\n \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\nTo save time\, you may purchase your parking permit for $16 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Lecture with Panagiotis Agapitos” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 6) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/panagiotis-agapitos/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Archaeology,Byzantine,Community,Gefyra,History,Lecture
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/05/Theophilos-at-audience_C12-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241027T170000
DTEND;TZID=America/Los_Angeles:20241027T190000
DTSTAMP:20260916T175319Z
CREATED:20240506T213853Z
LAST-MODIFIED:20260916T175319Z
UID:10000208-1730048400-1730055600@hellenic.ucla.edu
SUMMARY:Cappella Romana
DESCRIPTION:Cappella Romana\nWorld première program\nIN THE FOOTSTEPS OF ST. DEMETRIOS \nDirected by\nAlexander Lingas\nFounder and Director\, Cappella Romana \nA performance presented by\nthe UCLA SNF Center for the Study of Hellenic Culture\,\nthe UCLA Herb Alpert School of Music\nand Saint Sophia Greek Orthodox Cathedral \nSunday\, October 27\, 2024\n5:00 PM\nRunning time: 75 minutes; no intermission\nReception following the performance \nSaint Sophia Greek Orthodox Cathedral\n1324 S Normandie Ave\nLos Angeles\, CA 90006 \nTickets: $25 General Admission (including service fees)\nFree for children under 18 \nAll students age 18+ with valid ID:\nUCLA students can reserve free tickets online with UCLA logon ID\nNon-UCLA students: Free tickets can be obtained at UCLA Central Ticket Office in advance\, or at event \nBuy Tickets \nCappella Romana brings to life the vibrant soundscape of medieval Thessaloniki\, Byzantium’s second largest city. Hear ancient hymns honoring the city’s patron\, the ever-popular St. Demetrios\, sung on the weekend of his annual feast day. Experience ecstatic Byzantine chants for the saint adorning the Cathedral Rite of Constantinople\, sung by the women and men of Cappella Romana. \nThis program\, held under the auspices of the Greek Orthodox Metropolis of San Francisco and the Consulate General of Greece in Los Angeles\, is made possible thanks to the generous support of the Stavros Niarchos Foundation (SNF)\, the Peter J. and Caroline Belz Caloyeras Endowment for the Arts\, and the Mary Calfas Janos Program Fund. This program is co-sponsored by Gefyra (Bridge)\, the UCLA College Humanities Division\, UCLA Center for the Study of Religion\, and the UCLA CMRS Center for Early Global Studies. \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nClick Here for Digital Program \nParking Information: \nFree parking is available at Saint Sophia’s main parking lot and small lot across the street.  Please enter either lot from Normandie Avenue. Please consider carpooling or using rideshare services as parking fills up quickly. Metered parking is available on surrounding streets.
URL:https://hellenic.ucla.edu/event/cappella-romana/
LOCATION:Saint Sophia Cathedral\, 1324 S Normandie Ave\, Los Angeles\, CA\, 90006\, United States
CATEGORIES:Byzantine,Community,Cultural Heritage,Gefyra,Hellenic,HUC@UCLA,Humanities,Music,Reception
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/08/capella-demitrios_WEB-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240929T140000
DTEND;TZID=America/Los_Angeles:20240929T160000
DTSTAMP:20240506T214139Z
CREATED:20240506T214139Z
LAST-MODIFIED:20240506T214139Z
UID:10000207-1727618400-1727625600@hellenic.ucla.edu
SUMMARY:Weaving Community: A Presentation of the UCLA SNF Hellenic Center’s Work in Greece and Los Angeles
DESCRIPTION:Weaving Community: A Presentation of the UCLA SNF Hellenic Center’s Work in Greece and Los Angeles \nLecture by \nProfessor Sharon Gerstel\nDirector\, UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture \nSeptember 29\, 2024\n2:00 PM\n \nThe Wilson-Hanks Family Cultural Center\,\nSt. Sophia Greek Orthodox Cathedral\nReception to follow \nIntroductory remarks by The Honorable Christina Valassopoulou\, Consul General of Greece in Los Angeles \nProfessor Sharon Gerstel\, director of the UCLA SNF Hellenic Center and George P. Kolovos Family Centennial Term Chair in Hellenic Studies\, will discuss the work of the Center in Los Angeles and Greece\, focusing especially on a large-scale\, multi-year project about weaving in the village of Geraki\, Lakonia. This project\, sponsored by Gefyra\, forms the basis of an upcoming exhibition at the Benaki Museum and a comprehensive catalog in both Greek and English. In an open and wide-ranging discussion\, Professor Gerstel will also present upcoming programming for the Center and discuss the Center’s mission and plans for the future. Joining Professor Gerstel will be Mrs. Chrysoula Stamatopoulou\, lead weaving instructor in Geraki\, who will also discuss the village’s weaving tradition\, which began in the ancient period and is still active today. Mrs. Stamatopoulou will demonstrate weaving on the vertical loom for those attending. \nAccompanying this event will be an exhibition of family heirlooms by the Greek Heritage Society. For their exhibition\, the GHS is looking for members of the Greek community of Los Angeles to share heirlooms that have come from Greece and have been passed down to children\, grandchildren\, and other relatives. They are particularly interested in woven items\, but other handicrafts\, such as embroidery can be shared. If you are interested in taking part in the event\, please contact Bessie Karras-Lazaris\, President of the Greek Heritage Society at greekheritage@hotmail.com. Under the email subject heading “Heirloom Project\,” please provide your name\, contact information\, and a brief description of the item(s) you would like to share. If selected\, you will be asked to write a longer description per guidelines that the GHS will provide along with your items on the day of the event. At the exhibition\, you will have the opportunity to talk to members of the community and give some insight into the history and significance of your heirlooms. \nPlease join us for an exciting lecture\, a weaving demo\, an exhibition of works of our grandmothers\, a walk through history\, a glimpse into the future\, and even a savory bite to eat. \nIn case you missed it\, please view the video of the presentation below: \n \nThis event\, co-sponsored by Saint Sophia Greek Orthodox Cathedral\, is held under the auspices of the Consulate General of Greece in Los Angeles and made possible thanks to the Stavros Niarchos Foundation (SNF). \nThe catalogue\, Weaving Dreams: Kilims from Geraki\, Laconia will be made available for sale soon here: https://hellenic.ucla.edu/weaving-dreams/
URL:https://hellenic.ucla.edu/event/gerstellecture2024/
LOCATION:Huffington Center at Saint Sophia Greek Orthodox Cathedral\, 1324 S. Normandie Avenue\, Los Angeles\, CA\, 90006\, United States
CATEGORIES:Community,Cultural Heritage,Gefyra,Hellenic,Humanities,Lecture
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/05/Image-for-Webpage-Weaving-Community-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240330T100000
DTEND;TZID=America/Los_Angeles:20240330T120000
DTSTAMP:20240104T052703Z
CREATED:20240104T052703Z
LAST-MODIFIED:20240104T052703Z
UID:10000185-1711792800-1711800000@hellenic.ucla.edu
SUMMARY:Gefyra Greek Book Club: Η πολιορκία της Τροίας του Θοδωρή Καλλιφατίδη
DESCRIPTION:RSVP here. \nFor further information about the book and the author\, please visit the publisher’s website\, where you can also purchase a digital copy of the book. Please read the instructions carefully. \nFor further information about the Gefyra Conversation with the Author series and the Greek Book Club\, please contact Dr. Simos Zenios (szenios@humnet.ucla.edu) or Dr. Eirini Kotsovili (dkotsovi@sfu.ca). \nThe Gefyra Greek Book Club meetings are part of Gefyra (Bridge)\, a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the Simon Fraser University SNF Centre for Hellenic Studies with support from the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/gefyra-greek-book-club-%ce%b7-%cf%80%ce%bf%ce%bb%ce%b9%ce%bf%cf%81%ce%ba%ce%af%ce%b1-%cf%84%ce%b7%cf%82-%cf%84%cf%81%ce%bf%ce%af%ce%b1%cf%82-%cf%84%ce%bf%cf%85-%ce%b8%ce%bf%ce%b4%cf%89%cf%81%ce%ae/
LOCATION:by Zoom
CATEGORIES:Community,Gefyra,Literature,Modern Greece,Reception
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/01/GefyraBookClub_4_Kallifatidis-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240316T160000
DTEND;TZID=America/Los_Angeles:20240316T180000
DTSTAMP:20231205T193810Z
CREATED:20231205T193810Z
LAST-MODIFIED:20231205T193810Z
UID:10000183-1710604800-1710612000@hellenic.ucla.edu
SUMMARY:"Liberalism and the Foundations of the Modern Greek State (ca 1830-1880)" Lecture by Michalis Sotiropoulos
DESCRIPTION:Liberalism and the Intellectual Foundations of the Modern Greek State (ca 1830-1880) \nLecture by Michalis Sotiropoulos\, The 1821 Fellow in Modern Greek Studies\, British School at Athens  \nSaturday\, March 16\, 2024\n4:00 p.m.\n314 Royce Hall\, UCLA\nReception to follow \nThis event is free to attend but advance RSVP is requested.\nRSVP link: https://forms.gle/k9RShpX6Y7yzxZYX7 \nIntroductory remarks by The Honorable Christina Valassopoulou\, Consul General of Greece in Los Angeles. \nQ&A moderated by Simos Zenios\, Associate Director\, UCLA SNF Center for the Study of Hellenic Culture  \nThe lecture will be recorded\, after the event\, you will be able to find the recording on our YouTube channel here. \nAbstract:\nThe Greek state was a direct outcome of the Greek Revolution of 1821-30. During the revolution itself\, several attempts were made to give the state a political form\, with the Kapodistrias administration (1828-31) probably being the most consistent of them. After the assassination of Kapodistrias in 1831 and the anarchy that ensued\, the Great powers intervened and agreed to make the 17-year-old Prince Otto of Bavaria the monarch of Greece. The modern Greek monarchical state\, initially in effect absolutist\, was reshaped by two moments of revolt: 1843\, king Otto was forced to grant a constitution sanctioning a national parliament; and 1862\, when he was forced to abdicate\, opening the way for a new constitutional process\, the election of a new king\, and the promulgation of a new\, remarkably liberal constitution. Although both these processes were instrumental for the formation of the early Greek state\, they have received surprising little attention from historians. This lecture seeks to fill this gap and offer an interpretation of these political transformations and in particular of the ousting of King Otto. It argues that a significant factor in the criticisms against the Bavarian monarchy was a liberal ideology that was gradually formulated by a group of legal scholars – at times university professors\, lawyers\, jurists\, members of legislative committees\, politicians\, ministers etc. By focusing on the thought and public action of these jurists – figures such as Pavlos Kalligas\, Nikolaos Saripolos\, Ioannis Soutsos\, Ioannis Rallis\, to name but a few – this lecture has three aims: to shed new light on how and why these transformations came about;  to assess the liberal language that informed them; and to assess the short-term and long-term significance of these transformations for the history of modern Greece.  \nBio:\nMichalis Sotiropoulos\, FRHistS\, is a historian of modern Europe specializing in the intellectual history of the Mediterranean and the Greek world in the long nineteenth century. Sotiropoulos has earned a PhD from the University of London and is currently the 1821 Fellow in Modern Greek Studies at the British School at Athens and principal investigator of the SNF-funded research project ‘Unpublished Archives of British Philhellenism during the Greek Revolution\, 1821-1832’. His publications include studies of the Greek Revolution of 1821\, on law and the formation of states\, and on the historiography on the Age of Revolutions\, while his monograph Liberalism after the Revolution: The Intellectual Foundations of the Greek State\, ca. 1830-1880 was recently published by Cambridge University Press. In October 2024 Michalis will be joining the University of Edinburgh as a Lecturer in Modern Greek Studies. \nThis event is held under the auspices of the Consulate General of Greece in Los Angeles and made possible thanks to the Stavros Niarchos Foundation (SNF). \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \n \nParking Information:\n \nParking for Royce Hall is available in Parking Structure 4.  \nParking Structure 4 is located at: 221 Westwood Plaza\, Los Angeles\, CA 90095. Parking Structure 4 is accessible from Sunset Blvd. onto Westwood Plaza which leads directly to the underground parking structure. To view the walking map from Parking Structure 4 to Royce Hall\, click here. \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \nAdvance parking is available for Parking Structure 4. Parking Structure 4 is located at 221 Westwood Plaza\, Los Angeles\, CA 90095. \n\nTo save time\, you may purchase your parking permit for Parking Structure 4 for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Sotiropoulos Lecture” With the advanced parking permit\, you can park anywhere in Parking Structure 4 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\nTo purchase a permit when you arrive at Parking Structure 4\, please park ONLY in the Pay-By-Space/Visitor Parking area\, and proceed to the Self-Service Pay Station machine to pay by credit card.\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\nAccessible parking: For individuals with accessibility needs\, parking lot 4 is outfitted with ADA accessibility amenities\, such as multiple elevators on all floors. The elevators in Lot 4 provide access to Wilson Plaza\, with sidewalk access available. Upon reaching Janss Steps\, turn left towards the Anderson School of Business and Fowler Museum. Proceed past the Fowler Museum before you enter Anderson School of Business; take a right to access the elevator leading to Royce Hall. Please visit our Campus Accessibility Map to view related information.\nTo view the ADA map from Parking Structure 4 to Royce Hall\, click here.\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/michalis-sotiropoulos/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Gefyra,Hellenic,Humanities,Lecture,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2023/12/Screen-Shot-2024-02-02-at-10.35.54-AM-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240120T100000
DTEND;TZID=America/Los_Angeles:20240120T120000
DTSTAMP:20240104T051259Z
CREATED:20240104T051259Z
LAST-MODIFIED:20240104T051259Z
UID:10000184-1705744800-1705752000@hellenic.ucla.edu
SUMMARY:Gefyra Conversation with the Author: Brandy Sour with Constantia Soteriou
DESCRIPTION:RSVP here. \nFor further information about the book and the author\, please visit the publisher’s website\, where you can also purchase a digital copy of the book. Please read the instructions carefully. \nFor further information about the Gefyra Conversation with the Author series and the Greek Book Club\, please contact Dr. Simos Zenios (szenios@humnet.ucla.edu) or Dr. Eirini Kotsovili (dkotsovi@sfu.ca). \nThe Gefyra Conversation with the Author meetings are part of Gefyra (Bridge)\, a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the Simon Fraser University SNF Centre for Hellenic Studies with support from the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/gefyra-conversation-with-the-author-brandy-sour-with-constantia-soteriou/
LOCATION:by Zoom
CATEGORIES:Community,Cyprus,Gefyra,Hellenic,Literature,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/01/GefyraBookClub_3_Soteriou-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231209T100000
DTEND;TZID=America/Los_Angeles:20231209T120000
DTSTAMP:20230804T152631Z
CREATED:20230804T152631Z
LAST-MODIFIED:20230804T152631Z
UID:10000175-1702116000-1702123200@hellenic.ucla.edu
SUMMARY:Gefyra Conversation with the Author: Δενδρίτες\, με την Κάλλια Παπαδάκη
DESCRIPTION:RSVP here. \nFor further information about the book and the author\, please visit the entry on BiblioNet. \nFor information on how to secure a copy of the book\, the Book Club\, and to join the mailing list\, please contact Dr. Simos Zenios (szenios@humnet.ucla.edu) or Dr. Eirini Kotsovili (dkotsovi@sfu.ca). \nThe Gefyra Book Club meeting is part of Gefyra (Bridge)\, a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the Simon Fraser University SNF Centre for Hellenic Studies with support from the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/gefyra-conversation-with-the-author-%ce%b4%ce%b5%ce%bd%ce%b4%cf%81%ce%af%cf%84%ce%b5%cf%82-%ce%bc%ce%b5-%cf%84%ce%b7%ce%bd-%ce%ba%ce%ac%ce%bb%ce%bb%ce%b9%ce%b1-%cf%80%ce%b1%cf%80%ce%b1%ce%b4%ce%ac/
LOCATION:Athens
CATEGORIES:Community,Diaspora,Gefyra,Hellenic,Literature,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2023/08/GefyraBookClub_2_Papadaki-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231118
DTEND;VALUE=DATE:20231119
DTSTAMP:20230829T221219Z
CREATED:20230829T221219Z
LAST-MODIFIED:20230829T221219Z
UID:10000179-1700265600-1700351999@hellenic.ucla.edu
SUMMARY:Reconsidering the Generation of the 1930s: The Roots and Breadth of Greek Modernism Conference
DESCRIPTION:Reconsidering the Generation of the 1930s: The Roots and Breadth of Greek Modernism Conference \nSaturday\, November 18\, 2023\n314 Royce Hall\, UCLA\n10:00 a.m. – 5:00 p.m. \nConference organized by Sharon Gerstel (UCLA) and Sofia Pitouli (UCLA) \nWelcome remarks by The Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles. \nSpeakers: \nAreti Adamopoulou\, Professor of Art History\, University of Ioannina\nAbstract title: The “Generation of the 1930s” in Art: Cold War Cultural Politics and Modern Painting in Greece \nGeorge Baker\, Professor of Art History\, UCLA\nAbstract title: Yannis Tsarouchis and Anachronic Modernism: Lateness\, Counter-Memory\, and the Redefinition of the Human \nNikos Daskalothanassis\, Professor of Modern and Contemporary Art History\, Athens School of Fine Arts\nAbstract title: Theophilos and the Generation of the ’30s (again) \nPolina Kosmadaki\, Curator of Modern and Contemporary Art\, The Benaki Museum\nAbstract title: Concepts of Artistic “Greekness” in the Post-Junta Period: The Case of the Exhibition of Tsarouchis\, Ghika\, Kontoglou\, Theofilos in the Greek Month in London\, 1975 \nSofia Pitouli\, Ph.D. Candidate in Byzantine Art\, UCLA\nAbstract title: Toward Greekness: Dimitris Pikionis’ Architectural Fantasies of Japan \nPoppy Sfakianaki\, Postdoctoral Researcher\, Institute for Mediterranean Studies/FORTH\nAbstract title: Greek Modern Art in Interwar Paris: Networks Rather Than a Generation \nConference Description:\nThis conference challenges the attribution of the term “Generation of the 1930s” (Γενιά του ’30) to artists and writers active during the 1930s and the following decades. The term initially addressed a group of writers and poets bound by similar experiences and socio-historical backgrounds. However\, between 1948-50\, artists were also clustered under the term\, which\nliterati employed regularly––and still do––in scholarship. These artists were credited with the creation of modernism in Greece\, which was inspired by Western European movements but was also deeply rooted in history\, particularly in Orthodox Byzantium. The conference explores the various poles of artistic inventiveness during the 1930s but also examines the work of these artists and writers throughout the twentieth century\, prompting us to conceive their work diachronically rather than within the confines of a single decade. Given the socio-political circumstances of the nineteenth century in Greece (the traumatic changes resulting from the Greco-Turkish war\, the ensuing population exchange\, the collapse of the Megali Idea\, the dramatic upheavals of interwar Greece\, the Metaxas dictatorship\, and the Junta regime)\, the conference examines transnational and cosmopolitan orientations within Greek modernism and the ways in which these intertwined with narratives of nationality and folklore. \nGreek Modernism Conference Schedule \nAttendance is free and open to the public. Lunch is not included.  \nThis conference will not be recorded or livestreamed. \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF) and is held under the auspices of the Consulate General of Greece in Los Angeles. \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nThank you to our co-sponsors!\n \n \n \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “1930s Conference” with the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu or 310-825-5323.
URL:https://hellenic.ucla.edu/event/1930sconference/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Art History,Byzantine,Gefyra,Hellenic,Humanities,Modern Greece,Symposium
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DTSTART;TZID=America/Los_Angeles:20231104T150000
DTEND;TZID=America/Los_Angeles:20231104T170000
DTSTAMP:20230829T201735Z
CREATED:20230829T201735Z
LAST-MODIFIED:20230829T201735Z
UID:10000178-1699110000-1699117200@hellenic.ucla.edu
SUMMARY:"Maria Callas: The Sacred Flame" Lecture by Helena Matheopoulos
DESCRIPTION:Maria Callas: The Sacred Flame \nLecture by Helena Matheopoulos\, Associate Editor\, Opera Now Magazine \nSaturday\, November 4\, 2023\n3:00 p.m.\n314 Royce Hall\, UCLA\nReception to follow \nThis event is free to attend but advance RSVP is requested. \nQ&A moderated by Peter Kazaras\, Director of Opera UCLA \nIntroductory remarks by The Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles. \nForty-five years after her death\, Maria Callas (nee Kalogeropoulos) is still worshipped as ardently as she was during her lifetime. Her records outsell those of any other diva\, past or present\, and she seems to mesmerize a new generation of opera lovers as potently as she bewitched the audiences of her day — a phenomenon unique in the history of opera. “Callas is not just unequaled — she is unequalable!” according to the legendary Italian film\, opera\, and stage director Luchino Visconti. The Italian press perceptively christened her “La Divina\,” thus emphasizing the extra\, metaphysical dimension that sets Callas apart from singers of her time and\, so far\, of all time. \nIn 2018\, she was the subject of a fascinating film by Tom Volf\, Maria by Callas. In 2019\, the Italian film actress Monica Bellucci starred in a one-woman show with Callas as its subject in Paris\, Athens\, and elsewhere. In 2020\, Marina Abramovic’s extraordinary show The 7 Deaths of Maria Callas was premiered at the Bavarian State Opera — a co-production in five more theaters\, including Athens\, Naples and Paris in 2021. No wonder Franco Zeffirelli chose to name his own film about her life\, Callas Forever. \nIn fall 2023\, the 100th anniversary of her birth\, the Mayor of Athens will inaugurate a Maria Callas Museum next to Athens Cathedral. UNESCO has named 2023 “Maria Callas Year” and Opera Houses all over the world are dedicating productions to her memory. “Without doubt\,” declares Kiki Morfoniou who sang Neris to her Medea at Epidaurus in 1961\, “Maria was The Voice of the Century.” \nIn fact\, Callas was more than that. More than the legend she was in her lifetime or the myth she became after her death. Beyond the magic and searing intensity of her personal performances\, she was a pioneer whose career marked a turning point in the history of opera. “She was a comet\, who shot through the operatic firmament and changed it forever\, by totally transforming operatic interpretation\,” according to soprano Barbara Frittoli. \nJames Levine\, former Artistic Director of the Metropolitan Opera\, explains that “Callas’ career was revolutionary. She invested opera with an unprecedented degree of musical/dramatic unity and dramatic credibility. This ‘Callas Revolution\,’ as it came to be known\, was so profound\, thorough and far-reaching that\, aided by inspired stage directors such as Luchino Visconti\, it transformed opera into believable theatre\, an art form that could survive and thrive in an era such as ours\, whose criteria of dramatic credibility have been shaped and dominated by cinema\, television and now\, also by digital media. So\, one is fully justified in talking about opera BC and AC – before and after Callas.” \nBIO:\nHelena Matheopoulos\, currently serving as the Associate Editor of Opera Now Magazine\, hails from Athens. With a background as a former fashion editor at Tatler and a consistent contributor to The Times (London)\, Gramophone\, and Opera Now\, she has garnered recognition for her authorship of several esteemed books on opera. Notable among her literary works are titles such as Placido Domingo\, Diva: The New Generation\, and Fashion Designers at the Opera. Matheopoulos holds Bachelor’s and Master’s degrees in Medieval History from the University College London. \nThis event is held under the auspices of the Consulate General of Greece in Los Angeles and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Maria Callas Lecture” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/mariacallas/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Gefyra,Hellenic,Humanities,Lecture
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DTSTART;TZID=America/Los_Angeles:20231028T193000
DTEND;TZID=America/Los_Angeles:20231028T213000
DTSTAMP:20230829T193450Z
CREATED:20230829T193450Z
LAST-MODIFIED:20230829T193450Z
UID:10000177-1698521400-1698528600@hellenic.ucla.edu
SUMMARY:An Evening with Tassos Boulmetis and “1968”
DESCRIPTION:An Evening with Tassos Boulmetis and “1968” \nSaturday\, October 28\, 2023\n7:30 p.m.\nBilly Wilder Theater\, UCLA Hammer Museum\n10899 Wilshire Blvd\nLos Angeles\, CA 90024 United States + Google Map \nPresented by the UCLA Film & Television Archive and Gefyra \n7:30pm – Film Screening \nQ&A with: \nTassos Boulmetis (Director)\nPaul Malcolm (Senior Public Programmer\, UCLA Film & Television Archive)\nJohn K. Papadopoulos (Distinguished Professor of Archaeology & Classics\, UCLA\, and Director\, Athenian Agora Excavations) \nAdmission is free. No advance reservations needed. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come\, first served basis. The box office opens one hour before the event. Please visit the link below for more information. \nhttps://www.cinema.ucla.edu/events/2023/10/28/evening-with-tassos-boulmetis \nABOUT THE FILM\nApril 4\, 1968. Athens’ Kallimarmaro Stadium is abuzz\, with thousands of people gathered and millions listening through their radios. The AEK – Slavia Prague basketball game has just begun. A girl in love is dreaming of her wedding day\, while her future husband becomes more desperate with every Greek shot through the opposing team’s hoop. An elderly husband and wife remember the home they left behind. A young communist prisoner cheers from his jail cell and a PROPO betting shop becomes the place where old and new wounds resurface. Years before this night\, three Constantinopolitans decided to create an athletic union that will commemorate their story. At the end of this night\, a moment in Greek history had been made. \nDIRECTOR BIO\nTassos Boulmetis\, the director of A Touch of Spice and Mythopathy\, built his film\, “1968\,” around a true athletic triumph that made history and united a divided country. Mr. Boulmetis studied Physics at the National and Kapodistrian University of Athens and Film Production and Direction at the University of California\, Los Angeles (UCLA)\, with a scholarship from the A. S. Onassis Foundation. In Greece he started his career as a director/producer of TV shows for the state TV networks. In 1990 he wrote\, directed and co-produced the film The Dream Factory\, which won awards in both Greece and the U.S. A Touch of Spice\, a film that he wrote\, directed and co-produced became the most successful film ever in Greece with over 1\,600\,00 theater viewers. It has been distributed in 45 countries. His third feature\, Mythopathy\, a coming-of-age story of a young man during the 70’s in Greece\, is a sarcastic comedy about the Greek political system and its path to the recent economic crisis. Boulmetis is currently artist-in-residence for Gefyra. In fall 2023\, he is teaching at UCLA and engaging in public programming at Simon Fraser University. \nThis program is made possible thanks to the UCLA Film & Television Archive and the Stavros Niarchos Foundation (SNF). \nFor parking and theater details\, please visit https://www.cinema.ucla.edu/billy-wilder-theater \nABOUT GEFYRA\nThis event is part of a series of events held in collaboration with the SNF Centre for Hellenic Studies at Simon Fraser University in Vancouver. We gratefully acknowledge the support of the Stavros Niarchos Foundation for this pilot program\, which seeks to create networks across the West Coast of North America and between the West Coast and Greece. For more information about this collaboration\, please visit https://hellenic.ucla.edu/Gefyra/. \nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/tassos-boulmetis-and-1968/
LOCATION:Billy Wilder Theater\, Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Community,Film,Gefyra,Hellenic
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DTSTART;TZID=America/Los_Angeles:20231014T150000
DTEND;TZID=America/Los_Angeles:20231014T160000
DTSTAMP:20230818T171526Z
CREATED:20230818T171526Z
LAST-MODIFIED:20230818T171526Z
UID:10000176-1697295600-1697299200@hellenic.ucla.edu
SUMMARY:Aesthetics of Crisis: Political Street Art and Graffiti in Athens\, 2013-2023
DESCRIPTION:Aesthetics of Crisis: Political Street Art and Graffiti in Athens\, 2013-2023 \nLecture by Julia Tulke\, Assistant Professor\, Emory University \nSaturday\, October 14\, 2023\n3:00 p.m.\n314 Royce Hall\nReception to follow \nThis talk recapitulates the first ten years of Aesthetics of Crisis\, a longitudinal research project that has documented and examined political street art and graffiti in Athens since 2013\, generating an archive of nearly 7000 photographs. Initially probing the walls of the city as an artifact of and site of performative response to the Greek debt crisis\, the project has since adopted the notion of political street art as a “barometer” and method capable of rendering visible shifting currents of crisis and contestation. Over the course of a decade\, the project has traced and contextualized street-level responses to the 2015 austerity referendum\, the growing visibility of feminist and queer protest and expression since the mid-2010s\, the emergence anti-Airbnb and anti-gentrification graffiti since 2019\, reactions to the COVID-19 pandemic and first lockdowns of 2020 and\, most recently\, the turn to graffiti removal as an aspirational performance of post-crisis. By weaving together ethnographic and documentary sensibilities attuned to the complex material and affective realities of everyday life\, Aesthetics of Crisis offers a polyphonic counterpoint to the narrow and often fetishizing representation of the “crisis city” Athens through uncritical celebrations of “crisis creativity” and the attendant assertion that “Athens is the new Berlin.” \nJulia Tulke is an Assistant Teaching Professor at the Institute for the Liberal Arts at Emory University. She earned her Ph.D. in Visual and Cultural Studies at the University of Rochester. Located at the intersections of urban studies\, visual culture\, and anthropology\, Tulke’s research centers on the visual and spatial politics of crisis\, with a particular focus on the material and symbolic terrain of the “crisis city\,” for which Athens has served as her central case study. Her work in and on the city through the past decade includes research and writing on political street art and graffiti\, artist-run spaces\, queer and feminist protest\, and the poetics of ruination. This work has appeared in the journals City: analysis of urban trends\, culture\, theory\, policy\, action and Forum Kritische Archäologie\, as well as the edited volumes The Aesthetics of Global Protest: Visual Culture and Communication and Greece in Crisis: The Cultural Politics of Austerity\, among other places. Julia’s longitudinal research project Aesthetics of Crisis won the 2022 Prosser Award for Visual Methodologies from the International Visual Sociology Association. https://juliatulke.com/ \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF). \nIn case you missed the lecture\, the recording is available below:\n \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nParking Information: \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Julia Tulke Lecture” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\n\n\n\n\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/aestheticsofcrisis/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Gefyra,Hellenic,Humanities,Modern Greece
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DTSTART;TZID=America/Los_Angeles:20230930T100000
DTEND;TZID=America/Los_Angeles:20230930T120000
DTSTAMP:20230803T192234Z
CREATED:20230803T192234Z
LAST-MODIFIED:20230803T192234Z
UID:10000174-1696068000-1696075200@hellenic.ucla.edu
SUMMARY:Gefyra Greek Book Club: Ο Δύτης\, του Μίνου Ευσταθιάδη
DESCRIPTION:Gefyra Greek Book Club \nΟ Δύτης\, του Μίνου Ευσταθιάδη \nSeptember 30\, 2023\n10:00 a.m. PDT / 8:00 p.m. Greece\nVia Zoom \nRSVP here. \nFor further information about the book and the author\, please visit the publisher’s site. \nYou can purchase a digital copy of the book at the publisher’s site\, Apple Books\, and Google Play. \nFor more information about the Book Club and to join its mailing list\, please contact Dr. Simos Zenios (szenios@humnet.ucla.edu) or Dr. Eirini Kotsovili (dkotsovi@sfu.ca). \nThe Gefyra Book Club meeting is part of Gefyra (Bridge)\, a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the Simon Fraser University SNF Centre for Hellenic Studies with support from the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/gefyra-greek-book-club-thediver/
LOCATION:by Zoom
CATEGORIES:Community,Gefyra,Hellenic,HUC@UCLA,Humanities
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