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SUMMARY:Gefyra Conversation with the Author: Δενδρίτες\, με την Κάλλια Παπαδάκη
DESCRIPTION:RSVP here. \nFor further information about the book and the author\, please visit the entry on BiblioNet. \nFor information on how to secure a copy of the book\, the Book Club\, and to join the mailing list\, please contact Dr. Simos Zenios (szenios@humnet.ucla.edu) or Dr. Eirini Kotsovili (dkotsovi@sfu.ca). \nThe Gefyra Book Club meeting is part of Gefyra (Bridge)\, a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the Simon Fraser University SNF Centre for Hellenic Studies with support from the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/gefyra-conversation-with-the-author-%ce%b4%ce%b5%ce%bd%ce%b4%cf%81%ce%af%cf%84%ce%b5%cf%82-%ce%bc%ce%b5-%cf%84%ce%b7%ce%bd-%ce%ba%ce%ac%ce%bb%ce%bb%ce%b9%ce%b1-%cf%80%ce%b1%cf%80%ce%b1%ce%b4%ce%ac/
LOCATION:CA
CATEGORIES:Community,Diaspora,Gefyra,Hellenic,Literature,Modern Greece
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DTSTART;VALUE=DATE:20231118
DTEND;VALUE=DATE:20231119
DTSTAMP:20230829T221219Z
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LAST-MODIFIED:20230829T221219Z
UID:10000179-1700265600-1700351999@hellenic.ucla.edu
SUMMARY:Reconsidering the Generation of the 1930s: The Roots and Breadth of Greek Modernism Conference
DESCRIPTION:Reconsidering the Generation of the 1930s: The Roots and Breadth of Greek Modernism Conference \nSaturday\, November 18\, 2023\n314 Royce Hall\, UCLA\n10:00 a.m. – 5:00 p.m. \nConference organized by Sharon Gerstel (UCLA) and Sofia Pitouli (UCLA) \nWelcome remarks by The Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles. \nSpeakers: \nAreti Adamopoulou\, Professor of Art History\, University of Ioannina\nAbstract title: The “Generation of the 1930s” in Art: Cold War Cultural Politics and Modern Painting in Greece \nGeorge Baker\, Professor of Art History\, UCLA\nAbstract title: Yannis Tsarouchis and Anachronic Modernism: Lateness\, Counter-Memory\, and the Redefinition of the Human \nNikos Daskalothanassis\, Professor of Modern and Contemporary Art History\, Athens School of Fine Arts\nAbstract title: Theophilos and the Generation of the ’30s (again) \nPolina Kosmadaki\, Curator of Modern and Contemporary Art\, The Benaki Museum\nAbstract title: Concepts of Artistic “Greekness” in the Post-Junta Period: The Case of the Exhibition of Tsarouchis\, Ghika\, Kontoglou\, Theofilos in the Greek Month in London\, 1975 \nSofia Pitouli\, Ph.D. Candidate in Byzantine Art\, UCLA\nAbstract title: Toward Greekness: Dimitris Pikionis’ Architectural Fantasies of Japan \nPoppy Sfakianaki\, Postdoctoral Researcher\, Institute for Mediterranean Studies/FORTH\nAbstract title: Greek Modern Art in Interwar Paris: Networks Rather Than a Generation \nConference Description:\nThis conference challenges the attribution of the term “Generation of the 1930s” (Γενιά του ’30) to artists and writers active during the 1930s and the following decades. The term initially addressed a group of writers and poets bound by similar experiences and socio-historical backgrounds. However\, between 1948-50\, artists were also clustered under the term\, which\nliterati employed regularly––and still do––in scholarship. These artists were credited with the creation of modernism in Greece\, which was inspired by Western European movements but was also deeply rooted in history\, particularly in Orthodox Byzantium. The conference explores the various poles of artistic inventiveness during the 1930s but also examines the work of these artists and writers throughout the twentieth century\, prompting us to conceive their work diachronically rather than within the confines of a single decade. Given the socio-political circumstances of the nineteenth century in Greece (the traumatic changes resulting from the Greco-Turkish war\, the ensuing population exchange\, the collapse of the Megali Idea\, the dramatic upheavals of interwar Greece\, the Metaxas dictatorship\, and the Junta regime)\, the conference examines transnational and cosmopolitan orientations within Greek modernism and the ways in which these intertwined with narratives of nationality and folklore. \nGreek Modernism Conference Schedule \nAttendance is free and open to the public. Lunch is not included.  \nThis conference will not be recorded or livestreamed. \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF) and is held under the auspices of the Consulate General of Greece in Los Angeles. \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nThank you to our co-sponsors!\n \n \n \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “1930s Conference” with the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu or 310-825-5323.
URL:https://hellenic.ucla.edu/event/1930sconference/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Art History,Byzantine,Gefyra,Hellenic,Humanities,Modern Greece,Symposium
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DTSTART;TZID=America/Los_Angeles:20231104T150000
DTEND;TZID=America/Los_Angeles:20231104T170000
DTSTAMP:20230829T201735Z
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SUMMARY:"Maria Callas: The Sacred Flame" Lecture by Helena Matheopoulos
DESCRIPTION:Maria Callas: The Sacred Flame \nLecture by Helena Matheopoulos\, Associate Editor\, Opera Now Magazine \nSaturday\, November 4\, 2023\n3:00 p.m.\n314 Royce Hall\, UCLA\nReception to follow \nThis event is free to attend but advance RSVP is requested. \nQ&A moderated by Peter Kazaras\, Director of Opera UCLA \nIntroductory remarks by The Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles. \nForty-five years after her death\, Maria Callas (nee Kalogeropoulos) is still worshipped as ardently as she was during her lifetime. Her records outsell those of any other diva\, past or present\, and she seems to mesmerize a new generation of opera lovers as potently as she bewitched the audiences of her day — a phenomenon unique in the history of opera. “Callas is not just unequaled — she is unequalable!” according to the legendary Italian film\, opera\, and stage director Luchino Visconti. The Italian press perceptively christened her “La Divina\,” thus emphasizing the extra\, metaphysical dimension that sets Callas apart from singers of her time and\, so far\, of all time. \nIn 2018\, she was the subject of a fascinating film by Tom Volf\, Maria by Callas. In 2019\, the Italian film actress Monica Bellucci starred in a one-woman show with Callas as its subject in Paris\, Athens\, and elsewhere. In 2020\, Marina Abramovic’s extraordinary show The 7 Deaths of Maria Callas was premiered at the Bavarian State Opera — a co-production in five more theaters\, including Athens\, Naples and Paris in 2021. No wonder Franco Zeffirelli chose to name his own film about her life\, Callas Forever. \nIn fall 2023\, the 100th anniversary of her birth\, the Mayor of Athens will inaugurate a Maria Callas Museum next to Athens Cathedral. UNESCO has named 2023 “Maria Callas Year” and Opera Houses all over the world are dedicating productions to her memory. “Without doubt\,” declares Kiki Morfoniou who sang Neris to her Medea at Epidaurus in 1961\, “Maria was The Voice of the Century.” \nIn fact\, Callas was more than that. More than the legend she was in her lifetime or the myth she became after her death. Beyond the magic and searing intensity of her personal performances\, she was a pioneer whose career marked a turning point in the history of opera. “She was a comet\, who shot through the operatic firmament and changed it forever\, by totally transforming operatic interpretation\,” according to soprano Barbara Frittoli. \nJames Levine\, former Artistic Director of the Metropolitan Opera\, explains that “Callas’ career was revolutionary. She invested opera with an unprecedented degree of musical/dramatic unity and dramatic credibility. This ‘Callas Revolution\,’ as it came to be known\, was so profound\, thorough and far-reaching that\, aided by inspired stage directors such as Luchino Visconti\, it transformed opera into believable theatre\, an art form that could survive and thrive in an era such as ours\, whose criteria of dramatic credibility have been shaped and dominated by cinema\, television and now\, also by digital media. So\, one is fully justified in talking about opera BC and AC – before and after Callas.” \nBIO:\nHelena Matheopoulos\, currently serving as the Associate Editor of Opera Now Magazine\, hails from Athens. With a background as a former fashion editor at Tatler and a consistent contributor to The Times (London)\, Gramophone\, and Opera Now\, she has garnered recognition for her authorship of several esteemed books on opera. Notable among her literary works are titles such as Placido Domingo\, Diva: The New Generation\, and Fashion Designers at the Opera. Matheopoulos holds Bachelor’s and Master’s degrees in Medieval History from the University College London. \nThis event is held under the auspices of the Consulate General of Greece in Los Angeles and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Maria Callas Lecture” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/mariacallas/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Gefyra,Hellenic,Humanities,Lecture
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2023/08/Screen-Shot-2023-10-02-at-8.53.56-AM-1.jpg
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DTSTART;TZID=America/Los_Angeles:20231028T193000
DTEND;TZID=America/Los_Angeles:20231028T213000
DTSTAMP:20230829T193450Z
CREATED:20230829T193450Z
LAST-MODIFIED:20230829T193450Z
UID:10000177-1698521400-1698528600@hellenic.ucla.edu
SUMMARY:An Evening with Tassos Boulmetis and “1968”
DESCRIPTION:An Evening with Tassos Boulmetis and “1968” \nSaturday\, October 28\, 2023\n7:30 p.m.\nBilly Wilder Theater\, UCLA Hammer Museum\n10899 Wilshire Blvd\nLos Angeles\, CA 90024 United States + Google Map \nPresented by the UCLA Film & Television Archive and Gefyra \n7:30pm – Film Screening \nQ&A with: \nTassos Boulmetis (Director)\nPaul Malcolm (Senior Public Programmer\, UCLA Film & Television Archive)\nJohn K. Papadopoulos (Distinguished Professor of Archaeology & Classics\, UCLA\, and Director\, Athenian Agora Excavations) \nAdmission is free. No advance reservations needed. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come\, first served basis. The box office opens one hour before the event. Please visit the link below for more information. \nhttps://www.cinema.ucla.edu/events/2023/10/28/evening-with-tassos-boulmetis \nABOUT THE FILM\nApril 4\, 1968. Athens’ Kallimarmaro Stadium is abuzz\, with thousands of people gathered and millions listening through their radios. The AEK – Slavia Prague basketball game has just begun. A girl in love is dreaming of her wedding day\, while her future husband becomes more desperate with every Greek shot through the opposing team’s hoop. An elderly husband and wife remember the home they left behind. A young communist prisoner cheers from his jail cell and a PROPO betting shop becomes the place where old and new wounds resurface. Years before this night\, three Constantinopolitans decided to create an athletic union that will commemorate their story. At the end of this night\, a moment in Greek history had been made. \nDIRECTOR BIO\nTassos Boulmetis\, the director of A Touch of Spice and Mythopathy\, built his film\, “1968\,” around a true athletic triumph that made history and united a divided country. Mr. Boulmetis studied Physics at the National and Kapodistrian University of Athens and Film Production and Direction at the University of California\, Los Angeles (UCLA)\, with a scholarship from the A. S. Onassis Foundation. In Greece he started his career as a director/producer of TV shows for the state TV networks. In 1990 he wrote\, directed and co-produced the film The Dream Factory\, which won awards in both Greece and the U.S. A Touch of Spice\, a film that he wrote\, directed and co-produced became the most successful film ever in Greece with over 1\,600\,00 theater viewers. It has been distributed in 45 countries. His third feature\, Mythopathy\, a coming-of-age story of a young man during the 70’s in Greece\, is a sarcastic comedy about the Greek political system and its path to the recent economic crisis. Boulmetis is currently artist-in-residence for Gefyra. In fall 2023\, he is teaching at UCLA and engaging in public programming at Simon Fraser University. \nThis program is made possible thanks to the UCLA Film & Television Archive and the Stavros Niarchos Foundation (SNF). \nFor parking and theater details\, please visit https://www.cinema.ucla.edu/billy-wilder-theater \nABOUT GEFYRA\nThis event is part of a series of events held in collaboration with the SNF Centre for Hellenic Studies at Simon Fraser University in Vancouver. We gratefully acknowledge the support of the Stavros Niarchos Foundation for this pilot program\, which seeks to create networks across the West Coast of North America and between the West Coast and Greece. For more information about this collaboration\, please visit https://hellenic.ucla.edu/Gefyra/. \nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/tassos-boulmetis-and-1968/
LOCATION:Billy Wilder Theater\, Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Community,Film,Gefyra,Hellenic
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DTSTART;TZID=America/Los_Angeles:20231014T150000
DTEND;TZID=America/Los_Angeles:20231014T160000
DTSTAMP:20230818T171526Z
CREATED:20230818T171526Z
LAST-MODIFIED:20230818T171526Z
UID:10000176-1697295600-1697299200@hellenic.ucla.edu
SUMMARY:Aesthetics of Crisis: Political Street Art and Graffiti in Athens\, 2013-2023
DESCRIPTION:Aesthetics of Crisis: Political Street Art and Graffiti in Athens\, 2013-2023 \nLecture by Julia Tulke\, Assistant Professor\, Emory University \nSaturday\, October 14\, 2023\n3:00 p.m.\n314 Royce Hall\nReception to follow \nThis talk recapitulates the first ten years of Aesthetics of Crisis\, a longitudinal research project that has documented and examined political street art and graffiti in Athens since 2013\, generating an archive of nearly 7000 photographs. Initially probing the walls of the city as an artifact of and site of performative response to the Greek debt crisis\, the project has since adopted the notion of political street art as a “barometer” and method capable of rendering visible shifting currents of crisis and contestation. Over the course of a decade\, the project has traced and contextualized street-level responses to the 2015 austerity referendum\, the growing visibility of feminist and queer protest and expression since the mid-2010s\, the emergence anti-Airbnb and anti-gentrification graffiti since 2019\, reactions to the COVID-19 pandemic and first lockdowns of 2020 and\, most recently\, the turn to graffiti removal as an aspirational performance of post-crisis. By weaving together ethnographic and documentary sensibilities attuned to the complex material and affective realities of everyday life\, Aesthetics of Crisis offers a polyphonic counterpoint to the narrow and often fetishizing representation of the “crisis city” Athens through uncritical celebrations of “crisis creativity” and the attendant assertion that “Athens is the new Berlin.” \nJulia Tulke is an Assistant Teaching Professor at the Institute for the Liberal Arts at Emory University. She earned her Ph.D. in Visual and Cultural Studies at the University of Rochester. Located at the intersections of urban studies\, visual culture\, and anthropology\, Tulke’s research centers on the visual and spatial politics of crisis\, with a particular focus on the material and symbolic terrain of the “crisis city\,” for which Athens has served as her central case study. Her work in and on the city through the past decade includes research and writing on political street art and graffiti\, artist-run spaces\, queer and feminist protest\, and the poetics of ruination. This work has appeared in the journals City: analysis of urban trends\, culture\, theory\, policy\, action and Forum Kritische Archäologie\, as well as the edited volumes The Aesthetics of Global Protest: Visual Culture and Communication and Greece in Crisis: The Cultural Politics of Austerity\, among other places. Julia’s longitudinal research project Aesthetics of Crisis won the 2022 Prosser Award for Visual Methodologies from the International Visual Sociology Association. https://juliatulke.com/ \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF). \nIn case you missed the lecture\, the recording is available below:\n \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nParking Information: \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Julia Tulke Lecture” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\n\n\n\n\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/aestheticsofcrisis/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Gefyra,Hellenic,Humanities,Modern Greece
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DTSTART;TZID=America/Los_Angeles:20230930T100000
DTEND;TZID=America/Los_Angeles:20230930T120000
DTSTAMP:20230803T192234Z
CREATED:20230803T192234Z
LAST-MODIFIED:20230803T192234Z
UID:10000174-1696068000-1696075200@hellenic.ucla.edu
SUMMARY:Gefyra Greek Book Club: Ο Δύτης\, του Μίνου Ευσταθιάδη
DESCRIPTION:Gefyra Greek Book Club \nΟ Δύτης\, του Μίνου Ευσταθιάδη \nSeptember 30\, 2023\n10:00 a.m. PDT / 8:00 p.m. Greece\nVia Zoom \nRSVP here. \nFor further information about the book and the author\, please visit the publisher’s site. \nYou can purchase a digital copy of the book at the publisher’s site\, Apple Books\, and Google Play. \nFor more information about the Book Club and to join its mailing list\, please contact Dr. Simos Zenios (szenios@humnet.ucla.edu) or Dr. Eirini Kotsovili (dkotsovi@sfu.ca). \nThe Gefyra Book Club meeting is part of Gefyra (Bridge)\, a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the Simon Fraser University SNF Centre for Hellenic Studies with support from the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/gefyra-greek-book-club-thediver/
LOCATION:by Zoom
CATEGORIES:Community,Gefyra,Hellenic,HUC@UCLA,Humanities
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2023/08/Book-Club-September-30-1.jpg
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