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DTSTART;VALUE=DATE:20240510
DTEND;VALUE=DATE:20240512
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SUMMARY:International Conference on “Plato and Lyric Poetry” - Cancelled
DESCRIPTION:a conference presented by\nthe UCLA Department of Classics \nFor more information and the conference schedule\, see: Plato and Lyric Poetry conference \nWe regret to inform you that this conference originally scheduled for May 10 and 11 has been cancelled. If you have any questions\, you can contact us at hellenic@humnet.ucla.edu. 
URL:https://hellenic.ucla.edu/event/platoandlyricpoetryconference/
LOCATION:CA
CATEGORIES:Classics,Conference,Humanities
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DTSTART;TZID=America/Los_Angeles:20240316T160000
DTEND;TZID=America/Los_Angeles:20240316T180000
DTSTAMP:20231205T193810Z
CREATED:20231205T193810Z
LAST-MODIFIED:20231205T193810Z
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SUMMARY:"Liberalism and the Foundations of the Modern Greek State (ca 1830-1880)" Lecture by Michalis Sotiropoulos
DESCRIPTION:Liberalism and the Intellectual Foundations of the Modern Greek State (ca 1830-1880) \nLecture by Michalis Sotiropoulos\, The 1821 Fellow in Modern Greek Studies\, British School at Athens  \nSaturday\, March 16\, 2024\n4:00 p.m.\n314 Royce Hall\, UCLA\nReception to follow \nThis event is free to attend but advance RSVP is requested.\nRSVP link: https://forms.gle/k9RShpX6Y7yzxZYX7 \nIntroductory remarks by The Honorable Christina Valassopoulou\, Consul General of Greece in Los Angeles. \nQ&A moderated by Simos Zenios\, Associate Director\, UCLA SNF Center for the Study of Hellenic Culture  \nThe lecture will be recorded\, after the event\, you will be able to find the recording on our YouTube channel here. \nAbstract:\nThe Greek state was a direct outcome of the Greek Revolution of 1821-30. During the revolution itself\, several attempts were made to give the state a political form\, with the Kapodistrias administration (1828-31) probably being the most consistent of them. After the assassination of Kapodistrias in 1831 and the anarchy that ensued\, the Great powers intervened and agreed to make the 17-year-old Prince Otto of Bavaria the monarch of Greece. The modern Greek monarchical state\, initially in effect absolutist\, was reshaped by two moments of revolt: 1843\, king Otto was forced to grant a constitution sanctioning a national parliament; and 1862\, when he was forced to abdicate\, opening the way for a new constitutional process\, the election of a new king\, and the promulgation of a new\, remarkably liberal constitution. Although both these processes were instrumental for the formation of the early Greek state\, they have received surprising little attention from historians. This lecture seeks to fill this gap and offer an interpretation of these political transformations and in particular of the ousting of King Otto. It argues that a significant factor in the criticisms against the Bavarian monarchy was a liberal ideology that was gradually formulated by a group of legal scholars – at times university professors\, lawyers\, jurists\, members of legislative committees\, politicians\, ministers etc. By focusing on the thought and public action of these jurists – figures such as Pavlos Kalligas\, Nikolaos Saripolos\, Ioannis Soutsos\, Ioannis Rallis\, to name but a few – this lecture has three aims: to shed new light on how and why these transformations came about;  to assess the liberal language that informed them; and to assess the short-term and long-term significance of these transformations for the history of modern Greece.  \nBio:\nMichalis Sotiropoulos\, FRHistS\, is a historian of modern Europe specializing in the intellectual history of the Mediterranean and the Greek world in the long nineteenth century. Sotiropoulos has earned a PhD from the University of London and is currently the 1821 Fellow in Modern Greek Studies at the British School at Athens and principal investigator of the SNF-funded research project ‘Unpublished Archives of British Philhellenism during the Greek Revolution\, 1821-1832’. His publications include studies of the Greek Revolution of 1821\, on law and the formation of states\, and on the historiography on the Age of Revolutions\, while his monograph Liberalism after the Revolution: The Intellectual Foundations of the Greek State\, ca. 1830-1880 was recently published by Cambridge University Press. In October 2024 Michalis will be joining the University of Edinburgh as a Lecturer in Modern Greek Studies. \nThis event is held under the auspices of the Consulate General of Greece in Los Angeles and made possible thanks to the Stavros Niarchos Foundation (SNF). \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \n \nParking Information:\n \nParking for Royce Hall is available in Parking Structure 4.  \nParking Structure 4 is located at: 221 Westwood Plaza\, Los Angeles\, CA 90095. Parking Structure 4 is accessible from Sunset Blvd. onto Westwood Plaza which leads directly to the underground parking structure. To view the walking map from Parking Structure 4 to Royce Hall\, click here. \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \nAdvance parking is available for Parking Structure 4. Parking Structure 4 is located at 221 Westwood Plaza\, Los Angeles\, CA 90095. \n\nTo save time\, you may purchase your parking permit for Parking Structure 4 for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Sotiropoulos Lecture” With the advanced parking permit\, you can park anywhere in Parking Structure 4 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\nTo purchase a permit when you arrive at Parking Structure 4\, please park ONLY in the Pay-By-Space/Visitor Parking area\, and proceed to the Self-Service Pay Station machine to pay by credit card.\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\nAccessible parking: For individuals with accessibility needs\, parking lot 4 is outfitted with ADA accessibility amenities\, such as multiple elevators on all floors. The elevators in Lot 4 provide access to Wilson Plaza\, with sidewalk access available. Upon reaching Janss Steps\, turn left towards the Anderson School of Business and Fowler Museum. Proceed past the Fowler Museum before you enter Anderson School of Business; take a right to access the elevator leading to Royce Hall. Please visit our Campus Accessibility Map to view related information.\nTo view the ADA map from Parking Structure 4 to Royce Hall\, click here.\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/michalis-sotiropoulos/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Gefyra,Hellenic,Humanities,Lecture,Modern Greece
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DTSTART;TZID=America/Los_Angeles:20240312T170000
DTEND;TZID=America/Los_Angeles:20240312T190000
DTSTAMP:20240119T171903Z
CREATED:20240119T171903Z
LAST-MODIFIED:20240119T171903Z
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SUMMARY:“Who Invented the ‘Modern Greeks’ and Why?” Lecture by Anthony Kaldellis
DESCRIPTION:Who Invented the Modern Greeks\, and Why? \nLecture by Anthony Kaldellis\, Professor\, University of Chicago \nTuesday\, March 12\, 2024\n5:00 p.m.\n247 Dodd Hall \nReception to follow \nNo RSVP required \nThis event will not be livestreamed or recorded. \nIn the case of no other people is the distinction between “ancient” and “modern” more symbolically potent and seemingly clear-cut than with the Greeks. Their antiquity is an internationally recognized prestige culture\, and their modernity was born full of promise for the future\, as one of the first nations to emancipate itself from imperial domination. But\, this lecture will show\, the distinction arose long before the nineteenth century\, in a context that is now forgotten. Who first began to speak of the “modern” Greeks\, and why? The answer will take us to the Middle Ages and to the polemics that divided Christendom and set the stage for modern Europe. \nAnthony Kaldellis is a Professor of Classics at the University of Chicago who specializes in the history\, culture\, and literature of the eastern Roman Empire\, also known as Byzantium. He has published translations of many Byzantine works as well as monographs on aspects of its culture and politics\, and recently wrote a 1\,000-page history of Byzantium entitled The New Roman Empire (Oxford University Press\, 2023). \nThe event is part of the Reception of Hellenic Culture Lecture Series\, co-organized by the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture and the UCLA Department of Classics. \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF). \nParking Information: \n\nParking for Dodd Hall is available in Parking Structure 2 located at 602 Charles E. Young Drive\, East Los Angeles\, CA 90095. If you have accessibility needs\, this structure offers parking spots for drivers with disabilities.  Please visit our Campus Accessibility Map to view related information. \nFor further information\, please consult UCLA Visitor Parking. \nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/who-invented-the-modern-greeks-and-why-lecture-by-anthony-kaldellis/
LOCATION:247 Dodd Hall\, 315 Portola Pl\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Classics,Hellenic,Humanities,Lecture,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/01/Anthony-Kaldellis-flyer-1-1.jpg
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DTSTART;TZID=America/Los_Angeles:20240302T160000
DTEND;TZID=America/Los_Angeles:20240302T160000
DTSTAMP:20240123T042308Z
CREATED:20240123T042308Z
LAST-MODIFIED:20240123T042308Z
UID:10000194-1709395200-1709395200@hellenic.ucla.edu
SUMMARY:Katherine Fleming\, "How to Think About the Past"
DESCRIPTION:“How to Think About the Past” \nLecture by \nKatherine Elizabeth Fleming \nPresident and CEO\, J. Paul Getty Trust\nand Alexander S. Onassis Professor of Hellenic Culture and Civilization\,\nDepartment of History\, New York University (NYU) \nMarch 2\, 2024 \n4:00 p.m. \nUCLA Fowler Museum\, Lenart Auditorium\nReception to follow \nEvent is free but advanced registration is requested\n \nIntroductory remarks by The Honorable Christina Valassopoulou\, Consul General of Greece in Los Angeles. \nThis lecture will not be livestreamed or recorded. \nIn his poem “O gyrismos tou xenitimenou” (“The Return of the Exile”)\, Giorgos Seferis famously wrote that the protagonist’s nostalgia for Greece had created a “non-existent country.” \nWe access the past in various ways\, none of them totally reliable: memory\, nostalgia\, history — carry with them different implications and different defects. This talk will consider various ways in which these different pathways to the past connect to modern Greek history\, literature\, and nationalism. Drawing on examples from contemporary oral history and from Greek-Jewish memoirs\, it will consider the various ways in which the past is always with us — and always changing. \nKatherine Elizabeth Fleming is President and CEO of the J. Paul Getty Trust and the Alexander S. Onassis Professor of Hellenic Culture and Civilization in the Department of History at New York University (NYU)\, where she served as Provost from 2016 to 2022. A historian of Modern Greece and the Mediterranean\, her interests range from religious identity to historical memory to oral history. In Greece she is the co-director of the large-scale public history project ISTORIMA.ORG\, which she co-founded with the journalist Sofia Papaioannou with a significant grant from the Stavros Niarchos Foundation.  From 2012-2016 she was President of the Board of the University of Piraeus in Greece. She currently serves as a political appointee to the administrative board of the University of Paris system in France.  \nThis event is being co-sponsored by the LMU Basil P. Caloyeras Center for Modern Greek Studies and held under the auspices of the Consulate General of Greece in Los Angeles. This program is made possible thanks to the Stavros Niarchos Foundation (SNF). \n \n \nParking Information: \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nTo view the walking map from Parking Structure 5 to the Fowler Museum\, click here. \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Campus Event\,” then “Katherine Fleming Lecture” with the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\nGuest drop/Ride-share drop off is directly behind the Museum: 305 Royce Drive\, directly off Sunset Blvd.\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information. Upon parking\, proceed to the elevators behind Korn Convocation Hall to reach the first floor. Once you exit\, you will find the Fowler Museum to your left.\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/katherine-fleming-how-to-think-about-the-past/
LOCATION:UCLA Fowler Museum\, Lenart Auditorium\, 308 Charles E Young Dr. N.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Hellenic,History,Humanities,Lecture,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/01/Screen-Shot-2024-02-15-at-9.01.50-AM-1.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240224
DTEND;VALUE=DATE:20240226
DTSTAMP:20240123T041702Z
CREATED:20240123T041702Z
LAST-MODIFIED:20240123T041702Z
UID:10000193-1708732800-1708905599@hellenic.ucla.edu
SUMMARY:A Language Archipelago: Linguistic Variety and Contact in Cyprus
DESCRIPTION:A Language Archipelago: Linguistic Variety and Contact in Cyprus \nA conference in celebration of International Greek Language Day\nSchedule\, Speakers\, and Topics \nFebruary 24-25\, 2024 \nOpening remarks by\nDr. Vasiliki Kassianidou\nDeputy Minister of Culture\, Republic of Cyprus\n&\nHis Excellency\, Evangelos Savva\,\nAmbassador of the Republic of Cyprus to the United States \n  \nSpeakers: \nSpyros Armostis\, Lecturer in Linguistics\, University of Cyprus\nChryso Hadjidemetriou\, Research Analyst\, RWS Group – Life Sciences\nElena Ioannidou\, Associate Professor in Language Education\, University of Cyprus\nMatthias Kappler\, Associate Professor in Linguistics\, Università Ca’ Foscari Venezia\nDimitra Karoulla-Vrikki\, Associate Professor in Sociolinguistics\, European University of Cyprus\nMarilena Karyolemou\, Professor in Linguistics\, University of Cyprus\nChryso Pelekani\, Special Scientist at the Language Centre\, University of Cyprus\nMaria Petrou\, Independent Scholar \nSchedule & Topics\nYou can view the conference schedule\, including presentation titles and descriptions here. To download it\, click here. \nThe conference A Language Archipelago: Linguistic Variety and Contact in Cyprus delves into the intricate linguistic tapestry of Cyprus\, exploring it as a dynamic zone where diverse languages have not only co-existed but also intersected\, leaving an indelible mark on one another. Renowned experts\, including both established scholars and emerging voices in the field\, provide a comprehensive overview and introduction to the linguistic ecosystem of Cyprus\, offering insights into the major linguistic varieties of the island and their interaction. Organized in honor of International Mother Language Day\, the conference aligns with the global effort to promote awareness of linguistic and cultural diversity\, advocating for the enrichment that multilingualism brings to our global community. \nThe program promises a wide array of topics\, covering in-depth analyses of prevalent dialects like Cypriot Greek\, Cypriot Turkish\, Cypriot Arabic\, and Gurbetcha. It further probes into the nuanced facets of linguistic interchange\, prevailing ideologies\, and policy-making within the Cypriot milieu\, including code-switching practices among Cypriot Armenians\, the dynamics of translanguaging\, and the prominence of various languages in civic spaces. Participants will engage in stimulating dialogues that will decode the complex web of linguistic exchanges characteristic of Cyprus\, offering insights into the forces that influence the distinctive dynamics of language in this region. \nJoin us in this intellectual journey that celebrates the richness of Cyprus’s linguistic landscape and contribute to the global dialogue on the importance of preserving and understanding linguistic diversity. \nIn case you missed the conference\, the recordings are available below: \nDay 1: \n \nDay 2: \n \n  \nThe conference is held under the auspices of the Deputy Ministry of Culture of the Republic of Cyprus\, the Embassy of the Republic of Cyprus in the United States\, and the Honorary Consulate of the Republic of Cyprus in Los Angeles. It is organized by the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture and it is cosponsored by Thesaurus Linguae Graecae®\, the Narekatsi Chair in Armenian Studies\, the UCLA Department of Near Eastern Languages and Cultures\, and the UCLA Center for World Languages\, with the support of the UCLA Promise Armenian Institute. This program is made possible thanks to the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/a-language-archipelago-linguistic-variety-and-contact-in-cyprus/
LOCATION:by Zoom
CATEGORIES:Conference,Cyprus,Humanities,Language
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/01/LanguageArchipelago_flyer-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231118
DTEND;VALUE=DATE:20231119
DTSTAMP:20230829T221219Z
CREATED:20230829T221219Z
LAST-MODIFIED:20230829T221219Z
UID:10000179-1700265600-1700351999@hellenic.ucla.edu
SUMMARY:Reconsidering the Generation of the 1930s: The Roots and Breadth of Greek Modernism Conference
DESCRIPTION:Reconsidering the Generation of the 1930s: The Roots and Breadth of Greek Modernism Conference \nSaturday\, November 18\, 2023\n314 Royce Hall\, UCLA\n10:00 a.m. – 5:00 p.m. \nConference organized by Sharon Gerstel (UCLA) and Sofia Pitouli (UCLA) \nWelcome remarks by The Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles. \nSpeakers: \nAreti Adamopoulou\, Professor of Art History\, University of Ioannina\nAbstract title: The “Generation of the 1930s” in Art: Cold War Cultural Politics and Modern Painting in Greece \nGeorge Baker\, Professor of Art History\, UCLA\nAbstract title: Yannis Tsarouchis and Anachronic Modernism: Lateness\, Counter-Memory\, and the Redefinition of the Human \nNikos Daskalothanassis\, Professor of Modern and Contemporary Art History\, Athens School of Fine Arts\nAbstract title: Theophilos and the Generation of the ’30s (again) \nPolina Kosmadaki\, Curator of Modern and Contemporary Art\, The Benaki Museum\nAbstract title: Concepts of Artistic “Greekness” in the Post-Junta Period: The Case of the Exhibition of Tsarouchis\, Ghika\, Kontoglou\, Theofilos in the Greek Month in London\, 1975 \nSofia Pitouli\, Ph.D. Candidate in Byzantine Art\, UCLA\nAbstract title: Toward Greekness: Dimitris Pikionis’ Architectural Fantasies of Japan \nPoppy Sfakianaki\, Postdoctoral Researcher\, Institute for Mediterranean Studies/FORTH\nAbstract title: Greek Modern Art in Interwar Paris: Networks Rather Than a Generation \nConference Description:\nThis conference challenges the attribution of the term “Generation of the 1930s” (Γενιά του ’30) to artists and writers active during the 1930s and the following decades. The term initially addressed a group of writers and poets bound by similar experiences and socio-historical backgrounds. However\, between 1948-50\, artists were also clustered under the term\, which\nliterati employed regularly––and still do––in scholarship. These artists were credited with the creation of modernism in Greece\, which was inspired by Western European movements but was also deeply rooted in history\, particularly in Orthodox Byzantium. The conference explores the various poles of artistic inventiveness during the 1930s but also examines the work of these artists and writers throughout the twentieth century\, prompting us to conceive their work diachronically rather than within the confines of a single decade. Given the socio-political circumstances of the nineteenth century in Greece (the traumatic changes resulting from the Greco-Turkish war\, the ensuing population exchange\, the collapse of the Megali Idea\, the dramatic upheavals of interwar Greece\, the Metaxas dictatorship\, and the Junta regime)\, the conference examines transnational and cosmopolitan orientations within Greek modernism and the ways in which these intertwined with narratives of nationality and folklore. \nGreek Modernism Conference Schedule \nAttendance is free and open to the public. Lunch is not included.  \nThis conference will not be recorded or livestreamed. \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF) and is held under the auspices of the Consulate General of Greece in Los Angeles. \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nThank you to our co-sponsors!\n \n \n \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “1930s Conference” with the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu or 310-825-5323.
URL:https://hellenic.ucla.edu/event/1930sconference/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Art History,Byzantine,Gefyra,Hellenic,Humanities,Modern Greece,Symposium
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231115T170000
DTEND;TZID=America/Los_Angeles:20231115T183000
DTSTAMP:20231028T014756Z
CREATED:20231028T014756Z
LAST-MODIFIED:20231028T014756Z
UID:10000181-1700067600-1700073000@hellenic.ucla.edu
SUMMARY:Emilio Capettini\, "'The Dolphin-Haunted Artifacts of Dimmed Atlantis:' Evocations of Graeco-Roman Antiquity during the HIV/AIDS Crisis"
DESCRIPTION:“The Dolphin-Haunted Artifacts of Dimmed Atlantis:” Evocations of Graeco-Roman Antiquity during the HIV/AIDS Crisis \nLecture by Emilio Capettini\, Assistant Professor\, UC Santa Barbara \nWednesday\, November 15\, 2023\n5:00 p.m.\n248 Dodd Hall\nReception to follow \nNo RSVP required \nReflections on memory and oblivion\, erasure and persistence\, and fragmentation and integrity pervade the rich output of queer artists and writers in response to the HIV/AIDS epidemic\, and the oeuvres of the American writer Paul Monette and of the British “Renaissance man” Derek Jarman are no exception. This talk will examine how encounters\, whether real or imagined\, with the literary and material remnants of Graeco-Roman antiquity shaped Monette’s and Jarman’s ruminations over the dialectical oppositions just mentioned\, engendering philological and archaeological fantasies that played a key role in the articulation of their artistic practices. \nEmilio Capettini received his B.A. and M.A. from the University of Pisa and the Scuola Normale Superiore of Pisa. He completed his Ph.D. at Princeton University in 2016 with a dissertation entitled “An Improbable Symphony: Genealogy\, Paternity\, and Identity in Heliodorus’ Aethiopica.” In addition to the ancient novel\, he is keenly interested in Greek epic poetry\, Greek tragedy\, and classical reception studies. At the moment\, Emilio is completing a monograph that explores the dynamics of selfhood in Heliodorus’ Aethiopica. His next project\, provisionally titled “Greek Characters Erasing in the Weather:” Queer Returns to Antiquity during the AIDS Crisis\, will examine how\, since the early ’80s\, queer writers and artists active in North America and the UK (e.g.\, John Dugdale\, Derek Jarman\, Mark Merlis\, and Paul Monette) have turned to the literary and material traces of Greco-Roman antiquity as they have reacted to\, and reflected on\, the sudden and seemingly inexplicable onset of HIV/AIDS. \nThe event is the inaugural lecture in the Reception of Hellenic Culture Lecture Series\, co-organized by the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture and the UCLA Department of Classics. \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/emilio-capettini-the-dolphin-haunted-artifacts-of-dimmed-atlantis-evocations-of-graeco-roman-antiquity-during-the-hiv-aids-crisis/
LOCATION:UCLA\, Dodd 248
CATEGORIES:Classics,Hellenic,Humanities,Lecture,Reception
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2023/10/Emilio-Capettini-Flyer-1-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231104T150000
DTEND;TZID=America/Los_Angeles:20231104T170000
DTSTAMP:20230829T201735Z
CREATED:20230829T201735Z
LAST-MODIFIED:20230829T201735Z
UID:10000178-1699110000-1699117200@hellenic.ucla.edu
SUMMARY:"Maria Callas: The Sacred Flame" Lecture by Helena Matheopoulos
DESCRIPTION:Maria Callas: The Sacred Flame \nLecture by Helena Matheopoulos\, Associate Editor\, Opera Now Magazine \nSaturday\, November 4\, 2023\n3:00 p.m.\n314 Royce Hall\, UCLA\nReception to follow \nThis event is free to attend but advance RSVP is requested. \nQ&A moderated by Peter Kazaras\, Director of Opera UCLA \nIntroductory remarks by The Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles. \nForty-five years after her death\, Maria Callas (nee Kalogeropoulos) is still worshipped as ardently as she was during her lifetime. Her records outsell those of any other diva\, past or present\, and she seems to mesmerize a new generation of opera lovers as potently as she bewitched the audiences of her day — a phenomenon unique in the history of opera. “Callas is not just unequaled — she is unequalable!” according to the legendary Italian film\, opera\, and stage director Luchino Visconti. The Italian press perceptively christened her “La Divina\,” thus emphasizing the extra\, metaphysical dimension that sets Callas apart from singers of her time and\, so far\, of all time. \nIn 2018\, she was the subject of a fascinating film by Tom Volf\, Maria by Callas. In 2019\, the Italian film actress Monica Bellucci starred in a one-woman show with Callas as its subject in Paris\, Athens\, and elsewhere. In 2020\, Marina Abramovic’s extraordinary show The 7 Deaths of Maria Callas was premiered at the Bavarian State Opera — a co-production in five more theaters\, including Athens\, Naples and Paris in 2021. No wonder Franco Zeffirelli chose to name his own film about her life\, Callas Forever. \nIn fall 2023\, the 100th anniversary of her birth\, the Mayor of Athens will inaugurate a Maria Callas Museum next to Athens Cathedral. UNESCO has named 2023 “Maria Callas Year” and Opera Houses all over the world are dedicating productions to her memory. “Without doubt\,” declares Kiki Morfoniou who sang Neris to her Medea at Epidaurus in 1961\, “Maria was The Voice of the Century.” \nIn fact\, Callas was more than that. More than the legend she was in her lifetime or the myth she became after her death. Beyond the magic and searing intensity of her personal performances\, she was a pioneer whose career marked a turning point in the history of opera. “She was a comet\, who shot through the operatic firmament and changed it forever\, by totally transforming operatic interpretation\,” according to soprano Barbara Frittoli. \nJames Levine\, former Artistic Director of the Metropolitan Opera\, explains that “Callas’ career was revolutionary. She invested opera with an unprecedented degree of musical/dramatic unity and dramatic credibility. This ‘Callas Revolution\,’ as it came to be known\, was so profound\, thorough and far-reaching that\, aided by inspired stage directors such as Luchino Visconti\, it transformed opera into believable theatre\, an art form that could survive and thrive in an era such as ours\, whose criteria of dramatic credibility have been shaped and dominated by cinema\, television and now\, also by digital media. So\, one is fully justified in talking about opera BC and AC – before and after Callas.” \nBIO:\nHelena Matheopoulos\, currently serving as the Associate Editor of Opera Now Magazine\, hails from Athens. With a background as a former fashion editor at Tatler and a consistent contributor to The Times (London)\, Gramophone\, and Opera Now\, she has garnered recognition for her authorship of several esteemed books on opera. Notable among her literary works are titles such as Placido Domingo\, Diva: The New Generation\, and Fashion Designers at the Opera. Matheopoulos holds Bachelor’s and Master’s degrees in Medieval History from the University College London. \nThis event is held under the auspices of the Consulate General of Greece in Los Angeles and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Maria Callas Lecture” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/mariacallas/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Gefyra,Hellenic,Humanities,Lecture
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2023/08/Screen-Shot-2023-10-02-at-8.53.56-AM-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231014T150000
DTEND;TZID=America/Los_Angeles:20231014T160000
DTSTAMP:20230818T171526Z
CREATED:20230818T171526Z
LAST-MODIFIED:20230818T171526Z
UID:10000176-1697295600-1697299200@hellenic.ucla.edu
SUMMARY:Aesthetics of Crisis: Political Street Art and Graffiti in Athens\, 2013-2023
DESCRIPTION:Aesthetics of Crisis: Political Street Art and Graffiti in Athens\, 2013-2023 \nLecture by Julia Tulke\, Assistant Professor\, Emory University \nSaturday\, October 14\, 2023\n3:00 p.m.\n314 Royce Hall\nReception to follow \nThis talk recapitulates the first ten years of Aesthetics of Crisis\, a longitudinal research project that has documented and examined political street art and graffiti in Athens since 2013\, generating an archive of nearly 7000 photographs. Initially probing the walls of the city as an artifact of and site of performative response to the Greek debt crisis\, the project has since adopted the notion of political street art as a “barometer” and method capable of rendering visible shifting currents of crisis and contestation. Over the course of a decade\, the project has traced and contextualized street-level responses to the 2015 austerity referendum\, the growing visibility of feminist and queer protest and expression since the mid-2010s\, the emergence anti-Airbnb and anti-gentrification graffiti since 2019\, reactions to the COVID-19 pandemic and first lockdowns of 2020 and\, most recently\, the turn to graffiti removal as an aspirational performance of post-crisis. By weaving together ethnographic and documentary sensibilities attuned to the complex material and affective realities of everyday life\, Aesthetics of Crisis offers a polyphonic counterpoint to the narrow and often fetishizing representation of the “crisis city” Athens through uncritical celebrations of “crisis creativity” and the attendant assertion that “Athens is the new Berlin.” \nJulia Tulke is an Assistant Teaching Professor at the Institute for the Liberal Arts at Emory University. She earned her Ph.D. in Visual and Cultural Studies at the University of Rochester. Located at the intersections of urban studies\, visual culture\, and anthropology\, Tulke’s research centers on the visual and spatial politics of crisis\, with a particular focus on the material and symbolic terrain of the “crisis city\,” for which Athens has served as her central case study. Her work in and on the city through the past decade includes research and writing on political street art and graffiti\, artist-run spaces\, queer and feminist protest\, and the poetics of ruination. This work has appeared in the journals City: analysis of urban trends\, culture\, theory\, policy\, action and Forum Kritische Archäologie\, as well as the edited volumes The Aesthetics of Global Protest: Visual Culture and Communication and Greece in Crisis: The Cultural Politics of Austerity\, among other places. Julia’s longitudinal research project Aesthetics of Crisis won the 2022 Prosser Award for Visual Methodologies from the International Visual Sociology Association. https://juliatulke.com/ \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF). \nIn case you missed the lecture\, the recording is available below:\n \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nParking Information: \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Julia Tulke Lecture” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\n\n\n\n\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/aestheticsofcrisis/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Gefyra,Hellenic,Humanities,Modern Greece
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230930T100000
DTEND;TZID=America/Los_Angeles:20230930T120000
DTSTAMP:20230803T192234Z
CREATED:20230803T192234Z
LAST-MODIFIED:20230803T192234Z
UID:10000174-1696068000-1696075200@hellenic.ucla.edu
SUMMARY:Gefyra Greek Book Club: Ο Δύτης\, του Μίνου Ευσταθιάδη
DESCRIPTION:Gefyra Greek Book Club \nΟ Δύτης\, του Μίνου Ευσταθιάδη \nSeptember 30\, 2023\n10:00 a.m. PDT / 8:00 p.m. Greece\nVia Zoom \nRSVP here. \nFor further information about the book and the author\, please visit the publisher’s site. \nYou can purchase a digital copy of the book at the publisher’s site\, Apple Books\, and Google Play. \nFor more information about the Book Club and to join its mailing list\, please contact Dr. Simos Zenios (szenios@humnet.ucla.edu) or Dr. Eirini Kotsovili (dkotsovi@sfu.ca). \nThe Gefyra Book Club meeting is part of Gefyra (Bridge)\, a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the Simon Fraser University SNF Centre for Hellenic Studies with support from the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/gefyra-greek-book-club-thediver/
LOCATION:by Zoom
CATEGORIES:Community,Gefyra,Hellenic,HUC@UCLA,Humanities
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2023/08/Book-Club-September-30-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230923T190000
DTEND;TZID=America/Los_Angeles:20230923T210000
DTSTAMP:20230724T171216Z
CREATED:20230724T171216Z
LAST-MODIFIED:20230724T171216Z
UID:10000173-1695495600-1695502800@hellenic.ucla.edu
SUMMARY:Glendi! Beginning of the Year Celebration
DESCRIPTION:Glendi!\nBeginning of the Year Celebration \nSaturday\, September 23\, 2023\n7:00-9:00 PM\nRolfe Courtyard\, UCLA campus \nMusic performance featuring \nPetros Antoniadis\, Alexis Cohen\, Emmanuela Chiotaki and Eirini Nomikos \nOpening Remarks by: \nIoanna Kakoulli\, Acting Director\, Professor\, Materials Science and Engineering\, UCLA \nAlexandra Minna Stern\, Dean of Humanities\, Professor\, Departments of English\, History\, and the Institute for Society & Genetics\, UCLA \nThe Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles \nKelly Vlahakis-Hanks\, President & CEO\, ECOS and Chair of the Community Advisory Board \nJoin us for a true glendi with a fantastic musical performance\, dancing\, and delicious Greek food! Bring your family\, friends and dancing shoes. Meet the staff and learn more about the Center’s initiatives and programs. This is an outdoor event. \nRSVPs are no longer being accepted\, as we have reached capacity.\n  \nParking Information \nParking for Rolfe Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectValue.aspx. Select “UCLA Campus Event” then “GLENDI – SNF Hellenic Center.” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\n\n\nThe nearest guest drop off is the rooftop level of parking structure 5\, next to the Anderson School of Business (see directions above). Then taking the walking bridge east to the Rolfe Courtyard.\n\n\n\n\n\n\nRideshare apps: For guests using rideshare apps like Uber and Lyft the nearest drop off is at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 6) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\nThis event is being held under the auspices of the Consulate General of Greece in Los Angeles\, and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/glendi2023/
LOCATION:Rolfe Courtyard\, 345 PORTOLA PLAZA\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Dance,Hellenic,Humanities,Music
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2023/07/Glendi-Flyer-Transparent-Logo-V4-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230507T150000
DTEND;TZID=America/Los_Angeles:20230507T170000
DTSTAMP:20230315T173648Z
CREATED:20230315T173648Z
LAST-MODIFIED:20230315T173648Z
UID:10000168-1683471600-1683478800@hellenic.ucla.edu
SUMMARY:Historical Trajectories of Hellenism in Asia Minor\, lecture by Paschalis Kitromilides (Academy of Athens)
DESCRIPTION:Historical Trajectories of Hellenism in Asia Minor\nlecture by\nPaschalis Kitromilides (Academy of Athens) \nDate: May 7\, 2023\nTime: 3:00 PM\nLocation: 314 Royce Hall\nReception to follow \nIntroductory remarks by The Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles and The Honorable Andreas Kyprianides\, Honorary Consul General of Cyprus in Los Angeles \nModerated by Sharon Gerstel (UCLA) & Dimitris Krallis (Simon Fraser University) \nProfessor Paschalis Kitromilides will present a survey of the Greek presence in Asia Minor from the original Greek colonization in antiquity to the exodus of the Greek population of the peninsula in the third decade of the twentieth century. He will examine the unity of the Greek world on both shores of the Aegean\, East and West\, for three millennia. Special attention will be paid to the modern period and to the cultural achievements of the “last Hellenism in Asia Minor”. \nPaschalis M. Kitromilides\, Ph.D. at Harvard University\, is a Greek-Cypriot political scientist and intellectual historian. He is Professor Emeritus of Political Science at the University of Athens and a member of the Academy of Athens. He has been director of the Centre for Asia Minor Studies since 1980 and was Director of the Institute of Neohellenic Research / National Hellenic Research Foundation (2000-2011). He has held visiting appointments at Harvard and Brandeis Universities\, University of Cambridge\, University of Oxford\, the École des Hautes Études en Sciences Sociales\, the European University Institute and the Harvard University Center for Italian Renaissance Studies Villa I Tatti. He is the author or editor of over fifty books\, including Enlightenment and Revolution: The Making of Modern Greece (Harvard University Press\, 2013)\, and over two hundred and sixty articles and book reviews in academic journals and collective volumes in Greek and English. Besides English and Greek\, his books have appeared in Russian\, Romanian\, Serbian and Bulgarian. \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF). \nIn case you missed it\, please view the video of the presentation below: \n \nThis lecture is sponsored by Gefyra\, a collaborative program between the SNF Centre for Hellenic Studies at Simon Fraser University and the UCLA SNF Center for the Study of Hellenic Culture. We gratefully acknowledge the support of the Stavros Niarchos Foundation (SNF) for this pilot program\, which seeks to create networks across the West Coast of North America and between the West Coast and Greece. For more information\, please visit https://hellenic.ucla.edu/ucla-sfu-pilot-program/.  \nThis event is also being held under the auspices of the Consulate General of Greece in Los Angeles and Consulate General of Cyprus in Los Angeles\, and is co-sponsored by the UCLA Center for European and Russian Studies. \nParking Information: \nParking for Royce Hall is available in Parking Structure 5 located at: 340 Royce Drive\, Los Angeles\, CA 90095.  Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\nYou may purchase your parking permit for $15 using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectValue.aspx. Select UCLA Royce Hall\, then “Paschalis Kitromilides Lecture\,” With the advanced parking permit\, you can park on any level in Parking Structure 5 EXCEPT the Pay-By-Space area on the rooftop level. For instructions on how to use this portal\, please click here.\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.
URL:https://hellenic.ucla.edu/event/hellenism-in-asia-minor/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Hellenic,Humanities,Lecture,UCLA SFU Pilot Program
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230429T150000
DTEND;TZID=America/Los_Angeles:20230429T170000
DTSTAMP:20230307T175709Z
CREATED:20230307T175709Z
LAST-MODIFIED:20230307T175709Z
UID:10000167-1682780400-1682787600@hellenic.ucla.edu
SUMMARY:Pigments in Ancient Greek Painting & Medicine:  Ecology\, Materiality and the Alchemical Laboratory
DESCRIPTION:Pigments in Ancient Greek Painting & Medicine: \nEcology\, Materiality and the Alchemical Laboratory\nlecture by\nIoanna Kakoulli\n(Department of Materials Science and Engineering\, UCLA) \nSaturday\, April 29\, 2023\n3:00 p.m.\n306 Royce Hall\nReception to follow \nAncient Greek paintings between the fourth century BC and the third century AD are characterized by a splendor of colors\, high artistic quality and rich pictorial effects such as shading\, translucency and transparency\, innovations that characterize and mark the art of Greek and later Roman painting traditions. Through the scientific analysis of surviving paintings—mainly wall paintings—this lecture explores the material ecology and intrinsic optical\, chemical and microstructural properties of pigments in Late Classical and Hellenistic painting. It further interrogates how these properties contributed to the paintings’ qualities\, aesthetics and function and their technological association with ancient makeup and therapeutic substances\, philosophy and early al(chemical) practices. Data is presented in the context of seminal texts of ancient writers such as Dioscorides\, Theophrastus\, Vitruvius and Pliny the Elder describing the chemical arts of color\, cosmetics and medicaments\, and alchemical recipes from two third-century AD Greek papyri\, which provide the earliest surviving direct evidence on ancient alchemical practices for the synthesis of colored compounds. \nIoanna Kakoulli\, who will serve as Acting Director of the UCLA SNF Hellenic Center in 2023-2024\, is a professor in the Department of Materials Science and Engineering with a joint appointment in the Archaeology Interdepartmental Degree Program and the UCLA/Getty Conservation Program\, in which she served as the inaugural ‘Lore and Gerald Cunard’ Program Term Chair from 2011 to 2017. Since 2018\, Professor Kakoulli has also held the honorary adjunct professor title at the University of Cyprus. Dr. Kakoulli has a M.A. from the Courtauld Institute of Art of the University of London and a Ph.D. in Archaeological Science from the University of Oxford. \nParking Information \nParking for Royce Hall is available in Parking Structure 5 located at: 340 Royce Drive\, Los Angeles\, CA 90095.  Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance (available after April 1\, 2023): \n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Campus Event\,” then “Kakoulli Lecture.” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\nGuest drop/Ride-share drop off is closest at the turnaround near the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\nAccessible parking:If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5)\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\nThe event is supported by the Stavros Niarchos Foundation (SNF). \nImage caption: Detail of the Late Classical painted marble throne found in a Royal tomb in Vergina\, Greece attributed to Eurydice Sirra\, Macedonian queen and grandmother of Alexander the Great. The painted decoration of the throne shows the extensive use of a mercury-based pigment known as cinnabar; an important component in alchemy and perhaps the most celebrated pigment in Classical antiquity.
URL:https://hellenic.ucla.edu/event/pigments-in-ancient-greek-painting/
LOCATION:Royce Hall\, 306\, 10745 Dickson Ct\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Archaeology,Art History,Classics,Community,Hellenic,Humanities
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230422T100000
DTEND;TZID=America/Los_Angeles:20230422T120000
DTSTAMP:20221212T012501Z
CREATED:20221212T012501Z
LAST-MODIFIED:20221212T012501Z
UID:10000159-1682157600-1682164800@hellenic.ucla.edu
SUMMARY:John Kittmer\, "'From the Tip of My Little Finger a River Flows:' Yannis Ritsos's Response to Dictatorship (1967-1970)"
DESCRIPTION:‘From the Tip of My Little Finger a River Flows:’\nYannis Ritsos’s Response to Dictatorship (1967-1970) \nA lecture by\nDr. John Kittmer\, former British ambassador to Greece\nin celebration of National Poetry Month. \nApril 22\, 2023\n10:00 AM Los Angeles/8:00 PM Athens\nVia Zoom \nOpening remarks by Her Excellency\nAlexandra Papadopoulou\,\nAmbassador of Greece to the United States \nExclusive poetry reading by renowned Greek actor \nStelios Mainas (Tetarti 04:45\, Mystikes Diadromes\, The Island) \nIn the first days of the Greek military dictatorship of 1967-1974\, Yannis Ritsos was imprisoned without trial: he was held initially in internment camps on the islands of Gyaros and Leros\, and then under house arrest at the family home in Karlovasi on Samos. The period of his confinement was lifted only in November 1970. During much of this period\, he was not only confined and harassed by the authorities\, but he was also very unwell. Despite this\, he managed to write and to maintain\, for the most part\, an astonishing rate of productivity\, producing nine collections of short poems and several long poems in different forms. In this talk\, we will look at Ritsos’ life and work during these years of confinement\, examining his poetic response – in short and long poems alike – to the conditions in which he was held\, the psychological pressures under which he was placed\, and the wider abuses of the military dictatorship. We shall consider the extent to which poetry offered Ritsos some sort of solution to the challenges he faced. \nJohn Kittmer is a former British ambassador to Greece and is the chair of The Anglo-Hellenic League. He has degrees in classics and modern Greek\, and wrote a prize-winning Ph.D. thesis on Yannis Ritsos. He is working on several publication projects in connection with Ritsos. His recent collaboration with the poet David Harsent on the poetry Ritsos wrote in the early years of the Colonels’ dictatorship will be published at the end of March (David Harsent\, A Broken Man in Flower: Versions of Yannis Ritsos\, introduction by John Kittmer [Hexham: Bloodaxe Books\, 2023]). \nIn case you missed it\, please view the video of the presentation below: \n \nThe event is cosponsored by the Embassy of Greece in the United States. \nThis program is supported by the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/john-kittmer-from-the-tip-of-my-little-finger-a-river-flows-yannis-ritsos-response-to-dictatorship-1967-1970/
LOCATION:by Zoom
CATEGORIES:Community,Hellenic,Humanities,Lecture,Modern Greece
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230411T160000
DTEND;TZID=America/Los_Angeles:20230411T180000
DTSTAMP:20230208T155227Z
CREATED:20230208T155227Z
LAST-MODIFIED:20230208T155227Z
UID:10000165-1681228800-1681236000@hellenic.ucla.edu
SUMMARY:“Memory\, Conflict and Democratization in Post-Junta Greece"\, lecture by Professor Kostis Kornetis (Autonomous University of Madrid)
DESCRIPTION:Date: April 11\, 2023\nTime: 4:00 PM\nLocation: Royce Hall 306 \nIntroductory remarks\, by The Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles \nQ&A moderated by Simos Zenios\, Associate Director\, UCLA SNF Hellenic Center \nReception to follow \nIn this talk\, Professor Kostis Kornetis will examine how distinct political generations experienced and remember the transition from authoritarianism to democracy in Greece\, known as Metapolitefsi\, since 1974. Its central claim is that the 2008-2012 economic and social crisis triggered a radical re-evaluation of democratisation by turning the conflicting generational recollections of these events into pivotal components of current political contestation. To demonstrate this\, Dr. Kornetis tells the oral (hi)stories of transition and its legacy across time\, beyond institutional achievements and setbacks\, which was the standard trope of narrating this story until all too recently. The study draws on in-depth interviews and a close analysis of a selection of memoryscapes (texts\, images\, and music) of the 1970s to make sense of the different generational ways in which the past is being remembered and contested at present\, arguing that “small” and “private” histories matter. As such\, it introduces to the literature and public debate the crucial role of generational memory in shaping the political\, social and cultural developments of the entire post-authoritarian period in Greece and beyond. \nProfessor Kornetis teaches contemporary history at the Autonomous University of Madrid (UAM). He has taught at Brown University\, New York University\, and the University of Sheffield\, and was a CONEX-Marie Curie Experienced Fellow at Carlos III\, Madrid\, and Santander Fellow in Iberian Studies at St Antony’s College\, Oxford. He is the author of Children of the Dictatorship. Student Resistance\, Cultural Politics and the ‘long 1960s’ in Greece (Berghahn Books\, 2013 – recipient of the Edmund Keeley book award of the MGSA) and co-editor of Metapolitefsi (Themelio\, 2015)\, Consumption and Gender in Southern Europe since the “Long 1960s” (Bloomsbury\, 2016) and Rethinking Democratisation in Spain\, Greece and Portugal (Palgrave Macmillan\, 2019). His second book on the generational memory of the transitions to democracy in Southern Europe is forthcoming with Oxford University Press. \nIn case you missed the lecture\, the recording is available below: \n \n  \nParking Information: \nParking for Royce Hall is available in Parking Structure 5 located at: 340 Royce Drive\, Los Angeles\, CA 90095.  Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Dr. Kostis Kornetis Lecture.” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\nThis event is the second in a series of events held in collaboration with the SNF Centre for Hellenic Studies at Simon Fraser University in Vancouver. We gratefully acknowledge the support of the Stavros Niarchos Foundation for this pilot program\, which seeks to create networks across the West Coast of North America and between the West Coast and Greece. For more information about this collaboration\, please visit https://hellenic.ucla.edu/ucla-sfu-pilot-program/
URL:https://hellenic.ucla.edu/event/kostis-kornetis/
LOCATION:Royce Hall\, 306\, 10745 Dickson Ct\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Hellenic,HUC@UCLA,Humanities,Modern Greece,UCLA SFU Pilot Program
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230225T100000
DTEND;TZID=America/Los_Angeles:20230225T110000
DTSTAMP:20230213T205323Z
CREATED:20230213T205323Z
LAST-MODIFIED:20230213T205323Z
UID:10000166-1677319200-1677322800@hellenic.ucla.edu
SUMMARY:Polymnia\, a conversation
DESCRIPTION:Polymnia\, a conversation \nFebruary 25\, 2023\n10:00 – 11:00 a.m.\nvia Zoom \nTo RSVP\, visit https://ucla.zoom.us/meeting/register/tJIrcOiqrzIoGd1cPmL-9eZcPtHDIShg-gpG \nAs a follow up to the world premiere of POLYMNIA\, a chamber opera by Theodosia Roussos\, join us for a Zoom conversation with the composer and several of the artists who created this wonderful production. They’ll share stories and insights from the unique process behind bringing Theodosia’s family history to the stage and answer your questions. \nHosted by Sharon Gerstel\, Director\, UCLA SNF Center for the Study of Hellenic Culture \nPanelists/Artists: \nTheodosia Roussos\, Composer/Librettist/Oboist/Performer\nDiana Wyenn\, Director/Dramaturg/Producer\nNatalie Buickians\, Performer\nPeter Kazaras\, Dramaturg\nMichele Patzakis\, Performer \nAbout POLYMNIA\nPOLYMNIA\, described by Opera News as “haunting and beautiful\,” is a debut experimental chamber opera by Theodosia Roussos which tells the story of a woman who responds with resilience and self-invention to the disruption of her life caused by war and trauma\, and how her experience echoes through time. \nDrawing from Sappho fragments of Sappho’s poetry as well as four generations of private family writings and oral history\, composer and performer Theodosia Roussos shares the story of her great-grandmother Polymnia Athanasiadis Pappas\, a young woman whose family was expelled from its Thracian village by the Ottoman Turks during the Asia Minor Catastrophe. Roussos draws influence from her Greek Cypriot American background and weaves elements of Byzantine and Greek folk music into the score. \nPresented on January 21-22\, 2023 at UCLA’s Little Theater in both Greek and English\, Polymnia reveals the very personal and also political experience of diaspora—what is lost\, what is retained\, and what cannot be forgotten. \nFor inquiries\, please contact hellenic@humnet.ucla.edu.
URL:https://hellenic.ucla.edu/event/polymniaconversation/
LOCATION:CA
CATEGORIES:Community,Hellenic,HUC@UCLA,Humanities,Lecture
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/09/POLYMNIA_GFX-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230211T100000
DTEND;TZID=America/Los_Angeles:20230211T120000
DTSTAMP:20220924T224304Z
CREATED:20220924T224304Z
LAST-MODIFIED:20220924T224304Z
UID:10000151-1676109600-1676116800@hellenic.ucla.edu
SUMMARY:Themistoklis Aravossitas\, "Greek Language Education in North America: New Directions and Challenges" on International Greek Language Day"
DESCRIPTION:The lecture is offered on the occasion of International Greek Language Day. Her Excellency\, Alexandra Papadopoulou\, Ambassador of Greece to the United States\, will offer opening remarks. \nFebruary 11\, 2023\, 10:00 AM PST/1:00PM EST/8:00 PM Athens \nThe event takes place on Zoom. View a recording of this talk here. \nModern Greek is taught and learned across North America mainly as a heritage language\, through a complex education system that includes a variety of programs and learning materials\, as well as a diverse group of learners and teachers. This presentation discusses experiences\, community projects\, and studies from Toronto\, a representative anglophone multicultural city\, in order to examine the broader conditions of Greek language education in the diaspora. Asking how today’s schools and programs can serve the needs of future generations\, we examine some of the challenges faced by educators and community leaders: What is language shift and how it can be resisted? What’s the position of heritage languages in our society? What are the priorities for today’s parents and students and how can Greek language programs meet their needs? Has the pandemic affected the learning of Greek in the USA and in Canada? What types of opportunities emerge from information and communication technologies for our schools and communities? Proposing synergies between schools\, universities\, and community partners\, we argue that the future of Greek language education is ours to envision and plan. \nThemistoklis Aravossitas earned his BA in Education at the University of Athens. He completed his graduate studies at the University of Toronto\, with an MA and a PhD in Curriculum\, Teaching and Learning at the Ontario Institute for Studies in Education. He specializes in Heritage Languages\, Teacher Education\, and Knowledge Media Design. His doctoral work\, titled The Hidden Schools\, explored Greek language education in Canada. He is a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellow at the University of the Aegean. He teaches Modern Greek at the Centre for European Studies in the Munk School of Global Affairs\, and at the Department of Languages\, Literature and Linguistics of York University. His scholarly work includes the co-edited volumes: Language Diversity in Greece: Local Challenges with International Implications (Springer\, 2020); Interdisciplinary Research Approaches to Multilingual Education (Routledge\, 2019); Handbook of Research and Practice in Heritage Language Education (Springer\, 2018). \nThe event is cosponsored by the Embassy of Greece in the United States and the Consulate General of Greece in Los Angeles. \nThis program is supported by the Stavros Niarchos Foundation (SNF)
URL:https://hellenic.ucla.edu/event/lecture-by-dr-themistoklis-aravossitas-on-international-greek-language-day/
LOCATION:by Zoom
CATEGORIES:Classics,Community,Hellenic,HUC@UCLA,Humanities,Modern Greece
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230122T140000
DTEND;TZID=America/Los_Angeles:20230122T160000
DTSTAMP:20230104T001325Z
CREATED:20230104T001325Z
LAST-MODIFIED:20230104T001325Z
UID:10000164-1674396000-1674403200@hellenic.ucla.edu
SUMMARY:Polymnia
DESCRIPTION:Polymnia\nworld premiere \npresented by the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture \nSaturday\, January 21\, 2023\n7:00 p.m.\nUCLA Little Theater \nSunday\, January 22\, 2023 \n2:00 p.m.\nUCLA Little Theater \nRunning time: 85 minutes\, no intermission \nClick here to view the digital program. \nTheodosia Roussos\, composer/librettist\nMichiel Delanghe\, conductor\nDiana Wyenn\, director\nTanya Orellana\, scenic designer\nPablo Santiago\, lighting designer\nYee Eun Nam\, video designer\nWendell C. Carmichael\, costume designer\nPeter Kazaras and Diana Wyenn\, dramaturgy \nCast \nTheodosia Roussos\, Polymnia/Theodosia\nNatalie Buickians\, Paula\nMichele Patzakis\, Maria/Church Lady\nAnthony Moreno\, Nikolaos\nJoanna Lynn-Jacobs\, Anthie\nJon Lee Keenan\, Costa/Tax Collector/Turkish Soldier \nPolymnia\, described by Opera News as “haunting and beautiful\,” is a debut experimental chamber opera that tells the story of a woman who responds with resilience to war and trauma\, and relates how her experience echoes across generations and communities. Drawing from fragments of Sappho’s poetry\, Kassiane’s hymns\, as well as four generations of private family writings and oral history\, composer and performer Theodosia Roussos shares the story of her great-grandmother Polymnia Athanasiadis Pappas\, a young woman whose family was expelled from its village by the Ottoman Turks during the Asia Minor Catastrophe. Roussos draws influence from her Greek Cypriot American background and weaves elements of Byzantine and Greek folk music into the score. \nPresented in both Greek and English\, Polymnia reveals the very personal and also political experience of diaspora—what is lost\, what is retained\, and what cannot be forgotten. \nThis event is being held under the auspices of the Consulate General of Greece in Los Angeles and is made possible thanks to the Stavros Niarchos Foundation (SNF) and the National Endowment for the Arts. \nPolymnia is produced by Plain Wood Productions. \nFor inquiries\, please contact hellenic@humnet.ucla.edu. \nTickets \n$35-$60 \nSOLD OUT \n*If you have purchased a ticket and need accommodations (wheelchair\, walker\, etc.)\, please contact us at the email above. \nParking information \nParking information for ticketholders: The Little Theater is located in Macgowan Hall at UCLA. Please park in Parking Structure 3 North\, which is near the northeast corner of the campus\, close to Hilgard Ave and Sunset Blvd. \n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Campus Event\,” then “Polymnia.” With the advanced parking permit\, you can park anywhere in Parking Structure 3 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\nTo purchase a permit upon your arrival at Parking Structure 3\, please park in the Pay-By-Space/Visitor Parking area in the North building\, and proceed to the Self-Service Pay Station machine.\nNo parking attendants will be on-site at the parking structure\, so please allow extra time for parking and walking to the theater.\nAccessible parking: If you have special accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area of this structure\, and proceed to the Self-Service Pay Station kiosk to pay by credit card. Please visit our Campus Accessibility Map to view additional accessible parking areas on campus and related information. Guests can be dropped off in the Macgowan Turnaround\, east of the theater/building (see above map).\n\nCOVID-19 Protocol \nCurrent UCLA Covid protocols as of 1/18/23: We will NOT require proof of vaccination or a negative Covid test for entry at the theater.  Wearing masks at this indoor event is OPTIONAL and encouraged.  Please check back for updates on protocols prior to the performance.
URL:https://hellenic.ucla.edu/event/polymnia-2/
LOCATION:CA
CATEGORIES:Community,Hellenic,HUC@UCLA,Humanities,Modern Greece,Music
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/09/POLYMNIA_GFX-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230121T190000
DTEND;TZID=America/Los_Angeles:20230121T210000
DTSTAMP:20220924T225138Z
CREATED:20220924T225138Z
LAST-MODIFIED:20220924T225138Z
UID:10000152-1674327600-1674334800@hellenic.ucla.edu
SUMMARY:Polymnia
DESCRIPTION:Polymnia\nworld premiere \npresented by the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture \nSaturday\, January 21\, 2023\n7:00 p.m.\nUCLA Little Theater\nReception to follow \nSunday\, January 22\, 2023 (2nd performance just added!)\n2:00 p.m. \nUCLA Little Theater \nRunning time: 85 minutes\, no intermission \nClick here to view the digital program. \nTheodosia Roussos\, composer/librettist\nMichiel Delanghe\, conductor\nDiana Wyenn\, director\nTanya Orellana\, scenic designer\nPablo Santiago\, lighting designer\nYee Eun Nam\, video designer\nWendell C. Carmichael\, costume designer\nPeter Kazaras and Diana Wyenn\, dramaturgy \nCast \nTheodosia Roussos\, Polymnia/Theodosia\nNatalie Buickians\, Paula\nMichele Patzakis\, Maria/Church Lady\nAnthony Moreno\, Nikolaos\nJoanna Lynn-Jacobs\, Anthie\nJon Lee Keenan\, Costa/Tax Collector/Turkish Soldier \nPolymnia\, described by Opera News as “haunting and beautiful\,” is a debut experimental chamber opera that tells the story of a woman who responds with resilience to war and trauma\, and relates how her experience echoes across generations and communities. Drawing from fragments of Sappho’s poetry\, Kassiane’s hymns\, as well as four generations of private family writings and oral history\, composer and performer Theodosia Roussos shares the story of her great-grandmother Polymnia Athanasiadis Pappas\, a young woman whose family was expelled from its village by the Ottoman Turks during the Asia Minor Catastrophe. Roussos draws influence from her Greek Cypriot American background and weaves elements of Byzantine and Greek folk music into the score. \nPresented in both Greek and English\, Polymnia reveals the very personal and also political experience of diaspora—what is lost\, what is retained\, and what cannot be forgotten. \nThis event is being held under the auspices of the Consulate General of Greece in Los Angeles and is made possible thanks to the Stavros Niarchos Foundation (SNF) and the National Endowment for the Arts. \nPolymnia is produced by Plain Wood Productions. \nFor inquiries\, please contact hellenic@humnet.ucla.edu. \nTickets \n$35-$60 \nSOLD OUT \n*If you have purchased a ticket and need accommodations (wheelchair\, walker\, etc.)\, please contact us at the email above. \nParking information \nParking information for ticketholders: The Little Theater is located in Macgowan Hall at UCLA. Please park in Parking Structure 3 North\, which is near the northeast corner of the campus\, close to Hilgard Ave and Sunset Blvd. \n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Campus Event\,” then “Polymnia.” With the advanced parking permit\, you can park anywhere in Parking Structure 3 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\nTo purchase a permit upon your arrival at Parking Structure 3\, please park in the Pay-By-Space/Visitor Parking area in the North building\, and proceed to the Self-Service Pay Station machine.\nNo parking attendants will be on-site at the parking structure\, so please allow extra time for parking and walking to the theater.\nAccessible parking: If you have special accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area of this structure\, and proceed to the Self-Service Pay Station kiosk to pay by credit card.  Please visit our Campus Accessibility Map to view additional accessible parking areas on campus and related information. Guests can be dropped off in the Macgowan Turnaround\, east of the theater/building (see above map).\n\nCOVID-19 Protocol \nCurrent UCLA Covid protocols as of 1/18/23: We will NOT require proof of vaccination or a negative Covid test for entry at the theater.  Wearing masks at this indoor event is OPTIONAL and encouraged.  Please check back for updates on protocols prior to the performance.
URL:https://hellenic.ucla.edu/event/polymnia/
LOCATION:Little Theater\, 1167 MacGowan Hall\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Hellenic,HUC@UCLA,Humanities,Modern Greece,Music
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/09/POLYMNIA_GFX-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221218T190000
DTEND;TZID=America/Los_Angeles:20221218T220000
DTSTAMP:20220819T235334Z
CREATED:20220819T235334Z
LAST-MODIFIED:20220819T235334Z
UID:10000144-1671390000-1671400800@hellenic.ucla.edu
SUMMARY:Angelopoulos Retrospective: The Travelling Players
DESCRIPTION:The Travelling Players (O Thiassos) Greece\, 1975 \nA powerful vision of postwar Greek history as experienced by a troupe of actors on perennial tour\, The Travelling Players swept the awards at the 1975 Thessaloniki Film Festival and announced Theo Angelopoulos as a major international auteur. A multi-generational ensemble\, the players drag themselves and their trunks from one train station and theater to the next\, seemingly inured to the sweep of politics and war around them until they each\, inevitably\, become enmeshed with the tumult of their times. The myth of Atrides informs the personal dynamics among the players as they move through time with historical periods often shifting within a single\, long tracking shot. \n35mm\, color\, in Greek\, German\, and English with English subtitles\, 230 min. Director: Theo Angelopoulos. Screenwriter: Theo Angelopoulos. With: Eva Kotamanidou\, Aliki Georgouli\, Vangelis Kazan. \nFor tickets (free of charge)\, click here. \nThis film is presented by The UCLA Film & Television Archive and the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture with support from the UCLA Center for European and Russian Studies and with the community partnership of the LAGFF. The retrospective is held under the auspices of the Consulate General of Greece in Los Angeles.
URL:https://hellenic.ucla.edu/event/angelopoulos-retrospective-the-travelling-players/
LOCATION:Billy Wilder Theater\, Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Community,Film,Hellenic,Humanities,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/08/the-travelling-players-2-Theo-Angelopoulos-Film-Productions-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221216T193000
DTEND;TZID=America/Los_Angeles:20221216T220000
DTSTAMP:20220819T234741Z
CREATED:20220819T234741Z
LAST-MODIFIED:20220819T234741Z
UID:10000143-1671219000-1671228000@hellenic.ucla.edu
SUMMARY:Angelopoulos Retrospective: Ulysses' Gaze
DESCRIPTION:Ulysses’ Gaze (To Vlemma tou Odissea) Greece\, 1995 \nTheo Angelopoulos once confessed to an interviewer\, “I would like to believe the world will be saved by the cinema.” Ulysses’ Gaze gives this hope form as a Greek filmmaker known as A (Harvey Keitel) becomes obsessed with finding lost reels of film shot by the Manaki Brothers\, Yanaki and Milton\, real-life film pioneers who made the first movies in the Balkans. Relentlessly pursuing their whereabouts across the war-shattered region\, he comes to believe that this “first gaze” from the beginning of the century might reveal some meaning to those struggling at its end. Winner of the Grand Jury Prize at Cannes\, Ulysses’ Gaze is the second film in Angelopoulos “Trilogy of Borders.” \n35mm\, color and b&w\, in Greek and English with English subtitles\, 176 min. Director: Theo Angelopoulos. Screenwriter: Theo Angelopoulos\, Tonino Guerra\, Petros Markaris\, Giorgio Silvagni\, Kain Tsitseli. With: Harvey Keitel\, Maia Morgenstern\, Erland Josephson. \nFor tickets (free of charge)\, click here. \nThis film is presented by The UCLA Film & Television Archive and the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture with support from the UCLA Center for European and Russian Studies and with the community partnership of the LAGFF. The retrospective is held under the auspices of the Consulate General of Greece in Los Angeles.
URL:https://hellenic.ucla.edu/event/angelopoulos-retrospective-ulysses-gaze/
LOCATION:Billy Wilder Theater\, Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Community,Film,Hellenic,Humanities,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/08/Ulysses-Gaze-2-Theo-Angelopoulos-Film-Productions-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221210T150000
DTEND;TZID=America/Los_Angeles:20221210T170000
DTSTAMP:20220924T225649Z
CREATED:20220924T225649Z
LAST-MODIFIED:20220924T225649Z
UID:10000153-1670684400-1670691600@hellenic.ucla.edu
SUMMARY:My Rembetika Blues
DESCRIPTION:Film screening and discussion with filmmaker Mary Zournazi. \nMy Rembetika Blues is a film about the power of music and what makes us human. Rembetika music or the Greek blues is a music of the streets and a music of refugees. The film explores the heart and soul of Rembetika music through peoples’ stories of love\, loss and belonging. \nRembetika developed its roots from migrant experience. Mary Zournazi’s grandmother was one of the 1.2 million refugees who fled the Smyrna disaster in Turkey in 1922 and arrived at the Port of Piraeus in Greece. She\, like many\, became part of a movement of people\, and of tradition\, which saw the birth Rembetika. \nThrough its rawness and unique style\, Rembetika provides one of the world’s foremost musical accounts of migrant experience. Through Mary Zournazi’s grandmother’s story\, Zournazi narrates a personal account of the depth of longing and belonging that is part of the migrant life. By weaving together different stories and interviews\, the film looks at the legacies of history and migration\, and how music can connect people in times of struggle and in times of need. \nDrawing on the parallels of the migrant and economic crisis in Greece\, the film explores the revival of Rembetika today\, and how it continues to convey everyday life and struggle through the fusion of street music\, hip-hop\, and other influences such as Byzantine music and the Blues. \nThe film documents peoples’ memory and experiences that are often left out of the chronicles of history. It is a universal story about love\, life and music. \nConversation following the film with musician Alexis Cohen. Reception following the screening [film length is 83 minutes]. \nFilm Trailer: https://vimeo.com/536176096 \nSocial Media: https://www.facebook.com/rembetikablues/ \nView a recording of this talk here. \nParking information \nParking for Royce Hall is available in Parking Structure 5 located at: 340 Royce Drive\, Los Angeles\, CA 90095. Please park in Parking Structure 5\, which is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\nYou may purchase your parking permit for $14 using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectValue.aspx. Select UCLA Royce Hall\, then “My Rembetika Blues Screening.” With the advanced parking permit\, you can park anywhere in Parking Structure 5. For instructions on how to use this portal\, please click here.\nTo purchase a permit at Parking Structure 5\, please park in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\nAccessible parking: If you have special accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\nThis event is the first in a series of events held in collaboration with the SNF Centre for Hellenic Studies at Simon Fraser University in Vancouver. We gratefully acknowledge the support of the Stavros Niarchos Foundation for this pilot program\, which seeks to create networks across the West Coast of North America and between the West Coast and Greece. \nThis event is being held under the auspices of the Consulate General of Greece in Los Angeles.  \n 
URL:https://hellenic.ucla.edu/event/my-rembetika-blues/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Community,Film,Hellenic,HUC@UCLA,Humanities,Modern Greece,Music
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/09/FB-TWIUCLA_Zournazi_Revised_LG-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221202T193000
DTEND;TZID=America/Los_Angeles:20221202T220000
DTSTAMP:20220819T234453Z
CREATED:20220819T234453Z
LAST-MODIFIED:20220819T234453Z
UID:10000142-1670009400-1670018400@hellenic.ucla.edu
SUMMARY:Angelopoulos Retrospective: The Broadcast; Athens\, Return to Acropolis; Reconstruction
DESCRIPTION:The Broadcast (Ekpompi) Greece\, 1968 \nIn the manner of Jean Rouch’s Chronique d’un été (1961)\, the producers of a pop music television show hit the streets to ask women what makes the ideal man. A sharp satire on consumerism and escapism after the military junta known as the Regime of the Colonels seized power the year before. \n35mm\, b&w\, in Greek and English with English subtitles\, 22 min. Director: Theo Angelopoulos. Screenwriter: Theo Angelopoulos. With: Theodoros Katsadramis\, Lina Triantafillou\, Yannis Kostoglou. \nAthens\, Return to the Acropolis (Athina\, epistrofi stin Akropoli) Greece\, 1983 \nCommissioned as an episode for a television series on the cultural capitals of Europe\, Theo Angelopoulos structured Athens\, Return to the Acropolis as a personal journey through the city where he was born and raised. Incorporating references to his artistic inspirations—the poetry of George Seferis\, the music of Manos Hadjidakis\, and the paintings of Tsarouchis—Angelopoulos searches for the places he lived as a child amid modern developments that are changing the face of the city. \nDCP\, color\, in Greek and English with English subtitles\, 55 min. Director: Theo Angelopoulos. Screenwriter: Theo Angelopoulos. With: Kostas Meleounis\, Giorgos Alexiou\, Petros Fyssoun. \nReconstruction (Anaparastassi) Greece\, 1970 \nAfter years of working abroad in Germany\, a husband returns to his small rural village only to be murdered by his wife and her lover. Police and media descend on the town to discover the truth of the crime\, but in his first feature\, Theo Angelopoulos takes a wider view of the investigation. Based on an actual case\, the film’s story is only a pretext for Angelopoulos to explore the devastating impact of economic deprivation and changing emigration patterns on an entire region. \n35mm\, b&w\, in Greek with English subtitles\, 97 min. Director: Theo Angelopoulos. Screenwriter: Theo Angelopoulos\, Stratis Karras\, Thanassis Valtinos. With: Toula Stathopoulou\, Yannis Totsikas\, Thanos Grammenos. \nTotal runtime: 174 min. \nFor tickets (free of charge)\, click here. \nThis film is presented by The UCLA Film & Television Archive and the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture with support from the UCLA Center for European and Russian Studies and with the community partnership of the LAGFF. The retrospective is held under the auspices of the Consulate General of Greece in Los Angeles.
URL:https://hellenic.ucla.edu/event/angelopoulos-retrospective-the-broadcast-athens-return-to-acropolis-reconstruction/
LOCATION:Billy Wilder Theater\, Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Community,Film,Hellenic,Humanities,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/08/Athens-Return-to-the-Acropolis-1-web-1.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221120T190000
DTEND;TZID=America/Los_Angeles:20221120T220000
DTSTAMP:20220819T232648Z
CREATED:20220819T232648Z
LAST-MODIFIED:20220819T232648Z
UID:10000141-1668970800-1668981600@hellenic.ucla.edu
SUMMARY:Angelopoulos Retrospective: The Dust of Time
DESCRIPTION:The Dust of Time Greece/Italy/Germany/Russia\, 2008 \nIn a direct reference to Ulysses’ Gaze\, The Dust of Time follows a filmmaker named A (here played by Willem Dafoe) on a journey to make a film about his parents. Moving between past and present\, memory and history\, fiction and reality\, the film spans the second half of the 20th century as A traces his parents’ émigré story from Russia and the death of Stalin to the U.S.\, Canada\, and then Germany while grappling with the disappearance of his own daughter. The second film in a planned trilogy that began with The Weeping Meadow (2004)\, The Dust of Time is Theo Angelopoulos’ final completed feature.\n35mm\, color\, 133 min. Director: Theo Angelopoulos. Screenwriter: Theo Angelopoulos. With: Willem Dafoe\, Irène Jacob\, Bruno Ganz. \nFor tickets (free of charge)\, click here. \nThis film is presented by The UCLA Film & Television Archive and the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture with support from the UCLA Center for European and Russian Studies and with the community partnership of the LAGFF. The retrospective is held under the auspices of the Consulate General of Greece in Los Angeles.
URL:https://hellenic.ucla.edu/event/angelopoulos-retrospective-the-dust-of-time/
LOCATION:Billy Wilder Theater\, Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Community,Film,Hellenic,Humanities,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/08/Dust-of-time-2-Theo-Angelopoulos-Film-Productions-1.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221120T100000
DTEND;TZID=America/Los_Angeles:20221120T120000
DTSTAMP:20220927T170804Z
CREATED:20220927T170804Z
LAST-MODIFIED:20220927T170804Z
UID:10000156-1668938400-1668945600@hellenic.ucla.edu
SUMMARY:Theo Angelopoulos: A Retrospective for the Present (Online panel discussion)
DESCRIPTION:This panel brings together distinguished scholars of Greek cinema to discuss the Greek director’s enduring contributions to a global cinema of time\, history\, and social crisis. Our speakers will discuss various aspects of Angelopoulos’s contemporaneity\, from the global impact of his distinctive filmic style and the philosophical dimensions of his visual language to the cinematic representation of issues that deeply challenge us today\, including migration\, social identity and displacement. The panel showcases Angelopoulos as an artist and thinker vital to our own grasp of our present and future. \nPanelists: \n\nVangelis Calotychos is Associate Professor of Classics at Brown University and Executive Director of the Modern Greek Studies Association). He is the author of Modern Greece\, a Cultural Poetics (2004) and The Balkan Prospect: Identity\, Culture\, and Politics in Greece after 1989 (2013)\, and editor of Manolis Anagnostakis: Poetry and Politics\, Silence and Agency in Post-War Greece (2012).\nVrasidas Karalis holds the Chair of Sir Nicholas Laurantos in Modern Greek and Byzantine Studies at the University of Sydney. He has translated Patrick White’s Voss and The Vivisector. He is the editor of Modern Greek Studies (Australian and New Zealand). His main publications in English include\, A History of Greek Cinema (Continuum 2012)\, Realism in Greek Cinema (I.B. Tauris\, 2017)\, Recollections of Mr Manoly Lascaris (Brandl & Sclesinger\, 2007)\, The Demons of Athens (Brandl & Schlesinger\, 2013)\, Reflections on Presence (re. Press\, 2016)\, The Cinematic Language of Theo Angelopoulos (Berhghan Press\, 2021) and the forthcoming Theo Angelopoulos Philosopher and Filmmaker (Palgrave 2023). He has also edited the collections Cornelios Castoriadis and the Project of Radical Democracy (2013)\, Martin Heidegger and the Aesthetics of Being (2008)\, Power\, Justice and Judgement in Hannah Arendt (2012). He is currently working on the Australian film-maker George Miller.\nLydia Papadimitriou is Reader (Associate Professor) in Film Studies at Liverpool John Moores University. She has published extensively on different aspects of Greek and Balkan cinema\, including financing and co-productions\, (digital) distribution\, film festivals\, politics and documentary. She is the author of The Greek Film Musical (2006)\, co-editor of Greek Cinema: Texts\, Forms and Identities (2011)\, and principal editor of the Journal of Greek Media and Culture. Her co-edited (with Ana Grgic) volume Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits was published by Edinburgh University Press in 2020.\n\nThe presentations and discussion will be followed by a Q & A with the audience\, moderated by Professor Laurie Kain Hart (Anthropology; Director of the UCLA Center for European and Russian Studies) and Dr. Simos Zenios (Associate Director of the UCLA SNF Hellenic Center; Stavros Niarchos Foundation & Ioannis P. and Eirini Caloyeras Lecturer in Modern Greek Language and Culture). \nRSVP here. \nThe panel is part of the Landscapes of Time: The Films of Theo Angelopoulos retrospective\, which is presented by the UCLA Film & Television Archive and the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture with support from the UCLA Center for European and Russian Studies and with the community partnership of the LAGFF. The retrospective is held under the auspices of the Consulate General of Greece in Los Angeles. 
URL:https://hellenic.ucla.edu/event/the-films-of-theo-angelopoulos-an-international-academic-discussion/
LOCATION:by Zoom
CATEGORIES:Community,Film,Hellenic,Humanities,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/09/landscapeinthemist-crop-1.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221119T100000
DTEND;TZID=America/Los_Angeles:20221119T120000
DTSTAMP:20220907T022342Z
CREATED:20220907T022342Z
LAST-MODIFIED:20220907T022342Z
UID:10000147-1668852000-1668859200@hellenic.ucla.edu
SUMMARY:Evita Arapoglou\, "Asia Minor Hellenism: Heyday - Catastrophe - Displacement - Rebirth"
DESCRIPTION:In this lecture\, part of the Hellenic Together 4.0 series held in collaboration with the Benaki Museum in Athens\, exhibition curator Evita Arapoglou leads us through “Asia Minor Hellenism: Heyday – Catastrophe – Displacement – Rebirth.” \nThis program is supported by the Stavros Niarchos Foundation (SNF). \nAbout the Exhibit \nVisitors to the exhibition begin their journey in the ‘heyday’ of Asia Minor Hellenism in Ionia and the west coast. They proceed to Cappadocia and the southern provinces\, travel to Pontus\, continue towards the west and the environs of Istanbul\, and end up in Eastern Thrace. \nThe heyday is followed by the period of persecutions\, the conclusion of World War I and the ensuing Treaties\, the period of the Greek landing in Asia Minor and the ensuing Campaign\, the ‘Catastrophe’ of 1922\, as well as the ‘Exodus’ of refugees. \nThe third and final section of the exhibition focuses on the settlement and integration of refugees in Greece\, as well as their impact on many sectors of Greek society. Part of the epilogue of the exhibition is dedicated to the creation of the Centre for Asia Minor Studies in 1930 by Melpo and Octave Merlier. \nThe exhibition features works of art\, icons\, ecclesiastical\, war and personal heirlooms\, costume\, jewelry\, handicrafts\, maps\, photographs\, archival and cinematographic material\, newspapers\, letters\, postcards\, and many other items. Excerpts from personal testimonies complement the narrative\, bringing images and silent objects to life. \nThe exhibition runs from September 15\, 2022 until February 12\, 2023.\nThursday\, Sunday: 10:00-18:00\nFriday\, Saturday: 10:00-22:00
URL:https://hellenic.ucla.edu/event/evita-arapoglou-asia-minor-hellenism-heyday-catastrophe-displacement-rebirth/
LOCATION:by Zoom
CATEGORIES:Art History,Community,Hellenic,HUC@UCLA,Humanities,Lecture,Modern Greece
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DTSTART;TZID=America/Los_Angeles:20221113T190000
DTEND;TZID=America/Los_Angeles:20221113T220000
DTSTAMP:20220819T232302Z
CREATED:20220819T232302Z
LAST-MODIFIED:20220819T232302Z
UID:10000140-1668366000-1668376800@hellenic.ucla.edu
SUMMARY:Angelopoulos Retrospective: The Weeping Meadow
DESCRIPTION:The Weeping Meadow (To Livadi pou Dakryzei) Greece\, 2004 \nA family history told in wide shot\, The Weeping Meadow spans the turbulent decades between 1919 and the end of the Greek Civil War in 1949 as they buffet the lives of Eleni (Alexandra Aidini) and her adoptive brother and lover Alexis (Nikos Poursanidis). Taken in by Alexis’ family\, Eleni and Alexis fall in love and flee his oppressive father with the help of itinerant musicians touring the country as it descends into war and chaos. Intended as the first installment in a trilogy of Greek history and with its clear echoes of The Traveling Players (1975)\, The Weeping Meadow feels like a summing up by a director who thought of his films as chapters in one continuous story. \n35mm\, color\, 163 min. Director: Theo Angelopoulos. Screenwriters: Theo Angelopoulos\, Tonino Guerra\, Petros Markaris\, Giorgio Silvagni. With: Alexandra Aidini\, Nikos Poursanidis\, Giorgos Armenis. \nFor tickets (free of charge)\, click here. \nThis film is presented by The UCLA Film & Television Archive and the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture with support from the UCLA Center for European and Russian Studies and with the community partnership of the LAGFF. The retrospective is held under the auspices of the Consulate General of Greece in Los Angeles.
URL:https://hellenic.ucla.edu/event/angelopoulos-retrospective-the-weeping-meadow/
LOCATION:Billy Wilder Theater\, Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Community,Film,Hellenic,Humanities,Modern Greece
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221106T190000
DTEND;TZID=America/Los_Angeles:20221106T220000
DTSTAMP:20220819T231726Z
CREATED:20220819T231726Z
LAST-MODIFIED:20220819T231726Z
UID:10000139-1667761200-1667772000@hellenic.ucla.edu
SUMMARY:Angelopoulos Retrospective: The Hunters
DESCRIPTION:The Hunters (I Kynighi) Greece\, 1977 \nWhen a hunting party finds the body of a communist partisan perfectly preserved in the snow\, they carry it back to their lakeside lodge to open a formal inquest. Representatives of the  conservative elite—politicians\, military officers\, businessmen\, media figures—who have gathered to celebrate New Year’s Eve 1977\, they are suddenly confronted by the horrors that put them in power. Theo Angelopoulos once compared The Hunters to Hitchcock’s The Trouble with Harry and while an absurdist streak runs through the film it’s also one of the most pointed and damning political critiques of his career. \n35mm\, color\, in Greek with English subtitles\, 168 min. Director: Theo Angelopoulos. Screenwriters: Theo Angelopoulos\, Stratis Karras. With: Vangelis Kazan\, Eva Kotamanidou\, Giorgos Danis. \nFor tickets (free of charge)\, click here. \nThis film is presented by The UCLA Film & Television Archive and the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture with support from the UCLA Center for European and Russian Studies and with the community partnership of the LAGFF. The retrospective is held under the auspices of the Consulate General of Greece in Los Angeles.
URL:https://hellenic.ucla.edu/event/angelopoulos-retrospective-the-hunters/
LOCATION:Billy Wilder Theater\, Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Community,Film,Hellenic,Humanities,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/08/hunters-1-Theo-Angelopoulos-Film-Productions-1.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221104T193000
DTEND;TZID=America/Los_Angeles:20221104T223000
DTSTAMP:20220819T231402Z
CREATED:20220819T231402Z
LAST-MODIFIED:20220819T231402Z
UID:10000138-1667590200-1667601000@hellenic.ucla.edu
SUMMARY:Angelopoulos Retrospective: Alexander the Great
DESCRIPTION:Alexander the Great (O Megalexandros) Greece\, 1980 \nTheo Angelopoulos insisted that Alexander the Great was his “most simple film” to date for its linear structure\, beginning on New Year’s Eve 1900 and proceeding from there. The film’s straightforward chronology\, however\, belies the complex interplay of Greek Orthodox and Byzantine liturgy\, music\, and ritual that Angelopoulos weaves into this newly urgent politically-charged fable of a would-be liberator who devolves into despotism. A bandit leader\, Megalexandros\, sparks an international incident when he kidnaps a group of English tourists but when he and his men return to their village to hold up\, they find the revolution may have already passed them by. \n35mm\, color\, in Greek and English with English subtitles\, 199 min. Director: Theo Angelopoulos. Screenwriters: Theo Angelopoulos\, Petros Markaris. With: Omero Antonutti\, Eva Kotamanidou\, Mihalis Giannatos. \nFor tickets (free of charge)\, click here. \nThis film is presented by The UCLA Film & Television Archive and the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture with support from the UCLA Center for European and Russian Studies and with the community partnership of the LAGFF. The retrospective is held under the auspices of the Consulate General of Greece in Los Angeles.
URL:https://hellenic.ucla.edu/event/angelopoulos-retrospective-alexander-the-great/
LOCATION:Billy Wilder Theater\, Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Community,Film,Hellenic,Humanities,Modern Greece
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/08/O-Megalexandros-2-Theo-Angelopoulos-Film-Productions-1.jpeg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20221103
DTEND;VALUE=DATE:20221107
DTSTAMP:20220811T005152Z
CREATED:20220811T005152Z
LAST-MODIFIED:20220811T005152Z
UID:10000131-1667433600-1667779199@hellenic.ucla.edu
SUMMARY:Byzantine Studies Conference
DESCRIPTION:We welcome the Byzantine Studies Association of North America (BSANA) and participants to the 48th Annual Byzantine Studies conference at UCLA! \nMost conference activities will take place at the Luskin Conference Center and Hotel on the UCLA campus.
URL:https://hellenic.ucla.edu/event/byzantine-studies-conference/
LOCATION:Luskin
CATEGORIES:Archaeology,Art History,Byzantine,Classics,Community,Hellenic,Humanities,Lecture,Symposium
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2022/08/Screen-Shot-2022-08-10-at-5.48.21-PM-1.jpg
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END:VCALENDAR