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DTSTART;TZID=America/Los_Angeles:20251115T140000
DTEND;TZID=America/Los_Angeles:20251115T170000
DTSTAMP:20250709T190218Z
CREATED:20250709T190218Z
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UID:10000229-1763215200-1763226000@hellenic.ucla.edu
SUMMARY:Between the Minoans and the Mycenaeans: Craft Technologies in the Second Millennium BCE Aegean
DESCRIPTION:Between the Minoans and the Mycenaeans: Craft Technologies in the Second Millennium BCE Aegean \nLecture by Nikolas Papadimitriou (Director\, Paul and Alexandra Canellopoulos Museum\, Athens) and Eleni Konstantinidi-Syvridi (Curator\, Department of Prehistoric\, Egyptian\, Cypriot and Near Eastern Collections of Antiquities\, at the Hellenic National Archaeological Museum\, Athens) \nDemonstration by Akis Goumas (contemporary jewelry maker and researcher of ancient crafting technologies) \nHosted by the\nUCLA SNF Center for the Study of Hellenic Culture \nin collaboration with\nThe J. Paul Getty Museum\nand held in conjunction with the exhibition\nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece \nSaturday\, November 15\, 2025\n2:00 P.M.\n314 Royce Hall\, UCLA Campus \nSchedule\n2:00pm – Lecture begins\n3:00pm – Q&A\n3:30pm – Reception\n4:00pm – Demonstration by Akis Goumas\n5:00pm – Event concludes \nRegistration for this event is closed. \n \nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece exhibition at the Getty Villa brings together some of the most exquisite artistic creations of the second millennium BCE Aegean. Many of these objects were the products of cultural fusion and combined elements from different artistic traditions originating in Minoan Crete\, Mycenaean Greece\, and areas far beyond. This presentation will examine the highly demanding techniques goldsmiths and seal-engravers used to create many of the objects in this exhibition. Following the lecture\, Akis Goumas will demonstrate the main steps of the technical processes involved in Mycenaean gold-working (sheet metal\, wire\, granulation\, etc.) and Minoan seal-engraving (soft materials and hard stones). \n \nDemonstration by Akis Goumas \nThe artist and researcher of ancient technologies Akis Goumas will demonstrate the main steps of the technical processes involved in: \n– Mycenaean gold-working (sheet metal\, wire\, granulation etc.)\n– Minoan seal-engraving (soft materials and hard stones). \nThe demonstration is based on the results of studies conducted in the National Archaeological Museum of Athens\, the Herakleion Archaeological Museum\, other museums in Greece\, and the Corpus of Minoan and Mycenaean Seals at Heidelberg\, Germany\, which involved microscopic examination of artefacts\, archaeometric analyses and experimental reconstructions. \nThe studies have been conducted in collaboration with Dr Eleni Konstantinidi-Syvridi\, of the National Archaeological Museum of Athens\, and Dr Nikolas Papadimitirou\, of the Paul and Alexandra Canellopoulos Museum\, Athens. Participants will have the opportunity to discuss with Mr Goumas and try some of the tools and materials used in the experiments. \nBios:\nNikolas Papadimitriou is the Director of the Paul and Alexandra Canellopoulos Museum\, Athens\, Greece (www.camu.gr). He specializes in the Aegean Bronze Age\, with an emphasis on Mycenaean burial practices\, cultural interaction in the Mediterranean in the 2nd millennium BCE\, the prehistory of Athens and Attica\, and the study of craft technologies. Previously\, he worked as a Lecturer at the Institute of Classical Archaeology\, Heidelberg University\, Germany\, the Museum of Cycladic Art\, Athens and the Cyprus Department of Antiquities. Currently\, he is co-directing research projects at the archaeological sites of Marathon\, Thorikos (Attica) and Kato Samikon (Elis). He has a rich publication record and has received research fellowships from the Centers of Hellenic Studies at Princeton and Harvard (2011\, 2017). \nEleni Konstantinidi-Syvridi is Curator at the Department of Prehistoric\, Egyptian\, Cypriot and Near Eastern Collections of Antiquities at the National Archaeological Museum\, Athens (https://www.namuseum.gr/en/). She graduated from the University of Ioannina\, Greece\, and received her PhD at the University of Birmingham\, UK. Her research focuses on the Late Bronze Age Aegean and the Eastern Mediterranean\, with special interest in Mycenaean jewelry and dress. She has given seminars and lectures on the history and technology of Mycenaean jewelry in Greece and abroad and has written articles and book chapters on various Late Bronze Age issues. For the past decade\, she has been co-directing a multi-disciplinary project for the reconstruction of ancient gold-working techniques\, while she is currently studying the corpus of metal signet rings housed in the Mycenaean Collection of the National Archaeological Museum. \nAkis Goumas is a contemporary jewelry maker and researcher of ancient crafting technologies. After receiving a Diploma in Economics (1978)\, he was trained as a jeweler and silversmith. From 1982 to 1986 he studied gemology and seal engraving in Greece and Germany. Between 1990 and 2006 he was the head designer in the jewelry company ONAR. Since 2000\, he has been teaching creative jewelry at the Chalkis School of Art\, and since 2017 at the ANAMMA Jewelry School in Athens\, and the ALCHIMIA Contemporary Jewelry School in Florence. Since 2006\, he is member of an interdisciplinary group of researchers\, who study ancient gold-working and seal-engraving techniques. In 2021 he was a Visiting Artist at the Harvard Center for Hellenic Studies. Ιn 2023-24\, he was the holder of a Homo Faber fellowship\, established by Jaeger LeCoultre and Michelangelo Foundation for Creativity and Craftsmanship. In 2024-25 he participated in the organization of the exhibition “Art in Gold. Jewelry in Hellenistic Times” at the Benaki Museum\, Athens\, Greece. \nThis event is organized by Professor David Schneller (UCLA) and Dr. Claire Lyons (Getty) and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nCo-Sponsored by: \nUCLA College\, Division of Humanities\nThe Peter J. and Caroline B. Caloyeras Endowment for the Arts\nThe George P. Kolovos Family Centennial Term Chair in Hellenic Studies\nThe Joan Palevsky Chair of Classics at UCLA\nGefyra\nUCLA Global Antiquity\nUCLA Department of Art History\nUCLA Department of Classics\nUCLA Department of Near Eastern Languages & Cultures\nUCLA David C. Copley Center for the Study of Costume Design \nDon’t miss our other upcoming programs in collaboration with the J. Paul Getty Museum here: \nSaturday\, November 22\, 2025Pylos and Minoan Crete \nSaturday\, December 6\, 2025\nMessenia to Mesopotamia: New Directions in the Art and Archaeology of the Second Millennium BCE Symposium \nParking information: \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\nTo save time\, you may purchase your parking permit for $17 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “Between the Minoans and the Mycenaeans” With the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 6) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu
URL:https://hellenic.ucla.edu/event/crafttechnologies/
CATEGORIES:Cultural Heritage,Gefyra,Hellenic,Heritage,History,Humanities,Lecture,Reception
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2025/07/Jewelry-Making-Banner-1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241027T170000
DTEND;TZID=America/Los_Angeles:20241027T190000
DTSTAMP:20240506T213853Z
CREATED:20240506T213853Z
LAST-MODIFIED:20240506T213853Z
UID:10000208-1730048400-1730055600@hellenic.ucla.edu
SUMMARY:Cappella Romana
DESCRIPTION:Cappella Romana\nWorld première program\nIN THE FOOTSTEPS OF ST. DEMETRIOS \nDirected by\nAlexander Lingas\nFounder and Director\, Cappella Romana \nA performance presented by\nthe UCLA SNF Center for the Study of Hellenic Culture\,\nthe UCLA Herb Alpert School of Music\nand Saint Sophia Greek Orthodox Cathedral \nSunday\, October 27\, 2024\n5:00 PM\nRunning time: 75 minutes; no intermission\nReception following the performance \nSaint Sophia Greek Orthodox Cathedral\n1324 S Normandie Ave\nLos Angeles\, CA 90006 \nTickets: $25 General Admission (including service fees)\nFree for children under 18 \nAll students age 18+ with valid ID:\nUCLA students can reserve free tickets online with UCLA logon ID\nNon-UCLA students: Free tickets can be obtained at UCLA Central Ticket Office in advance\, or at event \nBuy Tickets \nCappella Romana brings to life the vibrant soundscape of medieval Thessaloniki\, Byzantium’s second largest city. Hear ancient hymns honoring the city’s patron\, the ever-popular St. Demetrios\, sung on the weekend of his annual feast day. Experience ecstatic Byzantine chants for the saint adorning the Cathedral Rite of Constantinople\, sung by the women and men of Cappella Romana. \nThis program\, held under the auspices of the Greek Orthodox Metropolis of San Francisco and the Consulate General of Greece in Los Angeles\, is made possible thanks to the generous support of the Stavros Niarchos Foundation (SNF)\, the Peter J. and Caroline B. Caloyeras Endowment for the Arts\, and the Mary Calfas Janos Program Fund. This program is co-sponsored by Gefyra (Bridge)\, the UCLA College Humanities Division\, UCLA Center for the Study of Religion\, and the UCLA CMRS Center for Early Global Studies. \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nClick Here for Digital Program \nParking Information: \nFree parking is available at Saint Sophia’s main parking lot and small lot across the street.  Please enter either lot from Normandie Avenue. Please consider carpooling or using rideshare services as parking fills up quickly. Metered parking is available on surrounding streets.
URL:https://hellenic.ucla.edu/event/cappella-romana/
LOCATION:Saint Sophia Cathedral\, 1324 S Normandie Ave\, Los Angeles\, CA\, 90006\, United States
CATEGORIES:Byzantine,Community,Cultural Heritage,Gefyra,Hellenic,HUC@UCLA,Humanities,Music,Reception
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/08/capella-demitrios_WEB-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240330T100000
DTEND;TZID=America/Los_Angeles:20240330T120000
DTSTAMP:20240104T052703Z
CREATED:20240104T052703Z
LAST-MODIFIED:20240104T052703Z
UID:10000185-1711792800-1711800000@hellenic.ucla.edu
SUMMARY:Gefyra Greek Book Club: Η πολιορκία της Τροίας του Θοδωρή Καλλιφατίδη
DESCRIPTION:RSVP here. \nFor further information about the book and the author\, please visit the publisher’s website\, where you can also purchase a digital copy of the book. Please read the instructions carefully. \nFor further information about the Gefyra Conversation with the Author series and the Greek Book Club\, please contact Dr. Simos Zenios (szenios@humnet.ucla.edu) or Dr. Eirini Kotsovili (dkotsovi@sfu.ca). \nThe Gefyra Greek Book Club meetings are part of Gefyra (Bridge)\, a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the Simon Fraser University SNF Centre for Hellenic Studies with support from the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/gefyra-greek-book-club-%ce%b7-%cf%80%ce%bf%ce%bb%ce%b9%ce%bf%cf%81%ce%ba%ce%af%ce%b1-%cf%84%ce%b7%cf%82-%cf%84%cf%81%ce%bf%ce%af%ce%b1%cf%82-%cf%84%ce%bf%cf%85-%ce%b8%ce%bf%ce%b4%cf%89%cf%81%ce%ae/
LOCATION:by Zoom
CATEGORIES:Community,Gefyra,Literature,Modern Greece,Reception
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2024/01/GefyraBookClub_4_Kallifatidis-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231205
DTEND;VALUE=DATE:20231207
DTSTAMP:20231129T022956Z
CREATED:20231129T022956Z
LAST-MODIFIED:20231129T022956Z
UID:10000182-1701734400-1701907199@hellenic.ucla.edu
SUMMARY:(Re)envisioning Ancient Worlds
DESCRIPTION:(Re)envisioning Ancient Worlds \nTuesday\, December 5 – Wednesday\, December 6 Royce 306 \nA Forum for exchanges on ancient studies at UCLA hosted by Global Antiquity  \nRegistration Requested \nFor more information and to register\, visit https://globalantiquity.ucla.edu/workshop/ \nSee the program here.
URL:https://hellenic.ucla.edu/event/reenvisioning-ancient-worlds/
LOCATION:Royce Hall\, 306\, 10745 Dickson Ct\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Classics,Hellenic,Reception
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2023/11/405325142_803437024918687_5369748735732881218_n-1.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231115T170000
DTEND;TZID=America/Los_Angeles:20231115T183000
DTSTAMP:20231028T014756Z
CREATED:20231028T014756Z
LAST-MODIFIED:20231028T014756Z
UID:10000181-1700067600-1700073000@hellenic.ucla.edu
SUMMARY:Emilio Capettini\, "'The Dolphin-Haunted Artifacts of Dimmed Atlantis:' Evocations of Graeco-Roman Antiquity during the HIV/AIDS Crisis"
DESCRIPTION:“The Dolphin-Haunted Artifacts of Dimmed Atlantis:” Evocations of Graeco-Roman Antiquity during the HIV/AIDS Crisis \nLecture by Emilio Capettini\, Assistant Professor\, UC Santa Barbara \nWednesday\, November 15\, 2023\n5:00 p.m.\n248 Dodd Hall\nReception to follow \nNo RSVP required \nReflections on memory and oblivion\, erasure and persistence\, and fragmentation and integrity pervade the rich output of queer artists and writers in response to the HIV/AIDS epidemic\, and the oeuvres of the American writer Paul Monette and of the British “Renaissance man” Derek Jarman are no exception. This talk will examine how encounters\, whether real or imagined\, with the literary and material remnants of Graeco-Roman antiquity shaped Monette’s and Jarman’s ruminations over the dialectical oppositions just mentioned\, engendering philological and archaeological fantasies that played a key role in the articulation of their artistic practices. \nEmilio Capettini received his B.A. and M.A. from the University of Pisa and the Scuola Normale Superiore of Pisa. He completed his Ph.D. at Princeton University in 2016 with a dissertation entitled “An Improbable Symphony: Genealogy\, Paternity\, and Identity in Heliodorus’ Aethiopica.” In addition to the ancient novel\, he is keenly interested in Greek epic poetry\, Greek tragedy\, and classical reception studies. At the moment\, Emilio is completing a monograph that explores the dynamics of selfhood in Heliodorus’ Aethiopica. His next project\, provisionally titled “Greek Characters Erasing in the Weather:” Queer Returns to Antiquity during the AIDS Crisis\, will examine how\, since the early ’80s\, queer writers and artists active in North America and the UK (e.g.\, John Dugdale\, Derek Jarman\, Mark Merlis\, and Paul Monette) have turned to the literary and material traces of Greco-Roman antiquity as they have reacted to\, and reflected on\, the sudden and seemingly inexplicable onset of HIV/AIDS. \nThe event is the inaugural lecture in the Reception of Hellenic Culture Lecture Series\, co-organized by the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture and the UCLA Department of Classics. \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF).
URL:https://hellenic.ucla.edu/event/emilio-capettini-the-dolphin-haunted-artifacts-of-dimmed-atlantis-evocations-of-graeco-roman-antiquity-during-the-hiv-aids-crisis/
LOCATION:UCLA\, Dodd 248
CATEGORIES:Classics,Hellenic,Humanities,Lecture,Reception
ATTACH;FMTTYPE=image/jpeg:https://hellenic.ucla.edu/wp-content/uploads/2023/10/Emilio-Capettini-Flyer-1-1.jpg
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