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DTSTART;VALUE=DATE:20231118
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DTSTAMP:20230829T221219Z
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SUMMARY:Reconsidering the Generation of the 1930s: The Roots and Breadth of Greek Modernism Conference
DESCRIPTION:Reconsidering the Generation of the 1930s: The Roots and Breadth of Greek Modernism Conference \nSaturday\, November 18\, 2023\n314 Royce Hall\, UCLA\n10:00 a.m. – 5:00 p.m. \nConference organized by Sharon Gerstel (UCLA) and Sofia Pitouli (UCLA) \nWelcome remarks by The Honorable Ioannis Stamatekos\, Consul General of Greece in Los Angeles. \nSpeakers: \nAreti Adamopoulou\, Professor of Art History\, University of Ioannina\nAbstract title: The “Generation of the 1930s” in Art: Cold War Cultural Politics and Modern Painting in Greece \nGeorge Baker\, Professor of Art History\, UCLA\nAbstract title: Yannis Tsarouchis and Anachronic Modernism: Lateness\, Counter-Memory\, and the Redefinition of the Human \nNikos Daskalothanassis\, Professor of Modern and Contemporary Art History\, Athens School of Fine Arts\nAbstract title: Theophilos and the Generation of the ’30s (again) \nPolina Kosmadaki\, Curator of Modern and Contemporary Art\, The Benaki Museum\nAbstract title: Concepts of Artistic “Greekness” in the Post-Junta Period: The Case of the Exhibition of Tsarouchis\, Ghika\, Kontoglou\, Theofilos in the Greek Month in London\, 1975 \nSofia Pitouli\, Ph.D. Candidate in Byzantine Art\, UCLA\nAbstract title: Toward Greekness: Dimitris Pikionis’ Architectural Fantasies of Japan \nPoppy Sfakianaki\, Postdoctoral Researcher\, Institute for Mediterranean Studies/FORTH\nAbstract title: Greek Modern Art in Interwar Paris: Networks Rather Than a Generation \nConference Description:\nThis conference challenges the attribution of the term “Generation of the 1930s” (Γενιά του ’30) to artists and writers active during the 1930s and the following decades. The term initially addressed a group of writers and poets bound by similar experiences and socio-historical backgrounds. However\, between 1948-50\, artists were also clustered under the term\, which\nliterati employed regularly––and still do––in scholarship. These artists were credited with the creation of modernism in Greece\, which was inspired by Western European movements but was also deeply rooted in history\, particularly in Orthodox Byzantium. The conference explores the various poles of artistic inventiveness during the 1930s but also examines the work of these artists and writers throughout the twentieth century\, prompting us to conceive their work diachronically rather than within the confines of a single decade. Given the socio-political circumstances of the nineteenth century in Greece (the traumatic changes resulting from the Greco-Turkish war\, the ensuing population exchange\, the collapse of the Megali Idea\, the dramatic upheavals of interwar Greece\, the Metaxas dictatorship\, and the Junta regime)\, the conference examines transnational and cosmopolitan orientations within Greek modernism and the ways in which these intertwined with narratives of nationality and folklore. \nGreek Modernism Conference Schedule \nAttendance is free and open to the public. Lunch is not included.  \nThis conference will not be recorded or livestreamed. \nThis program is made possible thanks to the Stavros Niarchos Foundation (SNF) and is held under the auspices of the Consulate General of Greece in Los Angeles. \nGefyra (Bridge) is a collaborative program established by the UCLA SNF Center for the Study of Hellenic Culture and the SNF Centre for Hellenic Studies at Simon Fraser University with support from the Stavros Niarchos Foundation (SNF). Gefyra’s mission is to connect students\, faculty\, and communities along the West Coast of North America with Greek scholars\, artists\, and other creators\, so that they can together explore expansive and imaginative approaches to Greek culture and knowledge production. The program additionally supports academic conferences and cultural projects that bridge the West Coast and Greece. \nThank you to our co-sponsors!\n \n \n \nParking for Royce Hall is available in Parking Structure 5 located at: 302 Charles E Young Dr N\, Westwood\, Los Angeles\, CA 90095. Parking Structure 5  is accessible from Royce Drive\, south of Sunset Boulevard\, and west of Hilgard Ave. (in the northeast section of the campus). \nNo parking attendants will be on-site at the parking structure\, and Pay-By-Space/Visitor Parking is extremely limited in this lot\, so we highly encourage you to purchase a parking permit in advance: \n\n\n\nTo save time\, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Royce Hall\,” then “1930s Conference” with the advanced parking permit\, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal\, please click here.\n\n\n\n\nTo purchase a permit when you arrive at Parking Structure 5\, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).\n\n\n\n\nGuest drop/Ride-share drop off is closest at the turnaround at the front of Royce Hall located at: 10745 Dickson Court\, Los Angeles\, CA 90095.\n\n\n\n\nAccessible parking: If you have accessibility needs\, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5) of this structure\, and proceed to the Self-Service Pay Station machine to pay by credit card.  Please visit our Campus Accessibility Map to view related information.\n\n\n\nFor inquiries\, please contact hellenic@humnet.ucla.edu or 310-825-5323.
URL:https://hellenic.ucla.edu/event/1930sconference/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Art History,Byzantine,Gefyra,Hellenic,Humanities,Modern Greece,Symposium
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