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SUMMARY:Messenia to Mesopotamia: New Directions in the Art\, Archaeology\, and Reception of the Second Millennium BCE
DESCRIPTION:Two Pendants with Hathor\, Levantine\, 1630–1440 BCE. Gold\, lapis lazuli\, glass\, and semiprecious stones.\n© Hellenic Ministry of Culture – HOCRED / Archaeological Museum of Chora\, NSF10540 / \n© Palace of Nestor Excavations\, Department of Classics\, University of Cincinnati\nPhoto: Jeff Vanderpool\nVEX.2025.1.55\nMessenia to Mesopotamia: New Directions in the Art\, Archaeology\, and Reception of the Second Millennium BCE \nScholars Presenting: Emily Egan (Associate Professor\, University of Maryland)\, Joanne Murphy (Professor\, UNC Greensboro)\, David Schneller (Assistant Professor\, UCLA)\, and Efthymia Tsiolaki (Postdoctoral Fellow\, University of Toronto) \nUCLA Graduate Students Presenting: Jayme Capazo\, McKenna Lincoln\, Talia Neelis\, Emma Pauly\, Duncan Restrepo\, Natalie Rudin\, Alexandra Seiler\, and Selman Oğuzcan Ünal \nHosted by the\nUCLA SNF Center for the Study of Hellenic Culture\nin collaboration with\nThe J. Paul Getty Museum\nand held in conjunction with the exhibition\nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece \nSaturday\, December 6\, 2025\n9:00 A.M. – 5:00 P.M.\n314 Royce Hall\, UCLA Campus\nReception to follow \nRegistration for this event is now closed. \nView full schedule here \n \nJoin us for an interdisciplinary symposium that reimagines the art and archaeology of the eastern Mediterranean and western Asia during the second millennium BCE. This event—the culmination of a graduate seminar in ancient art history held in conjunction with the Getty Villa exhibition The Kingdom of Pylos: Warrior-Princes of Mycenaean Greece – brings together invited scholars and UCLA graduate students from Art History\, Classics\, Near Eastern Languages and Cultures (NELC)\, and the Interdepartmental Program in Archaeology. Together\, participants will share new discoveries\, fresh ideas\, and creative approaches to understanding the interconnected worlds of this pivotal era in the ancient past. \nBios: \nEmily Catherine Egan is Associate Professor of Ancient Eastern Mediterranean Art and Archaeology in the Department of Art History & Archaeology at the University of Maryland. She holds a dual B.A. in Classics and Old World Archaeology and Art from Brown University\, an M.Phil. in Archaeology from the University of Cambridge\, and an M.A. and Ph.D. in Classics from the University of Cincinnati. Her research focuses on artistic practice in the Bronze Age Aegean\, and particularly on the production\, consumption\, and iconography of Mycenaean painted surface decoration. She has undertaken archaeological fieldwork in Italy\, Turkey\, Jordan\, Armenia\, Cyprus\, and most recently in Greece\, where she is engaged in the study of wall and floor paintings from the Palace of Nestor at Pylos\, and Petsas House\, Mycenae. \nJoanne Murphy is a professor of Ancient Mediterranean Studies and Archaeology at the University of North Carolina Greensboro\, where she has worked since 2008 and serves as Department Head. She is also the current Director of the Irish Institute of Hellenic Studies\, President of The American Friends of the Irish Institute of Hellenic Studies (a 501c non-profit)\, and an Academic Trustee at the Archaeological Institute of America. She received her BA and first MA from University College Dublin\, Ireland\, and an MA and PhD from University of Cincinnati. Her research focuses primarily on religion and death and how they connect with identity\, community\, and political economies. As well as giving tens of lectures both nationally and internationally\, she has published over 30 papers and five edited volumes on these and related topics and has one monograph in press and two other volumes underway. She has led two major research projects: one\, a legacy study\, on the tombs around Pylos in southwestern Greece and one\, an archaeological survey on the Greek island of Kea. She has received awards for her research and for initiatives at UNCG and non-profits from various foundations including INSTAP\, the Mellon Foundation\, the Onassis Foundation\, the NEH\, and the Loeb Foundation.  She has also been recognized for her teaching and was awarded the Archaeological Institute of America’s Excellence in Undergraduate Teaching Award and UNCG College of Arts and Sciences Teaching Excellence Award. She has a great love of sharing the past and has led tours in Greece\, Ireland\, France\, England\, Italy\, and Turkey\, as well as running an annual archaeological field school in Greece. \nDavid Schneller is an art historian and archaeologist whose research and teaching focuses on the ancient eastern Mediterranean and western Asia. He is currently working on his first book\, Crafting Across Time and Space: Artistic Exchange in the Eastern Mediterranean\, a study of artworks that resist categorization in the conventionally accepted fields of art history. This study makes the case for creative\, cross-cultural experiments and collaborations among a diverse group of artists and their patrons during the early first millennium BC by exploring materially-informed object histories and crafting knowledge. This research has been supported by the Metropolitan Museum of Art\, the Alexander S. Onassis Foundation\, and the American School of Classical Studies at Athens. Prior to joining the Department of Art History at UCLA\, Professor Schneller taught in the Core Curriculum and Department of Art History and Archaeology at Columbia University and in the Art History Department at the State University of New York at New Paltz. \nEfthymia Tsiolaki is a Postdoctoral Fellow in the Department of Classics at the University of Toronto. She is an archaeologist specializing in the Bronze Age Aegean\, with a focus on the social and economic organization of the Greek mainland. Her current research project explores the long-term history of settlement and land use in Messenia from the bottom-up\, integrating surface survey and excavation data with GIS-based analysis to highlight the dynamic character of peripheral communities before and during the rise of the Mycenaean palace at Pylos (ca. 3000 – 1100 BC). She also studies the technology and function of ground stone tools across several archaeological projects\, examining their roles in domestic and craft activities. \nThis event is organized by Professor David Schneller (UCLA) and Dr. Claire Lyons (Getty) and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nCo-Sponsored by:\nUCLA College\, Division of Humanities\nThe Peter J. and Caroline B. Caloyeras Endowment for the Arts\nThe George P. Kolovos Family Centennial Term Chair in Hellenic Studies\nThe Joan Palevsky Chair of Classics at UCLA\nGefyra\nUCLA Global Antiquity\nUCLA Department of Art History\nUCLA Department of Classics\nUCLA Department of Near Eastern Languages & Cultures\nUCLA David C. Copley Center for the Study of Costume Design \n 
URL:https://hellenic.ucla.edu/event/messeniatomesopotamia/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Classics,Cultural Heritage,Gefyra,Humanities
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DTSTART;TZID=America/Los_Angeles:20190407T150000
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SUMMARY:Classical debt 'after' the crisis: Greek antiquity in the era of Grecovery
DESCRIPTION:Drawing from her latest book\, The Classical Debt: Greek Antiquity in an Era of Austerity\, Johanna Hanink\, Professor at Brown University\, shows that our idealized image of ancient Greece dangerously shapes our view of the modern country and its recent crises. \nFor nearly a decade\, Greece has been notorious for its monetary\, sovereign debt. Yet for more than two centuries\, claims have been made for another type of “Greek debt\,” namely the symbolic debt that Europe—or even “Western civilization”—allegedly owes to Greece for bequeathing the world with its traditions of democracy\, philosophy\, mathematics\, fine art\, etc. This lecture will depart from this premise\, but will focus on how accounting of that debt-balance has recently shifted\, especially since August 20\, 2018\, when Greece “exited” from its official bailout programs and embarked on a new era hailed as one of “Grecovery.” That day\, Prime Minister Alexis Tsipras triumphantly pronounced\, at a press conference carefully staged on the island of Ithaca\, “We reached our destination.” What role might antiquity play in this next chapter for Greece? \n  \n 
URL:https://hellenic.ucla.edu/event/classical-debt-after-the-crisis-greek-antiquity-in-the-era-of-grecovery/
LOCATION:Royce Hall\, 314\, 10745 Dickson Ct\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Classics,Hellenic,Lecture,Modern Greece
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