Pigments in Ancient Greek Painting & Medicine: Ecology, Materiality and the Alchemical Laboratory
Los Angeles, CA 90095 United States + Google Map
Pigments in Ancient Greek Painting & Medicine:
Ecology, Materiality and the Alchemical Laboratory
(Department of Materials Science and Engineering, UCLA)
Saturday, April 29, 2023
306 Royce Hall
Reception to follow
Ancient Greek paintings between the fourth century BC and the third century AD are characterized by a splendor of colors, high artistic quality and rich pictorial effects such as shading, translucency and transparency, innovations that characterize and mark the art of Greek and later Roman painting traditions. Through the scientific analysis of surviving paintings—mainly wall paintings—this lecture explores the material ecology and intrinsic optical, chemical and microstructural properties of pigments in Late Classical and Hellenistic painting. It further interrogates how these properties contributed to the paintings’ qualities, aesthetics and function and their technological association with ancient makeup and therapeutic substances, philosophy and early al(chemical) practices. Data is presented in the context of seminal texts of ancient writers such as Dioscorides, Theophrastus, Vitruvius and Pliny the Elder describing the chemical arts of color, cosmetics and medicaments, and alchemical recipes from two third-century AD Greek papyri, which provide the earliest surviving direct evidence on ancient alchemical practices for the synthesis of colored compounds.
Ioanna Kakoulli, who will serve as Acting Director of the UCLA SNF Hellenic Center in 2023-2024, is a professor in the Department of Materials Science and Engineering with a joint appointment in the Archaeology Interdepartmental Degree Program and the UCLA/Getty Conservation Program, in which she served as the inaugural ‘Lore and Gerald Cunard’ Program Term Chair from 2011 to 2017. Since 2018, Professor Kakoulli has also held the honorary adjunct professor title at the University of Cyprus. Dr. Kakoulli has a M.A. from the Courtauld Institute of Art of the University of London and a Ph.D. in Archaeological Science from the University of Oxford.
This event is free, but please RSVP in advance: https://forms.gle/arJpagpdcrTHEamm9
Parking for Royce Hall is available in Parking Structure 5 located at: 340 Royce Drive, Los Angeles, CA 90095. Parking Structure 5 is accessible from Royce Drive, south of Sunset Boulevard, and west of Hilgard Ave (in the northeast section of the campus).
No parking attendants will be on-site at the parking structure, and Pay-By-Space/Visitor Parking is extremely limited in this lot, so we highly encourage you to purchase a parking permit in advance (available after April 1, 2023):
- To save time, you may purchase your parking permit for $15 in advance using Bruin ePermit: https://bruinepermit.t2hosted.com/pnw2/selectevent.aspx. Select “UCLA Campus Event,” then “Kakoulli Lecture.” With the advanced parking permit, you can park anywhere in Parking Structure 5 EXCEPT in the Pay-by-Space section. For instructions on how to use this portal, please click here.
- To purchase a permit when you arrive at Parking Structure 5, please park ONLY in the Pay-By-Space/Visitor Parking area on the rooftop of this structure, and proceed to the Self-Service Pay Station machine to pay by credit card (the parking on this level is very limited).
- Guest drop/Ride-share drop off is closest at the turnaround near the front of Royce Hall located at: 10745 Dickson Court, Los Angeles, CA 90095.
- Accessible parking:If you have accessibility needs, you may park in the Pay-By-Space/Visitor Parking area on the rooftop (level 5), and proceed to the Self-Service Pay Station machine to pay by credit card. Please visit our Campus Accessibility Map to view related information.
The event is supported by the Stavros Niarchos Foundation (SNF).
Image caption: Detail of the Late Classical painted marble throne found in a Royal tomb in Vergina, Greece attributed to Eurydice Sirra, Macedonian queen and grandmother of Alexander the Great. The painted decoration of the throne shows the extensive use of a mercury-based pigment known as cinnabar; an important component in alchemy and perhaps the most celebrated pigment in Classical antiquity.